177 results where found for «Arica y Parinacota Region»


Let’s Break the Morning (Rompamos la mañana)

Music piece by:
René “Popeye” Cárdenas Eugenin
Testimony by:
María Soledad Ruiz Ovando
Experience in:
« Music was very important for us (my mother Sylvia, my sister Alejandra and myself) while my dad, Daniel Ruiz Oyarzo, 'el Negro Ruiz', was imprisoned during the dictatorship, when Alejandra was seven and I was four. »
[...]
« Magallanes Region »
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The Salamander (La salamanca)

Music piece by:
Arturo Dávalos
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, January - February 1974
« A salamanca is a type of salamander that lives in caves in northern Argentina. By extension, it also represents the cave. In this song, the lyricist turns the salamanca into a place where a coven of witches gathers. »
[...]
« Antofagasta region »
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You Can Blame Me (Échame a mí la culpa)

Music piece by:
José Ángel Espinoza, aka Ferrusquillo
Testimony by:
Marcia Scantlebury
« Mexican songs - and this one in particular - have always moved me. When I shared a cell with Miriam Silva, a young woman who belonged to the Communist Youth, arrested by the DINA when she was handing out leaflets on the street, we killed time in an organised fashion to keep ourselves from getting depressed and overcome by anxiety due to an unknown fate. »
[...]
« Metropolitana Region »
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To Be Seventeen Again (Volver a los diecisiete)

Music piece by:
Violeta Parra
Testimony by:
Gabriela Durand
« I was 18, and already I had been tortured on the parrilla several times. One day I was with some other comrade prisoners, and as sometimes happened, the guards put some music on. »
[...]
« Metropolitana Region »
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They Say the Homeland Is (Dicen que la patria es)

Music piece by:
Chicho Sánchez Ferlosio
Testimony by:
Sergio Reyes Soto
Experience in:
« This song, like so many others, was not at all “captive”. The revolutionary songs we sang behind bars imbued us with a sense of freedom. Rolando Alarcón, and later Quilapayún, introduced “Dicen que la patria es” (or “Canción de soldados”) to Chile. »
[...]
« Magallanes Region »
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Balderrama

Music piece by:
Manuel José Castilla (lyrics) and Gustavo Leguizamón (music). Popularised by Mercedes Sosa
Testimony by:
Eduardo Ojeda
« We arrived at Camp Compingin on Dawson Island on the afternoon of 11 September. We knew that we had been arrested that morning, and we knew nothing else yet. »
[...]
« Magallanes Region »
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Captain, our Destiny is a Wandering Island (Capitán, el rumbo es una isla errante)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« This song was dedicated to Óscar Castro, whom I was lucky enough to meet in 1975, in Puchuncaví. With his experience in theatre – Óscar was already a fairly well-known actor before his arrest – he threw himself into the cultural work we had organised, in what was then called “Camp Melinka” where the prisoners presented a show every Friday. »
[...]
« Valparaíso Region »
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Priests and Soldiers (Curas y milicos)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« I don’t want to exaggerate but Camp Melinka became not only a factory that produced handicrafts and a performance hall but also a university. »
[...]
« Valparaíso Region »
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The Man Who Transformed into an Animal (El hombre que se convirtió en animal)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« I wrote this song shortly after reading Franz Kafka’s The Metamorphosis, one of the books that circulated in Camp Melinka from hand to hand and cabin to cabin. »
[...]
« Valparaíso Region »
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Three Indian Songs (Tres canciones indias)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« After our transfer from Tres Álamos to Puchuncaví in April 1975, a group of prisoners began toying with the idea of presenting a poetic-theatrical performance about the history of Latin America’s indigenous cultures and their extermination under Iberian domination. »
[...]
« Valparaíso Region »
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