405 results where found for «An Old Love Tune»


I’m Not from Here - To my Comrade, my Love (No soy de aquí - A mi compañera)

Song by:
Facundo Cabral, with lyrics modified by a political prisoner
Testimony by:
Alfonso Padilla Silva
Experience in:
« The choir of male prisoners sang a piece called 'A mi compañera' (To my comrade, my love) to the music of 'No soy de aquí, ni soy de allá' (I'm not from here, nor from there) by Facundo Cabral. »
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Partisan Anthem (Himno guerrillero)

Song by:
anonymous Russian melody. During the Russian Revolution, several lyrics with different ideological content circulated. This version is based on 'Makhnovtchina', attributed to Nestor Makhno, Ukrainian anarchist revolutionary.
Testimony by:
Julio Laks Feller
Experience in:
« In late September 1974, the Soviet partisan’s song was intoned softly but with an awe-inspiring force in the José Domingo Cas torture centre. »
[...]
« Our comrade and beloved friend Sergio Pérez Molina, leader of the MIR who had fallen into the hands of the DINA a few days earlier, was being tortured again. »
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Melody by Jorge Peña Hen

Song by:
Jorge Peña Hen
Testimony by:
María Fedora Peña
Experience in:
Cárcel de la Serena, October 1973
« 'Look here, Maria Fedora. I’ve brought you a treasure', it was the voice of my brother Juan Cristián as he crossed the doorway of our mother’s house one morning in January 1983. »
[...]
« In the love of music as a spark of life, in the quest for beauty, for justice, for transcendence, and his love of humanity in all its greatness. »
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Candombe for José (Candombe para José)

Song by:
Roberto Ternán
Testimony by:
Sara De Witt
Experience in:
« We were in Tres Álamos barracks in September 1976. I don’t recall how many of us women were imprisoned there. I believe there were close to a hundred of us. »
[...]
« Some of us got up on the tables, looking up at the sky – bound by the rectangular shape of the barracks’ roof – as if to reach with our voices the stars, our loved ones, the men held at Tres Álamos, and our comrades, such as Gladys, who were isolated in what was known as the White House. »
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Tacit Song (Canción tácita)

Song by:
All the women present at that moment in Chacabuco
Testimony by:
Mónica García Cuadra
Experience in:
« I am the daughter of a former political prisoner who spent a long time imprisoned at Chacabuco, among other places. I am Monica, a little 9-year-old girl who travelled with a heavy heart full of sadness to visit her father, Gerardo García Salas, held at the Chacabuco concentration camp. I am an only child and in my young life, he is my sole reference point and, in essence, my image of masculinity. »
[...]
« To get to Chacabuco, we must cross many obstacles alongside so many other women, and I am anxious to embrace my beloved father. Holding my mother's hand and in the company of many other women, we waited under the desert sun and wind that carried stories from the past as we beat our brows to engrave that moment into our memory. »
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We Shall Prevail (Venceremos)

Song by:
Claudio Iturra (lyrics) and Sergio Ortega (music)
Testimony by:
Lucía Chirinos
Experience in:
« The parish priest at Buen Pastor played the accordion. He played so beautifully. Because I played the piano, I asked him if I could borrow it. “I’ll lend it to you” he said. Discreetly I began to learn “Venceremos”, “La Internacional”, the National Anthem and the Anthem of the Police. They made us all learn the Anthem of the Police and I knew it from my dad, who was an officer. »
[...]
« While we sang, the policemen began walking towards the prison. They had surely decided to reprimand us or something worse. I quickly started playing the first chords of the National Anthem. We were singing loudly “How pure, Chile, is your blue sky”. We sang with force and courage. When they heard the National Anthem, the policemen stopped, stood to attention and stayed still in the middle of the court. They had to wait until we finished the anthem. We sang with rage: “and a refuge from oppression”. We then sang the Anthem of the Police: “Order and Fatherland is our motto…” The policemen looked at each and burst out laughing. They went back while we carried on singing, overcome with laughter. We hugged each other laughing, feeling relieved. We then went to have a nice cup of tea with crustless bread, convinced that music is also a factor of unity, peace and love. »
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Words for Julia (Palabras para Julia)

Song by:
José Agustín Goytisolo (lyrics) and Paco Ibáñez (music)
Testimony by:
Amelia Negrón
Experience in:
Campamento de Prisioneros, Tres Álamos, 1975 and 1976, until the closure of Tres Álamos
« There were so many of us women prisoners. Despite the circumstances, we had managed to invent our own world, one with our rules, according to what we thought and wanted for ourselves, our families and all the Chilean people. »
[...]
« And in low voices, we remembered our beloved comrades who, on the outside, were still struggling in the shadows against the dictatorship, watching their steps, their words, their gestures, and supported by other brave people, like those who had helped us before. »
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Lucía

Song by:
Joan Manuel Serrat
Testimony by:
Beatriz Bataszew Contreras
Experience in:
Campamento de Prisioneros, Tres Álamos, December 1974 - May 1976
« Tres Álamos was a more 'normal' camp, even though we never had a trial. There was a lot of music, it was sort of ritualistic. »
[...]
« Then someone might say ‘if I sang this it was for a reason’. I think that often things just happen, as they do in love. Rather than the lyrics, what made sense for me was that we, eighty women, sang it together. It was extremely potent. »
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Valparaíso

Song by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« This song was written and sung in cell number 198 of Valparaíso’s former prison, that is to say, on the top floor of the main building, which was higher than the walls that surrounded it. This had several advantages for the prisoner, for if they perched on a stool to peer through the skylight, they could enjoy the company of a good part of the city during their hours of confinement. »
[...]
« My privilege was twofold, because as only an adopted son of the port city, I was fortunate to share that sad human space with a great expert of the local geography: Antonio Suzarte, who taught me to love Valparaiso with a love that still beats in my heart after nearly forty years of exile. »
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The Brief Space Where You Are Absent (El breve espacio en que no estás)

Song by:
Pablo Milanés
Testimony by:
Vilma Rojas Toledo
Experience in:
Cárcel de Coronel, 1986 - 1988
« I recall that during my time as a political prisoner Pablo Milanés was one of our greatest companions. His songs filled us with life, helped us to keep breathing and living behind the bars imposed by Pinochet’s military dictatorship. »
[...]
« I will always be grateful to Milanés for his music, which in that enforced space allowed me to dream of love and life. This song, in particular, filled the emptiness I felt in prison. »
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