153 results where found for «After the War»


The Brief Space Where You Are Absent (El breve espacio en que no estás)

Song by:
Pablo Milanés
Testimony by:
Vilma Rojas Toledo
Experience in:
Cárcel de Coronel, 1986 - 1988
« I recall that during my time as a political prisoner Pablo Milanés was one of our greatest companions. His songs filled us with life, helped us to keep breathing and living behind the bars imposed by Pinochet’s military dictatorship. Personally, I remember the song “El breve espacio en que no estás” (“The brief space where you are absent”) because it sparked such heated debate among my comrades that you would think we were trying to resolve a vital political issue. »
[...]
« no one knows, the day after, what you will do »
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The Brief Space Where You Are Absent (El breve espacio en que no estás)

Song by:
Pablo Milanés
Testimony by:
Pedro Mella Contreras
« In the Penitentiary, we listened to the song “The Brief Space Where You Are Absent” on the radio stations Aurora and Nuevo Mundo. »
[...]
« no one knows, the day after, what you will do »
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Mid-Afternoon Love (Amor de media tarde)

Song by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« This song is dedicated to Graciela Navarro, who managed to made my prisoner's life more beautiful on the days we were allowed to receive visitors. During the week, when the hourly monotony became unbearable, she would use her free moments to deliver roses and brief love letters for me at the prison gate. »
[...]
« I have a mid-afternoon love »
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Lucky Devil (El suertúo)

Song by:
Víctor Canto and Luis Cifuentes (lyrics), Roberto Parra (music)
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« This cueca* was composed at Chacabuco sometime between November 1973 and February 1974 and was sung by Los de Chacabuco, of which Víctor Canto and I were members. »
[...]
« (2) Shortly after arriving at the camp, prisoners were vaccinated. »
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Neither Fish nor Fowl (Ni chicha ni limoná)

Song by:
Víctor Jara
Testimony by:
Joaquín Vallejos
Experience in:
« I was arrested at home together with a childhood friend who they’d gone to pick up first. My family thought he’d stitched me up, which was not true. My friend had nothing to do with politics; he just wanted peace and freedom. He was a hippie and very committed to helping those in need. The two of us were held in the Silva Palma barracks, but the interrogations and torture sessions were at the Naval War Academy in Valparaíso. »
[...]
« after all, to the nosy ones »
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The Man Who Transformed into an Animal (El hombre que se convirtió en animal)

Song by:
Sergio Vesely
Testimony by:
Sergio Vesely
« I wrote this song shortly after reading Franz Kafka’s The Metamorphosis, one of the books that circulated in Camp Melinka from hand to hand and cabin to cabin. I presume I don’t have to explain who is the one experiencing the metamorphosis here. »
[...]
« After three years of training »
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Zamba so as Not to Die (Zamba para no morir)

Song by:
Hamlet Lima Quintana
Testimony by:
Ana María Jiménez
Experience in:
Villa Grimaldi, April 1975
« I want to recall a night at Villa Grimaldi. »
[...]
« My voice will break the afternoon »
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Run Run Went up North (Run Run se fue pa'l norte)

Song by:
Violeta Parra
Testimony by:
Ernesto Parra Navarrete
Experience in:
« Run Run ... On the big pitch, mild summer weather was in the air. But for us, aching from the torture, hungry, haggard, stinking, tattered, tired of our uncertain future, all we longed for was a breath of energy that would allow us to feel that we were still alive and that the feelings of our absent loving partners were present. »
[...]
« Three days after, a letter »
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Shadows (Sombras)

Song by:
Rosario Sansores and Carlos Brito Benavides. Popularised in Chile by Lucho Barrios.
Testimony by:
Juan Carlos de Luján Peralta Aranguiz
« I arrived in this place as a war prisoner when I was sixteen years old. »
[...]
« Where during a warm afternoon »
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Answer Me

Song by:
Gerhard Winkler and Fred Rauch. English lyrics by Carl Sigman. Recorded by Frankie Laine.
Testimony by:
Luis Cifuentes Seves
Experience in:
« I sang this song alone in the National Stadium dressing rooms where I was held from September to November of 1973. This happened when the soldiers allowed artistic performances to take place in the converted dressing rooms while we waited our turn to be interrogated or after returning from interrogations. These were often torture sessions. »
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