440 results where found for «Calle Irán Nº 3037 / Venda Sexy / La Discotheque»


Candombe for José (Candombe para José)

Song by:
Roberto Ternán
Testimony by:
Sara De Witt
Experience in:
« We were in Tres Álamos barracks in September 1976. I don’t recall how many of us women were imprisoned there. I believe there were close to a hundred of us. »
[...]
« I still remember those intense moments when we sang so many songs. Gazing up at the sky, we sang “Candombe** para José”, which we called “El Negro José”. I understood that song as something new and different from the songs we usually sang. It seemed more contemporary to me and it made me feel in touch with my people outside the camp. The line “en un pueblo olvidado no sé por qué” (“in a God-forsaken town, I don't know why”) seemed connected with how I was feeling at that time. »
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Ode to Joy (Himno a la alegría)

Song by:
original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos.
Testimony by:
Amelia Negrón
Experience in:
« Preparations for that Wednesday night became more intense. It would be a different night. We women prisoners had secretly organised ourselves, but more importantly, we had also coordinated with the male prisoners. Im not sure whether it was our idea or whether the men had proposed it. That detail is irrelevant now. »
[...]
« The voices of the nearly 120 women political prisoners in Tres Álamos concentration camp began singing Ode to Joy as loudly as we could, towards the sky. Beyond the walls that enclosed us, our voices leapt to reach the ears of our male comrades held in Pavilions 1 and 2, as they were called. »
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An Old Love Tune (Tonada del viejo amor)

Song by:
Eduardo Falú and Jaime Dávalos
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« The Los de Chacabuco band, created and conducted by Ángel Parra, performed this zamba* by Eduardo Falú and Jaime Davalos at the camp’s weekly shows. »
[...]
« This song can be found on the secret recording made of the farewell show organised for Ángel by Alberto Corvalan. It is called "Zamba Argentina" on the vinyl record released in Italy and on the CD released in Chile. »
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Alfonsina and the Sea (Alfonsina y el mar)

Song by:
Félix Luna (lyrics) and Ariel Ramírez (music). Popularised by Mercedes Sosa.
Testimony by:
Sergio Vesely
Experience in:
Villa Grimaldi, January 1975
« It was not easy to endure being locked up in one of Villa Grimaldi’s miserable cells that resembled vertical coffins. It was even harderin the high temperatures of the summer months of the Andes foothills in Peñalolén. I was inside one of those cells, blindfolded, my feet and hands in chains. »
[...]
« One day it occurred to me to sing a beautiful song I had heard and learned by heart a short time before my arrest, at one of the safe houses that hid me from my persecutors. The song was called “Alfonsina y el mar”. »
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Anthem of Puchuncaví (Himno de Puchuncaví)

Song by:
Sergio Vesely
Testimony by:
Sergio Vesely
« A few weeks before being transferred to Valparaíso Jail - where I would face a war council on account of alleged violations of the State Interior Security Law and other military regulations that existed during the state of siege - I wrote a song that I called anthem, because I wanted it to be sung as a group at the end of our cultural events on Fridays. The song was written so that every prisoner, regardless of political affiliation, could sing it. The only way to strengthen prisoners’ unity was to realise that all of us lived in the same conditions. »
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They Say the Homeland Is - Soldier's Song

Song by:
Chicho Sánchez Ferlosio
Testimony by:
Sergio Reyes Soto
Experience in:
« This song, like so many others, was not at all “captive”. The revolutionary songs we sang behind bars imbued us with a sense of freedom. Rolando Alarcón, and later Quilapayún, introduced “Dicen que la patria es” (or “Canción de soldados”) to Chile. »
[...]
« I sang this song often because it accurately described our situation. The words plead to soldiers not to fire against their own people. Rarely did this occur in Chile, but we shared our prisoners’ barracks, called Remo, with three members of the Air Force. »
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Captain, our Destiny is a Wandering Island (Capitán, el rumbo es una isla errante)

Song by:
Sergio Vesely
Testimony by:
Sergio Vesely
« This song was dedicated to Óscar Castro, who I was lucky enough to meet in 1975, in Puchuncaví. With his experience in theatre – Óscar was already a fairly well-known actor before his arrest – he threw himself into the cultural work we had organised, in what was then called “Camp Melinka” where the prisoners presented a show every Friday. »
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Three Indian Songs (Tres canciones indias)

Song by:
Sergio Vesely
Testimony by:
Sergio Vesely
« After our transfer from Tres Álamos to Puchuncaví in April 1975, a group of prisoners began toying with the idea of presenting a poetic-theatrical performance about the history of Latin America’s indigenous cultures and their extermination under Iberian domination. I joined the group offering my services as songwriter and performer, and was received with open arms. »
[...]
« This composition combines three indigenous songs in a single song. It came to me during the process of creating the great work, which we called “I sing to the Americas”. Only parts of the song were included in the programme that evening. »
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Oh Saving Victim (O salutaris Hostia)

Song by:
text by Saint Thomas Aquinas; music by Lorenzo Perosi
Testimony by:
Roberto Navarrete
Experience in:
Cárcel de Santiago, November 1973 - April 1974
« The political prisoners cell block in Santiago Prison was established when they transferred many people from the National Stadium in October or November 1973. I was first held in the Stadium. I was 18 when they arrested me. »
[...]
« The prison warden in charge of us (non-commissioned officer Chandía) harangued us and said to us that "the political prisoners were very malevolent". Among ourselves we called the officer “the malevolent one". Then to show him that we were being serious we would sing "O salutaris Hostia". I imagine it must have made quite an impression on him given that he had been used to dealing with common prisoners. »
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La Adelita

Song by:
Unknown
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, January – February 1974
« This is another song that was performed by the band Los de Chacabuco and was sung in the prisoners’ weekly show. It’s a very old Mexican song that was popular in Chile. It used to be performed in the compound set up by the prisoners, and rehearsed at Los de Chacabuco's venue in the so-called Civic District. Along with the other songs recovered from the historic cassette, this one was also recorded in the group’s aforementioned venue. »
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