147 results where found for «After the War»


Let’s Break the Morning (Rompamos la mañana)

Author:
René “Popeye” Cárdenas Eugenin
Testimony by:
María Soledad Ruiz Ovando
Place & date:
« Music was very important for us (my mother Sylvia Ovando, my sister Alejandra Ruiz and myself) while my dad, Daniel Ruiz Oyarzo, 'el Negro Ruiz', was imprisoned during the dictatorship, when Alejandra was seven and I was four. »
[...]
« Early one day just after waking up, and in the midst of all the pampering, our father taught us this song that he’d learnt while in prison. The three of us sang it a number of times. So that’s how we, very young girls, learned to sing 'Let's Break the Morning', a song that soon joined the repertoire we had been taught by my mother. »
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You Can Blame Me (Échame a mí la culpa)

Author:
José Ángel Espinoza, aka Ferrusquillo
Testimony by:
Marcia Scantlebury
« Mexican songs - and this one in particular - have always moved me. When I shared a cell with Miriam Silva, a young woman who belonged to the Communist Youth, arrested by the DINA when she was handing out leaflets on the street, we killed time in an organised fashion to keep ourselves from getting depressed and overcome by anxiety due to an unknown fate. »
[...]
« Since Miriam also liked music, one of the activities we planned was to spend the afternoons singing. On a piece of toilet paper I copied down the words to the song "Échame a mí la culpa", so she could learn it and then we could sing it together. »
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Balderrama

Author:
Manuel José Castilla (lyrics) and Gustavo Leguizamón (music). Popularised by Mercedes Sosa
Testimony by:
Eduardo Ojeda
« We arrived at Camp Compingin on Dawson Island on the afternoon of 11 September. We knew that we had been arrested that morning, and we knew nothing else yet. The next day, another group of prisoners arrived.They told us that Salvador Allende had died. We paid tribute to him around a bonfire. It was deeply meaningful. »
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Three Indian Songs (Tres canciones indias)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« After our transfer from Tres Álamos to Puchuncaví in April 1975, a group of prisoners began toying with the idea of presenting a poetic-theatrical performance about the history of Latin America’s indigenous cultures and their extermination under Iberian domination. I joined the group offering my services as songwriter and performer, and was received with open arms. »
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Song of the Disappeared (Canción del desaparecido)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
Place & date:
« Several of my friends and comrades disappeared after being arrested. The dictatorship denied knowledge of their whereabouts but I knew they were lying. Many of these people had been in prison with me in the dungeons of Villa Grimaldi. This song was sung in a cell of Valparaíso Jail with one comrade keeping watch next to the door in case a prison guard approached. »
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The Rain is Falling (Scende la pioggia)

Author:
The Turtles, with new lyrics by Gianni Morandi
Testimony by:
Eduardo René Cuevas
Place & date:
Cárcel de Los Ángeles, September 1973
« This song was a workhorse for the prisoners. Iván Moscoso sang it, accompanied by a guitar, in a powerful and defiant voice, and the most altruistic among us sung along in the presence of the gendarme guards, in a courtyard that was only for political prisoners. »
[...]
« For me, a prisoner from (the city of) Laja who walked with a cane, it represented a glimmer of hope and being able to say I am still alive, after twice being threatened with death on the very day of the coup (11 September 1973). Every minute, every day represented a victory of one more day over death and the desire to cling to life. This is part of what thousands of comrades had to live through in different circumstances of their lives. »
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Chacabuco Mass (Misa chacabucana)

Author:
Ángel Parra and Ariel Ramírez
Testimony by:
Luis Cifuentes Seves
Place & date:
Campamento de Prisioneros Chacabuco, January - February 1974
« This song is the second track on the cassette recorded in the Chacabuco prison camp by the band Los de Chacabuco, formed by Ángel Parra and led by him until his release. At the time that the cassette was recorded, Ángel had already been freed and Ernesto Parra had become the group's conductor. »
[...]
« The Chacabuco Mass consists of eight songs: four by Ángel Parra, composed in the camp, and four by Ariel Ramírez from his Misa Criolla (Creole Mass) recorded by Los Fronterizos* in the 1960s: 'After plowing the earth' (Ángel Parra), 'Kyrie' (Ariel Ramírez), 'Gloria' (Ariel Ramírez), 'Sanctus' (Ariel Ramírez), 'Exclamation' (Ángel Parra), 'Agnus Dei' (Ariel Ramírez), 'Man of clay' (Ángel Parra) and 'Ave Maria' (Ángel Parra). »
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Candombe for José (Candombe para José)

Author:
Roberto Ternán
Testimony by:
Amelia Negrón
« We were in Pavilion 1. One of us came up with the idea, I can’t remember who. There were so many of us and we spent the day inventing and creating things! »
[...]
« Bless be sign language, a thousand times blessed! Almost all of us knew it and we could exchange names, messages, information, facts,… All this while others would kicked the ball - the poor thing had done nothing wrong – and screamed, so that the cops who were looking after us would laugh and continue watching the game. They never noticed anything. »
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Friend (Amiga)

Author:
Miguel Bosé
Testimony by:
Carolina Videla
Place & date:
« When they arrested me I was 19 years old. I was one of the youngest political prisoners at the time in Arica. »
[...]
« After many years we met and spoke about the song. He was laughing. I was nice to thank him after so many years. »
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Everything Changes (Todo cambia)

Author:
Julio Numhauser
Testimony by:
Carolina Videla
Place & date:
« My guitar accompanied me for the entire time that I was deprived of freedom. It was like a magnet. In the afternoon we would sing and play in the courtyard. »
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