451 results where found for «A mi palomita»


Recinto: Fiscalía Militar Puerto Montt / Gobernación / Intendencia
There are no testimonies in this detention centre.
If you had a musical experience in this detention centre, please share it here!

Recinto: Regimiento de Telecomunicaciones Nº 4 Membrillar / Regimiento Caballería Blindada N° 2 Cazadores / Regimiento de Artillería N° 2 Maturana / Fiscalía Militar, Valdivia
There are no testimonies in this detention centre.
If you had a musical experience in this detention centre, please share it here!

Partisan Anthem (Himno guerrillero)

Author:
Unknown. Russian melody. During the Russian Revolution, several lyrics with different ideological content circulated. This version is based on "Makhnovtchina", attributed to Nestor Makhno, Ukrainian anarchist revolutionary.
Testimony by:
Julio Laks Feller
Place & date:
« In late September 1974, the Soviet partisan’s song was intoned softly but with an awe-inspiring force in the José Domingo Cañas torture centre. Our comrade and beloved friend Sergio Pérez Molina, leader of the MIR who had fallen into the hands of the DINA a few days earlier, was being tortured again. We had already seen him disfigured by the blows; they had even applied electricity to a bullet wound when they shot him at the time of his arrest. Moren Brito boasted that he had run a pick-up truck over Sergio’s body. »
[...]
« Videla, Lumi »
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Lament for the Death of Augusto the Dog (Lamento a la muerte del perro Augusto)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« Augusto the dog (not to be confused with the journalist Augusto Olivares, affectionately nicknamed "Augusto the Dog", who was murdered in the Presidential Palace on 11 September 1973), was the mascot of the political prisoners held at the Ritoque concentration camp, and accompanied his master when the military junta decided to close that prison and transfer the inmates to the neighbouring Puchuncaví concentration camp. »
[...]
« He preferred the lock-up to misery »
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Ode to Joy (Himno a la alegría)

Author:
original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos.
Testimony by:
Luis Madariaga
Place & date:
« In prison we would sing this when a comrade was released or sent to exile. It was a powerful source of strength, solidarity and ironclad brotherhood, created during those long months in captivity, seeking an outlet for our hearts. I believe that that experience left a mark on all of us. »
[...]
« original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos. »
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The Crux of the Matter (La madre del cordero)

Author:
Tito Fernández
Testimony by:
Servando Becerra Poblete
Place & date:
Campamento de Prisioneros Chacabuco, 9 November 1973 - 10 November 1974
« I recited this poem in the National Stadium. I continued to do so in the Chacabuco prison camp, earning the nickname of “Venancio” from my fellow prisoners. »
[...]
« together in El Mirador, »
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How Can I Describe This to You? (Cómo hacer para darte una idea)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
Place & date:
« This is one of two songs I wrote in prison for my beloved Graciela Navarro. In the song I tried to draw her closer to me, describing my everyday world and my experience of life as a captive. »
[...]
« for your mind to see this small space, »
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Priests and Soldiers (Curas y milicos)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« I don’t want to exaggerate but Camp Melinka became not only a factory that produced handicrafts and a performance hall but also a university. Every day there were classes to learn foreign languages, art, medicine or literature. Solar ovens were built. Talks were given on arachnology. Literacy programmes were offered. »
[...]
« and a war of extermination »
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King Ñaca Ñaca (El rey Ñaca Ñaca)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« “Ñaca-ñaca” was an interjection we used at Camp Melinka whenever we wanted to signal and poke fun at any dark thought that might crossed our minds. That may be why it seemed the ideal name to give to the papier maché puppet that played the role of the mean king in the puppet stories we performed to entertain the children who came to visit their captive fathers. But Ñaca-Ñaca’s important role was more than that. The paper model was borrowed to perform the 'star role' in one of the cultural events we customarily staged every Friday. Events which, it should be pointed out, were attended only by captives and armed guards. It was a “Prisoners’ Show”, full of fantasy. »
[...]
« Never has history known a more miserly king, »
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May the Omelette Flip Over (Que la tortilla se vuelva)

Author:
Chicho Sánchez Ferlosio. Ppopularized by Quilapayún
Testimony by:
Claudio Melgarejo
Place & date:
« I spent a week in captivity, in November 1973. I didn’t hear many songs, but the most popular ones sung by my comrades were "Venceremos" (We shall be victorious) and “Que la tortilla se vuelva” (May the omelette flip over), also known as "The tomato song", which portrays the bosses' exploitation of the workers. At that time, the young in Latin American were steeped in revolutionary change and we empathised with the situation around Che Guevara and Cuba. »
[...]
« The lords of the mine »
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