905 results where found for «C��rcel de la Serena»

Story of the Chair (Historia de la silla)

Music piece by:
Silvio Rodríguez
Testimony by:
Eduardo Andrés Arancibia Ortiz
Experience in:
Cárcel de Santiago, 1990
Tags:
« This was one of the songs Silvio Rodríguez sang to us the day he visited the political prisoners in Santiago’s Public Jail in 1990. »
[...]
« Story of the Chair (Historia de la silla) »
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Song of the Seed and the Plant (Canción de la semilla y la planta)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« The history of the seed and the plant, of which this song forms part, was performed as a play to entertain our audience of children during a family visit to the prison. Imagination had no limits when it came to kindling a small flame of hope in our hearts. »
[...]
« Song of the Seed and the Plant (Canción de la semilla y la planta) »
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Beloved Friend (Amado amigo)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« This song, written in my cell at the Puchuncaví Prison Camp, speaks to a friend and fellow prisoner; it could be any one of the thousands behind bars. »
[...]
« of your inside language. »
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After the War (Después de la guerra)

Music piece by:
Sandro
Testimony by:
Nelly Andrade Alcaino
Experience in:
Regimiento de Ingenieros de Tejas Verdes / Campamento de Prisioneros Nº 2 de la Escuela Militar de Ingenieros, February 1974
Tags:
« The military officials in charge of the Tejas Verdes camp made us sing. They gave us just one day to select the songs and rehearse. »
[...]
« After the War (Después de la guerra) »
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Priests and Soldiers (Curas y milicos)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« I don’t want to exaggerate but Camp Melinka became not only a factory that produced handicrafts and a performance hall but also a university. »
[...]
« While listening to one of those professors, I learned about Father Bartolomé de las Casas, a priest who lived in Central America and earned the title of Defender of the Indians during the harshest period of the Spanish Conquest. His life was marked by defeat. He was unable to stop the abuses committed with the consent of the Catholic Church, which was his spiritual home. »
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King Ñaca Ñaca (El rey Ñaca Ñaca)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« 'Ñaca-ñaca' was an interjection we used at Camp Melinka whenever we wanted to signal and poke fun at any dark thought that might cross our minds. That may be why it seemed the ideal name to give to the paper maché puppet that played the role of the mean king in the puppet stories we performed to entertain the children who came to visit their captive fathers. »
[...]
« Ñaca-Ñaca  - the puppet - in his role as mean king, was certainly a third-class king, a dictator who enjoyed ridiculing his prisoners. These were none other than Cinturón de Lana (Woollen Belt), Anillo de Metal (Metal Ring), Huesito (Little Bone) and Caballito de Mar (Seahorse). These were all allegorical figures that had great meaning for us as prime examples of the handicraft that came from the hands of our fellow prisoners. »
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Recinto: Recinto DINA Casa de la Risa, Iquique
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Recinto: Recinto de la CNI, ubicado en la calle San Román N° 1.290
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Recinto: Regimiento de Ingenieros de Tejas Verdes / Campamento de Prisioneros Nº 2 de la Escuela Militar de Ingenieros
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Recinto: Cárcel de La Ligua
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