441 results where found for «Calle Irán Nº 3037 / Venda Sexy / La Discotheque»


Recinto: Regimiento de Infantería Nº 16, Talca / Ex Regimiento Chorrillos
There are no testimonies about this detention centre.
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Oh Saving Victim (O salutaris Hostia)

Music piece by:
text by Saint Thomas Aquinas; music by Lorenzo Perosi
Testimony by:
Roberto Navarrete
Experience in:
Cárcel de Santiago, November 1973 - April 1974
« The political prisoners cell block in Santiago Prison was established when they transferred many people from the National Stadium in October or November 1973. »
[...]
« Translation »
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We Shall Overcome

Music piece by:
Attributed to Charles Albert Tindley
Testimony by:
Alfonso Padilla Silva
Experience in:
« When the concentration camp that operated for nearly five months at the Regional Stadium of Concepcin was closed in early February 1974, hundreds of political prisoners were transferred to the Concepcin Prison, a wing of which was turned into a concentration camp. »
[...]
« In the prison, we were acquainted with Joan Báez's version of 'We Shall Overcome'. We sang it in English and, of course, we explained its content and meaning. »
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National Anthem of Chile

Music piece by:
Eusebio Lillo and Ramón Carnicer
Testimony by:
Boris Chornik Aberbuch
« The Puchuncaví detention camp’s daily routine included mandatory participation in the ceremonies of raising and taking down the Chilean flag on the flagpole at the entrance to the camp. »
[...]
« The process began by assembling the prisoners. On the camp’s central square, the commander and some of the soldiers would take roll call. Afterwards, we were marched to the camp entrance, singing military songs such as 'Lili Marlene' in unison (yes, indeed, the same one sung by the Nazi armies, but with the lyrics translated into Spanish). »
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A Cocky Fellow (El puntúo)

Music piece by:
Víctor Canto and Luis Cifuentes (lyrics), Roberto Parra (music)
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« This cueca(1) was composed in Chacabuco between November 1973 and February 1974, and was sung by the band Los de Chacabuco, to which Vctor Canto and I belonged. »
[...]
« This cueca was secretly recorded in Chacabuco by Alberto Corvalán Castillo, son of the Communist Party's Secretary-General Luis Corvalán, with help from Guillermo Orrego and Domingo Chávez. Alberto died in Bulgaria from permanent heart damage caused by torture suffered at the National Stadium velodrome. »
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We Shall Prevail (Venceremos)

Music piece by:
Claudio Iturra (lyrics) and Sergio Ortega (music)
Testimony by:
Lucía Chirinos
Experience in:
« The parish priest at Buen Pastor played the accordion. He played so beautifully. Because I played the piano, I asked him if I could borrow it. 'I'll lend it to you' he said. »
[...]
« Marisa Cruces (the title character of the Mexican soap opera La cruz de Marisa Cruces) sure had a hold on the heterogeneous audience made up of serious criminals, petty criminals, guards, traitors to the Fatherland and nuns. They would all cry about the vicissitudes the protagonist endured. »
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Little Doctors (Doctorcitos)

Music piece by:
Unknown. Folk tune from the Andes highlands
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, January - February 1974
« Agreeing to a suggestion from Ricardo, Los de Chacabuco learned and arranged this tune. In the Andean high plateau, the tune is a satirical reference to lawyers and, by implication, to civil servants. It is performed at carnival time. »
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Beloved Friend (Amado amigo)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« This song, written in my cell at the Puchuncav Prison Camp, speaks to a friend and fellow prisoner; it could be any one of the thousands behind bars. »
[...]
« Breadcrumbs (migas de pan): These were the raw material we used in the interrogation centres for sculpting little figurines. This activity was important to keep the prisoners' minds occupied. In situations of extreme solitary confinement, when all contact with the outside world had been cut off, prisoners used these figurines to build a tiny bridge of communication with their fellow prisoners. A person in solitary confinement would place the figurine where others could see it, leaving leave a sign life. »
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Three White Lilies (Tres blancos lirios)

Music piece by:
Unknown composer. This song probably relates to European early-years pedagogy.
Testimony by:
Domingo Lizama
Experience in:
« They arrested me at my workplace in October 1973 . I was 31 years old and worked as a porter at a logging business in Chumpullo, near Valdivia. »
[...]
« Cárcel de Valdivia / Cárcel de Isla Teja »
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The Wall (La muralla)

Music piece by:
Nicolás Guillén (lyrics) and Quilapayún (music)
Testimony by:
Domingo Lizama
« In prison, there was a guy who played the guitar. He cheered up the afternoons in the cell. We all sang with him. »
[...]
« Cárcel de Valdivia / Cárcel de Isla Teja »
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