76 results where found for «Calle Ir��n N�� 3037 /img/logocantos.jpg»


Today I Sing for the Sake of Singing (Hoy canto por cantar)

Music piece by:
Nydia Caro and Riccardo Ceratto
Testimony by:
Beatriz Bataszew Contreras
Detention in:
« I have never been a great music listener. Nevertheless, before the coup I used to listen to >Nueva Canciónn>, especially Quilapayún and Rolando Alarcón. I also liked cumbias, to fool around. We would dance and have fun. »
[...]
« Calle Irán Nº 3037 / Venda Sexy / La Discotheque »
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The Clock (El reloj)

Music piece by:
Roberto Cantoral
Testimony by:
Ana María Arenas
« The day I was captured, after the first torture session, I asked for permission to sing a Christmas carol, the name of which I cannot remember. I did it to let one of my captive friends know that I was also at the Venda Sexy. »
[...]
« Calle Irán Nº 3037 / Venda Sexy / La Discotheque »
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Recinto: Calle Irán Nº 3037 / Venda Sexy / La Discotheque
There are 2 testimonies about this detention centre.
If you had a musical experience about this detention centre, please share it here!

The Crux of the Matter (La madre del cordero)

Music piece by:
Tito Fernández
Testimony by:
Servando Becerra Poblete
Detention in:
Campamento de Prisioneros Chacabuco, 9 November 1973 - 10 November 1974
« I recited this poem in the National Stadium. I continued to do so in the Chacabuco prison camp, earning the nickname of “Venancio” from my fellow prisoners. »
[...]
« when I heard my name called »
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Free (Libre)

Music piece by:
José Luis Armenteros and Pablo Herrero, popularised by Nino Bravo.
Testimony by:
anonymous
Detention in:
« While waiting in the grandstands to be interrogated for the first, second or more times, we would sing 'Free' to those who were being lined up to be released. 'Free' was a catharsis, a mixture of joy for those who were going and hope for those of us left behind. Unfortunately, the dictatorship and its civil and military henchmen employed the song for their own propaganda. »
[...]
« the voice that called him »
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Free (Libre)

Music piece by:
José Luis Armenteros and Pablo Herrero, popularised by Nino Bravo.
Testimony by:
Guillermo Orrego Valdebenito
« This song was performed in the Stadium grandstands by a worker from the Madeco factory: Peineta Vasquez, winner of a Song Festival that was organised at grassroots level, during the times when we were allowed to leave the spaces under the grandstands, inside the stadium,  to sunbathe, together with women from various countries, before they got sent off to the pool area. »
[...]
« the voice that called him »
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Free (Libre)

Music piece by:
José Luis Armenteros and Pablo Herrero, popularised by Nino Bravo.
Testimony by:
Paicavi Painemal
Detention in:
« I’m from Chol Chol, part of the Coihue community. I was arrested along with 12 other people and they took us to the Second Police Station of Temuco. »
[...]
« the voice that called him »
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Free (Libre)

Music piece by:
José Luis Armenteros and Pablo Herrero, popularised by Nino Bravo.
Testimony by:
Marianella Ubilla
Detention in:
« I was taken prisoner on 23 November 1973, at the University of Concepción. In the Regional Stadium of Concepción, we had to sing the National Anthem every day. »
[...]
« the voice that called him »
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Lili Marlene

Music piece by:
Hans Leip
Testimony by:
Rogelio Felipe Castillo Acevedo
« We were forced to belt out these marching songs. »
[...]
« Soon the sentry called out »
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The dance of those left behind

Music piece by:
Los Prisioneros
Testimony by:
Eduardo Andrés Arancibia Ortiz
Detention in:
« I learnt about Los Prisioneros through the 'Hecho en Chile' programme on Radio Galaxia, presented by <n>Sergio 'Pirincho' Cárcamon>. Their music became our trench and musical poetry, like all other forms of struggles against dictatorship. »
[...]
« that thing called education »
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