353 results where found for «Calle Ir������������������n N������������������ 3037 / Venda Sexy / La Discotheque»


Recinto: Recinto CNI, calle Azola, Arica
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Recinto: Recinto CNI, Casa Habitación calle Latorre Nº 2192, Antofagasta
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Recinto: Comisaría de Carabineros, Calle Larga
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Recinto: Dirección de Comunicaciones de Carabineros de Chile (DICOMCAR) Recinto Comando Conjunto / DICOMCAR, calle Dieciocho (La Firma)
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Recinto: Recinto CNI calle Loyola Nº 5800
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Recinto: Recinto SIM calle Picarte 1451, Valdivia, Palacio de la Risa
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Recinto: Recinto CNI calle Kusma Slavic Nº 920, Punta Arenas
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We Shall Prevail (Venceremos)

Music piece by:
Claudio Iturra (lyrics) and Sergio Ortega (music)
Testimony by:
María Cecilia Marchant Rubilar
Detention in:
Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
« I was studying to be a chemistry teacher at the University of Chile in La Serena. I was 21 years old when I was arrested. I think I was picked up due to a specific fact. I was regularly sent copies of the El Rebelde newspaper by train, in order to distribute them in parts of Region IV. »
[...]
« The Good Shepherd Prison wasn’t a torture centre like Villa Grimaldi, Venda Sexy or other detention centres. For me, the simple fact of being a prisoner was torture enough. »
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What Will the Holy Father Say (Qué dirá el Santo Padre)

Music piece by:
Violeta Parra
Testimony by:
María Cecilia Marchant Rubilar
Detention in:
Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
« We sang songs that were popular at the time. We’d sing 'What will the Holy Father say', especially the part that says 'What will the Holy Father who lives in Rome say ... they are slitting the throat of his dove...' quite often, for example when someone was taken off to Regimiento Arica, which was a torture centre. »
[...]
«  Chilean folk music group. One the best-known exponents of so-called música típica. »
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King Ñaca Ñaca (El rey Ñaca Ñaca)

Music piece by:
Sergio Vesely
Testimony by:
Renato Alvarado Vidal
Detention in:
« During the last third of the 20th century, the concentration camps of the Chilean dictatorship were characterised by a high grade of organisation among prisoners, as well as the overflowing creativity they applied to all areas of human ingenuity. »
[...]
« This confused the censors despite the very transparent allegories; the tyrant's henchmen were even called unifernos. At the end of the piece, Sargento Primero Núñez said: 'What a beautiful thing, things like this should always be shown.' »
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