905 results where found for «Canción de la semilla y la planta»

Recinto: Recinto Militar de Cerro Chena, Cuartel Nº 2. Institucionalmente era conocido como Cuartel Nº 2, perteneciente al Batallón de Inteligencia de la Escuela de Infantería de San Bernardo
There are no testimonies about this detention centre.
If you had a musical experience about this detention centre, please share it here!
Recinto: Hangar de Cerrillos / Grupo 10 de la Fuerza Aérea / Grupo 7 de la Fuerza Aérea, Cerrillos
There are no testimonies about this detention centre.
If you had a musical experience about this detention centre, please share it here!
Recinto: Recinto SICAR, subterráneo de la Plaza Constitución
There are no testimonies about this detention centre.
If you had a musical experience about this detention centre, please share it here!
Recinto: Recinto CNI calle Pedro de Valdivia Nº 710 / Cuartel Bahamondes / Casa de la Música / Casa de la Risa
There are no testimonies about this detention centre.
If you had a musical experience about this detention centre, please share it here!

Tacit Song (Canción tácita)

Music piece by:
All the women present at that moment in Chacabuco
Testimony by:
Mónica García Cuadra
Experience in:
Campamento de Prisioneros Chacabuco, Summer of 1974
Tags:
« I am the daughter of a former political prisoner who spent a long time imprisoned at Chacabuco, among other places. I am Monica, a little 9-year-old girl who travelled with a heavy heart full of sadness to visit her father, Gerardo García Salas, held at the Chacabuco concentration camp. I am an only child and in my young life, he is my sole reference point and, in essence, my image of masculinity. »
[...]
« Tacit Song (Canción tácita) »
[Read full testimony]

Three Indian Songs (Tres canciones indias)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« After our transfer from Tres Álamos to Puchuncaví in April 1975, a group of prisoners began toying with the idea of presenting a poetic-theatrical performance about the history of Latin America’s indigenous cultures and their extermination under Iberian domination. »
[...]
« Three Indian Songs (Tres canciones indias) »
[Read full testimony]

Zamba so as Not to Die (Zamba para no morir)

Music piece by:
Hamlet Lima Quintana
Testimony by:
Ana María Jiménez
Experience in:
Villa Grimaldi, April 1975
Tags:
« I want to recall a night at Villa Grimaldi. »
[...]
«  Argentine singer-songwriter and one of the most important figures in the Nueva Canción movement. »
[Read full testimony]

Luchín

Music piece by:
Víctor Jara
Testimony by:
anonymous
Experience in:
Cárcel de Valdivia / Cárcel de Isla Teja, September 1973
Tags:
« They said that once you got to the prison of Teja Island, you were safe. »
[...]
«  Famous musicians of the Nueva Canción movement. »
[Read full testimony]

Everything Changes (Todo cambia)

Music piece by:
Julio Numhauser
Testimony by:
Carolina Videla
Experience in:
Cárcel Pública de Arica, 1989-1990
Tags:
« My guitar accompanied me for the entire time that I was deprived of freedom. It was like a magnet. In the afternoon we would sing and play in the courtyard. »
[...]
«  (Cuban) Poetic song form typically featuring voice and guitar, originated in 19th-century Cuba with roots in medieval Europe. The Nueva Trova emerged after the Cuban Revolution and became closely connected with Nueva Canción. »
[Read full testimony]

Anthem of Puchuncaví (Himno de Puchuncaví)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« A few weeks before being transferred to Valparaíso Jail - where I would face a war council on account of alleged violations of the State Interior Security Law and other military regulations that existed during the state of siege - I wrote a song that I called anthem, because I wanted it to be sung as a group at the end of our cultural events on Fridays. »
[Read full testimony]