153 results where found for «After the War»

Saint Gregory’s Tonada (Tonada San Gregorio)

Song by:
Pedro Humire Loredo
Testimony by:
Pedro Humire Loredo
Experience in:
Tenencia de Carabineros Nueva España, Población San Gregorio, September 1973
Tags:
« This tonada song* recalls the horrible situation I was subjected to in the cells of the police station in the San Gregorio district in southern Santiago. That afternoon of 11 September 1973, I was at school marking some music tests. After a while I heard a very loud bang on the door and went to open it at once. It was the police. »
[...]
« On the fourth day they manhandled us out into the courtyard, where they carried out a mock execution on the group. When I’d been taken to the cells three days earlier, a policeman had taken away my vicuña wool scarf knitted by my mother, and I felt very sad standing there in the courtyard after the mock execution. »
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Lucía

Song by:
Joan Manuel Serrat
Testimony by:
Beatriz Bataszew Contreras
Experience in:
Campamento de Prisioneros, Tres Álamos, December 1974 - May 1976
Tags:
« Tres Álamos was a more “normal” camp, even though we never had a trial. There was a lot of music, it was sort of ritualistic. There were days when we put more enthusiasm into it, on Saturdays or Sundays after the visits, although I’m not all that sure. »
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Sinner, come to sweet Jesus (Pecador, ven al dulce Jesús)

Song by:
Unknown
Testimony by:
anónimo
Experience in:
Cárcel de Valdivia / Cárcel de Isla Teja, September 1973
Tags:
« One time a group of male and female evangelicals came to Teja Island to preach. They were taken to the visitors’ yard. Because we prisoners had nothing else to do, we went to see them. »
[...]
« Something very funny happened that stayed with me for the rest of my life. After the music finished one of the evangelicals asked: “who wants to receive Jesus Christ as their saviour?” One prisoner replied: “but what if they put us in prison again?” We all burst out laughing. You had to find a way to let off steam. »
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Why does the afternoon cry (Por qué llora la tarde)

Song by:
Antônio Marcos. Popularised in Chile by Claudio Reyes
Testimony by:
Carolina Videla
Experience in:
Cárcel Pública de Arica, January 1989
Tags:
« My prison term happened during the last year of the dictatorship after the No vote won. I was set free because of “lack of evidence”, after a year and a half in prison. »
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The Clock (El reloj)

Song by:
Roberto Cantoral
Testimony by:
Ana María Arenas
Experience in:
Calle Irán Nº 3037 / Venda Sexy / La Discotheque, December 1974
Tags:
« The day I was captured, after the first torture session, I asked for permission to sing a Christmas carol, the name of which I cannot remember. I did it to let one of my captive friends know that I was also at the Venda Sexy. »
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They Say the Homeland Is - Soldier's Song

Song by:
Chicho Sánchez Ferlosio
Testimony by:
Sergio Reyes Soto
Experience in:
Campamento de Prisioneros Isla Dawson, 1973 - 1974
Tags:
« This song, like so many others, was not at all “captive”. The revolutionary songs we sang behind bars imbued us with a sense of freedom. Rolando Alarcón, and later Quilapayún, introduced “Dicen que la patria es” (or “Canción de soldados”) to Chile. »
[...]
« The war they so fear »
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Today I Sing for the Sake of Singing (Hoy canto por cantar)

Song by:
Nydia Caro and Riccardo Cerratto
Testimony by:
Beatriz Bataszew Contreras
Experience in:
Calle Irán Nº 3037 / Venda Sexy / La Discotheque, 12 - 18 December 1974
Tags:
« I have never been a great music listener. Nevertheless, before the coup I used to listen to Nueva Canción, especially Quilapayún and Rolando Alarcón. I also liked cumbias, to fool around. We would dance and have fun. On the other hand, and this is more due to my family, I have always liked classical music, particularly Tchaikovsky. It stirs important things in me. It moves me. »
[...]
« the north, the south, the cold, the warmth. »
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Today I Sing for the Sake of Singing (Hoy canto por cantar)

Song by:
Nydia Caro and Riccardo Cerratto
Testimony by:
Ángeles Álvarez Cárdenas
Experience in:
Villa Grimaldi, 6 - 15 January 1975
Tags:
« At that time many prisoners were subjected to extreme torture in the interrogations. Some managed to get through those processes alright, while others broke down. Breaking down meant "speaking” and for the members of the DINA (secret police) it meant "this jerk is singing". I often heard them saying: "eventually all of them are going to sing". »
[...]
« the north, the south, the cold, the warmth. »
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The Prisoner of Til Til (El cautivo de Til Til)

Song by:
Patricio Manns
Testimony by:
Renato Alvarado
Experience in:
Campamento de Prisioneros, Tres Álamos, 1975
Tags:
« I arrived at Tres Álamos on the eve of the departure for Mexico of a large group of prisoners. The group included Dr. Ipinza, who before leaving entrusted me with the job of physician, the medicine donated by the Red Cross, and his position in the Council of Elders. At 28 years of age, I found this title odd but also understandable, in light of the social esteem with which all tribes regard their healers. This tale has its origins there, as does a famous doctors’ strike, but that is another story. »
[...]
« They say that in the war »
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The Prisoner of Til Til (El cautivo de Til Til)

Song by:
Patricio Manns
Testimony by:
Fernando Aravena
Experience in:
Cárcel de Santiago, 1989
Tags:
« The political prisoners organised mate-drinking gatherings once or twice a week, during which we did poetry and sang songs, amongst them ‘El cautivo de Til Til’ by Patricio Manns, ‘Samba Landó’ and ‘Vuelvo’ by Inti-Illimani, ‘Valparaíso’ by Osvaldo ‘Gitano’ Rodríguez, and songs by Eduardo ‘Gato’ Alquinta and Silvio Rodríguez. »
[...]
« They say that in the war »
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