876 results where found for «Casida de las palomas oscuras»


Return, Return, Return (Volver, volver, volver)

Song by:
Vicente Fernández
Testimony by:
Jorge Montealegre Iturra
« At the Chacabucan artistic shows, Hugo Peñaloza sang tangos, including “Volver” (Return) by Gardel and Le Pera. This caused a lot of self-ironic laughter when he sang  “que veinte años no es nada” (twenty years is nothing) given our situation of uncertainty in which no one knew how long we’d be imprisoned. He also sang it during a farewell party for a group of comrades who were going to be released. To think of returning was tragicomic. And yet, four decades later, we returned. Of our own free will. »
[...]
« Vicente Fernández »
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Filistoque's Cueca (Cueca del Filistoque)

Song by:
Víctor Canto Fuenzalida (lyrics), Efraín Navarro (music)
Testimony by:
Víctor Canto Fuenzalida
Experience in:
« Filistoque is a real-life person in all his mighty height (1.90 metres tall). I always remember him laughing. In Chacabuco, we shared a house for nearly ten months. Around him, you were never allowed to become depressed or get into a stew over our situation. »
[...]
« and by mere coincidence »
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A finger-picked Cueca from a solidary companion (Cueca punteada de un solidario)

Song by:
Sergio Vesely
Testimony by:
Sergio Vesely
« It is true that the hard experience of torture and prison unified us and at times even generated strong ties of friendship among the prisoners. But, if we are being honest, we have to say that it was not all friendship and solidarity among the political prisoners. The left-wing political parties continued their ideological struggles inside the prisons, and, at worst, helped to deteriorate the already foul atmosphere of captivity. If the political constellation of the inmates was explosive, life inside a cell could become a psychological torment as bad or worse than the physical torture. Sectarianism and mistrust were common, and there were only few people with whom one could talk about personal issues, without fearing that the whole party would know about it the next day. Weaknesses were not tolerated. »
[...]
« A finger-picked Cueca from a solidary companion (Cueca punteada de un solidario) »
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They Say the Homeland Is - Soldier's Song

Song by:
Chicho Sánchez Ferlosio
Testimony by:
Sergio Reyes Soto
Experience in:
« This song, like so many others, was not at all “captive”. The revolutionary songs we sang behind bars imbued us with a sense of freedom. Rolando Alarcón, and later Quilapayún, introduced “Dicen que la patria es” (or “Canción de soldados”) to Chile. »
[...]
« if I attack my comrades. »
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The Little Fence (La rejita)

Song by:
lyrics: collective creation; music: “Jálame la pitita” by Luis Abanto Morales (Peruvian polka)
Testimony by:
Lucía Chirinos
Experience in:
« Let’s get going, would say “the lizards”, as we called the policemen because they dress all in green. I looked and looked so I wouldn’t forget anything, because I didn’t know how many years I would be locked up for. I was emotional too: one gets frightened. Against the traffic, they turn the wheel. »
[...]
« a lovely little song that sounded »
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The Little Fence (La rejita)

Song by:
lyrics: collective creation; music: “Jálame la pitita” by Luis Abanto Morales (Peruvian polka)
Testimony by:
María Cecilia Marchant Rubilar
Experience in:
Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
« We always sang this song when we were taken to Regimiento Arica. That was a torture centre. On our departure and return, the female prisoners who remained behind also sang the song. The lyrics were a collective effort, it was like our anthem. It was fun and we really liked it. »
[...]
« a lovely little song that sounded »
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That General (Ese General)

Song by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« The night of 24 March 1976, the residents of cell 198 hardly slept. We hadn’t slept on account of a long, heated discussion about the prospects of revolution in Latin America’s Southern Cone. What had ignited our discussion was clear: that day we heard the news about the military coup in neighbouring Argentina. »
[...]
« Rise up, rise up. The Americas are determined. »
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Love Song (Canción de amor)

Song by:
Ángel Parra
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November – December 1973
« Ángel Parra organised and directed the band Los de Chacabuco until his release from prison. Angel only conducted the group, and never sang or played an instrument. The exception was his farewell concert, which was the only time he sang at Chacabuco. One of the songs he performed on that occasion was this one, dedicated to his wife. When Angel was released, Ernesto Parra became the group’s conductor. »
[...]
« You can deprive me of the air »
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Mid-Afternoon Love (Amor de media tarde)

Song by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« This song is dedicated to Graciela Navarro, who managed to made my prisoner's life more beautiful on the days we were allowed to receive visitors. During the week, when the hourly monotony became unbearable, she would use her free moments to deliver roses and brief love letters for me at the prison gate. »
[...]
« She a flower and I the gardener »
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For the Guy Who's Leaving

Song by:
Alfredo Zitarrosa
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November – April 1974
« Marcelo Concha Bascuñán, member of the Los de Chacabuco band, was a young man of great charisma and personal skills. He had been a swimming champion, and was an outstanding guitarist and singer. »
[...]
« to travel them overburdened. »
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