40 results where found for «Chacabuco Mass»
Recinto: Campamento de Prisioneros Chacabuco
- There are 28 testimonies about this detention centre.
- If you had a musical experience about this detention centre, please share it here!
Recinto: Regimiento Reforzado Nº 7 Chacabuco, Concepción
- There are no testimonies about this detention centre.
- If you had a musical experience about this detention centre, please share it here!
- Music piece by:Text from Agnus Dei (Roman Catholic Mass); music by Wolfgang Amadeus Mozart
- Testimony by:Lucía Chirinos
- Experience in:Cárcel de Mujeres Buen Pastor, La Serena, October 1973 - April 1974
- Tags:
- « Music was always present in my family. My dad played the violin and my mum the piano. When I was a child, my mum sent us to dance and piano lessons. »
- [...]
- « Text from Agnus Dei (Roman Catholic Mass); music by Wolfgang Amadeus Mozart »
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- Music piece by:Attributed to Charles Albert Tindley
- Testimony by:Alfonso Padilla Silva
- Experience in:Cárcel de Concepción / Cárcel El Manzano, December 1974
- Tags:
- « When the concentration camp that operated for nearly five months at the Regional Stadium of Concepción was closed in early February 1974, hundreds of political prisoners were transferred to the Concepción Prison, a wing of which was turned into a concentration camp. »
- [...]
- « Work about the 1907 massacre of miners in the city of Iquique (Northern Chile). Composed by Luis Advis in 1969 and recorded by Quilapayún in 1970. »
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- Music piece by:lyrics: collective creation; music: 'Jálame la pitita' by Luis Abanto Morales (Peruvian polka)
- Testimony by:Lucía Chirinos
- Experience in:Cárcel de Mujeres Buen Pastor, La Serena, October 1973 - April 1974
- Tags:
- « Let’s get going, would say “the lizards”, as we called the policemen, because they dress all in green. »
- [...]
- « After singing 'La rejita' in Mass, the squaddies of the Regiment and the priest asked us to sing it again. It became an anthem, a hit. »
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- Music piece by:Collective creation
- Testimony by:Ignacio Puelma
- Experience in:Campamento de Prisoneros Ritoque, February 1975
- Tags:
- « The sound of the sea was carried over the cabins of the Ritoque Prison Camp by the wind. It was the daily music given to us as a gift by the ocean. »
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- « Gone were the torture centres, the cruellest torments seemed distant, and that perception helped us to reconstruct ourselves. Ritoque, Puchuncaví, Tres Álamos and other mass prisoner centres were seething places of activity. »
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- Music piece by:Patricio Manns
- Testimony by:Renato Alvarado
- Experience in:
- Tags:
- « I arrived at Tres Álamos on the eve of the departure for Mexico with a large group of prisoners. The group included Dr. Ipinza, who before leaving entrusted me with the job of physician, the medicine donated by the Red Cross, and his position in the
Council of Elders . »- [...]
- « it was no longer a list of people’s names which had been pushed through a hole in a wall, but a group of people who were about to pass through that hole. In other words, they thought a full-fledged, textbook case of mass escape was being planned. They made us sit on the corridor floor outside Pacheco’s office and Pulento was the first one to be called. »
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- Music piece by:lyrics: collective creation; music: 'Jálame la pitita' by Luis Abanto Morales (Peruvian polka)
- Testimony by:María Cecilia Marchant Rubilar
- Experience in:Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
- Tags:
- « We always sang this song when we were taken to Regimiento Arica. That was a torture centre. »
- [...]
- « It was compulsory to go to mass. We smartened ourselves up to go, because, although we were behind bars in the church, in front of us were our families who had come to see us. »
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- Music piece by:Luis Advis
- Testimony by:Alfonso Padilla
- Experience in:
- Tags:
- « Between March 1974 and July 1975, I had the opportunity to arrange about 200 songs and direct the production of the Cantata de Santa María de Iquique. In truth, the prison was my conservatoire. That’s where I learnt the basics of the profession of musician. »
- [...]
- « Work about the 1907 massacre of miners in the city of Iquique (Northern Chile). Composed by Luis Advis in 1969 and recorded by Quilapayún in 1970. »
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- Music piece by:poem by Francisco Pezoa Astudillo set to music by Quilapayún
- Testimony by:Renato Alvarado
- Experience in:Campamento de Prisioneros Cuatro Álamos, February 1975
- Tags:
- « The first song that we managed to sing was Quilapayún's setting of the poem Canto a la Pampa (Song to the Pampa), by the anarchist poet Francisco Pezoa Astudillo, which recounts one of the bloodiest episodes of the class struggle in Chile: the massacre of the Santa María school in Iquique in December 1907. The prisoners of the large Room 13 of Cuatro Álamos camp sang it complete and as a chorus around February 1975. »
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- « I arrived at Tres Álamos on the eve of the departure for Mexico with a large group of prisoners. The group included Dr. Ipinza, who before leaving entrusted me with the job of physician, the medicine donated by the Red Cross, and his position in the