Cantos Cautivos
896 results where found for «Campamento de Prisoneros Ritoque»
- Music piece by:Fred Rauch (lyrics) and Gerhard Winkler (music). English lyrics by Carl Sigman. Recorded by Frankie Laine.
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros, Estadio Nacional, September - November 1973
- Tags:
- « I sang this song, as a soloist, in the dressing rooms of the National Stadium. »
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- « Campamento de Prisioneros, Estadio Nacional »
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- Music piece by:Violeta Parra
- Testimony by:Claudio Enrique Durán Pardo (Kila Chico)
- Experience in:
- Tags:
- « We made a Venezuelan cuatro from a large plank of wood attached to one of the walls of the "ranch" where we ate. »
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- « Campamento de Prisioneros Melinka, Puchuncaví »
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- Music piece by:Roberto Ternán
- Testimony by:Sara De Witt
- Experience in:Campamento de Prisioneros, Tres Álamos, September 1976
- Tags:
- « We were in Tres Álamos barracks in September 1976. I don’t recall how many of us women were imprisoned there. I believe there were close to a hundred of us. »
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- « Campamento de Prisioneros, Tres Álamos »
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From the Poplars I have Come, Mother (De los álamos vengo, madre)
- Music piece by:Juan Vásquez
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros Chacabuco, November 1973 - February 1974
- Tags:
- « Los de Chacabuco, a band created and conducted by Ángel Parra, performed this traditional Spanish song at the Chacabuco concentration camp. »
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- « Campamento de Prisioneros Chacabuco »
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- Music piece by:original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos.
- Testimony by:Amelia Negrón
- Experience in:Campamento de Prisioneros, Tres Álamos, 31 December 1975
- Tags:
- « Preparations for that Wednesday night became more intense. It would be a different night. We women prisoners had secretly organised ourselves, but more importantly, we had also coordinated with the male prisoners. »
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- « Campamento de Prisioneros, Tres Álamos »
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- Music piece by:unknown
- Testimony by:Patricio Polanco
- Experience in:Campamento de Prisioneros de Pisagua, November 1973
- Tags:
- « In 1973 and 1974, Pisagua was characterised by the harsh and cruel treatment of political prisoners. Singing was mandatory for prisoners, who were guarded by Army platoons, and it was also a means to avoid beatings and collective mistreatment. »
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- « Campamento de Prisioneros de Pisagua »
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- Music piece by:Claudio Durán Pardo
- Testimony by:Claudio Enrique Durán Pardo
- Experience in:Campamento de Prisioneros, Tres Álamos, September - December 1975
- Tags:
- « I first laid my hands on a quena when I was nine years old. It was resplendently fragile and lyrical. My passion for this instrument was immediate, or rather, the quena chose me. »
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- « Campamento de Prisioneros, Tres Álamos »
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- Music piece by:Fernando Z. Maldonado. Popularised by Vicente Fernández
- Testimony by:Jorge Montealegre Iturra
- Experience in:
- Tags:
- « At the Chacabucan artistic shows, Hugo sang tangos, including 'Volver' (Return) by Gardel and Le Pera. »
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- « Campamento de Prisioneros Chacabuco »
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- Music piece by:Patricio Hermosilla Vives
- Testimony by:Patricio Hermosilla Vives
- Experience in:Campamento de Prisioneros Chacabuco, January 1974
- Tags:
- « Finally, in the Chacabuco Concentration Camp, after three days aboard the Policarpo Toro (a war ship which had an uncertain destination since sailing from Valparaíso in December 1973; the question was not when and where we would dock, but how we would fall overboard), I felt that death had decided to take a step back and watch from me from a little further away. »
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- « Campamento de Prisioneros Chacabuco »
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- Music piece by:Poni Micharvegas
- Testimony by:Luis Alfredo Muñoz González
- Experience in:Campamento de Prisioneros Cuatro Álamos, late February 1975