874 results where found for «Campamento de Prisioneros Isla Dawson»


Coplas of El Yopo (Coplas de El Yopo)

Author:
Unknown. Traditional Venezuelan song. Popularised in Chile by Isabel and Ángel Parra
Testimony by:
Carlos Muñoz
Place & date:
« A comrade whose last name was Saavedra (if I recall correctly) sung this song passionately. This song earned him the nickname of ‘El Yopo’ (also ‘chopo’), as is usual in popular culture. The tune was well-known in Chile, as sung by Ángel and Isabel Parra, who called it "cimas del folklore venezolano" or "Coplas Venezolanas". It was one of the most popular songs in prison and was performed at many of our musical events. It was also sung at Ritoque and Puchuncaví. »
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« Campamento de Prisioneros, Tres Álamos »
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The Salamander (La salamanca)

Author:
Arturo Dávalos
Testimony by:
Luis Cifuentes Seves
Place & date:
Campamento de Prisioneros Chacabuco, January - February 1974
« A “salamanca” is a type of salamander that lives in caves in northern Argentina. By extension, it also represents the cave. In this song, the lyricist turns the “salamanca” into a place where a coven of witches gathers. »
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« Campamento de Prisioneros Chacabuco »
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You Can Blame Me (Échame a mí la culpa)

Author:
José Ángel Espinoza, aka Ferrusquillo
Testimony by:
Marcia Scantlebury
« Mexican songs - and this one in particular - have always moved me. When I shared a cell with Miriam Silva, a young woman who belonged to the Communist Youth, arrested by the DINA when she was handing out leaflets on the street, we killed time in an organised fashion to keep ourselves from getting depressed and overcome by anxiety due to an unknown fate. »
[...]
« Campamento de Prisioneros Cuatro Álamos »
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Captain, our Destiny is a Wandering Island (Capitán, el rumbo es una isla errante)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« This song was dedicated to Óscar Castro, who I was lucky enough to meet in 1975, in Puchuncaví. With his experience in theatre – Óscar was already a fairly well-known actor before his arrest – he threw himself into the cultural work we had organised, in what was then called “Camp Melinka” where the prisoners presented a show every Friday. »
[...]
« Campamento de Prisioneros Melinka, Puchuncaví. »
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Priests and Soldiers (Curas y milicos)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« I don’t want to exaggerate but Camp Melinka became not only a factory that produced handicrafts and a performance hall but also a university. Every day there were classes to learn foreign languages, art, medicine or literature. Solar ovens were built. Talks were given on arachnology. Literacy programmes were offered. »
[...]
« Campamento de Prisioneros Melinka, Puchuncaví. »
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The Man Who Transformed into an Animal (El hombre que se convirtió en animal)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« I wrote this song shortly after reading Franz Kafka’s The Metamorphosis, one of the books that circulated in Camp Melinka from hand to hand and cabin to cabin. I presume I don’t have to explain who is the one experiencing the metamorphosis here. »
[...]
« Campamento de Prisioneros Melinka, Puchuncaví »
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Three Indian Songs (Tres canciones indias)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« After our transfer from Tres Álamos to Puchuncaví in April 1975, a group of prisoners began toying with the idea of presenting a poetic-theatrical performance about the history of Latin America’s indigenous cultures and their extermination under Iberian domination. I joined the group offering my services as songwriter and performer, and was received with open arms. »
[...]
« Campamento de Prisioneros Melinka, Puchuncaví »
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Love (Amor)

Author:
Sergio Vesely (music); Guillermo Núñez (lyrics)
Testimony by:
Sergio Vesely
« This song is based on a poem Guillermo wrote in the Puchuncaví Prison Camp dedicated to his partner Soledad. Of all the songs I composed as a prisoner, this is the only one where the lyrics are not mine. The reason is very human and simple. One day Guillermo asked me if I could set to music verses he had written so he could sing them to his beloved the next time she visited him. I found the idea so original and I liked it so much that I decided to help him. I took the sheet of paper with the poem to my cell in one of the adjacent huts. After reading and re-reading it several times, I began to compose this song. It’s a shame, but I don’t recall if Soledad ever got a chance to hear it. »
[...]
« Campamento de Prisioneros Melinka, Puchuncaví »
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A finger-picked Cueca from a solidary companion (Cueca punteada de un solidario)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« It is true that the hard experience of torture and prison unified us and at times even generated strong ties of friendship among the prisoners. But, if we are being honest, we have to say that it was not all friendship and solidarity among the political prisoners. The left-wing political parties continued their ideological struggles inside the prisons, and, at worst, helped to deteriorate the already foul atmosphere of captivity. If the political constellation of the inmates was explosive, life inside a cell could become a psychological torment as bad or worse than the physical torture. Sectarianism and mistrust were common, and there were only few people with whom one could talk about personal issues, without fearing that the whole party would know about it the next day. Weaknesses were not tolerated. »
[...]
« Campamento de Prisioneros Melinka, Puchuncaví. »
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King Ñaca Ñaca (El rey Ñaca Ñaca)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« “Ñaca-ñaca” was an interjection we used at Camp Melinka whenever we wanted to signal and poke fun at any dark thought that might crossed our minds. That may be why it seemed the ideal name to give to the papier maché puppet that played the role of the mean king in the puppet stories we performed to entertain the children who came to visit their captive fathers. But Ñaca-Ñaca’s important role was more than that. The paper model was borrowed to perform the 'star role' in one of the cultural events we customarily staged every Friday. Events which, it should be pointed out, were attended only by captives and armed guards. It was a “Prisoners’ Show”, full of fantasy. »
[...]
« Campamento de Prisioneros Melinka, Puchuncaví »
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