894 results where found for «Coplas de El Yopo»


How Can I Describe This to You? (Cómo hacer para darte una idea)

Song by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« This is one of two songs I wrote in prison for my beloved Graciela Navarro. In the song I tried to draw her closer to me, describing my everyday world and my experience of life as a captive. »
[...]
« Sergio Vesely »
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Priests and Soldiers (Curas y milicos)

Song by:
Sergio Vesely
Testimony by:
Sergio Vesely
« I don’t want to exaggerate but Camp Melinka became not only a factory that produced handicrafts and a performance hall but also a university. Every day there were classes to learn foreign languages, art, medicine or literature. Solar ovens were built. Talks were given on arachnology. Literacy programmes were offered. »
[...]
« Sergio Vesely »
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Chacabuco’s Soul (Alma de Chacabuco)

Song by:
Ángel Parra
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November - December 1973
« This is the original version of a composition by Ángel Parra at Chacabuco, as secretly recorded at the prison camp during his farewell concert. The composer’s voice can be heard. »
[...]
« Ángel Parra »
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King Ñaca Ñaca (El rey Ñaca Ñaca)

Song by:
Sergio Vesely
Testimony by:
Sergio Vesely
« “Ñaca-ñaca” was an interjection we used at Camp Melinka whenever we wanted to signal and poke fun at any dark thought that might crossed our minds. That may be why it seemed the ideal name to give to the papier maché puppet that played the role of the mean king in the puppet stories we performed to entertain the children who came to visit their captive fathers. But Ñaca-Ñaca’s important role was more than that. The paper model was borrowed to perform the 'star role' in one of the cultural events we customarily staged every Friday. Events which, it should be pointed out, were attended only by captives and armed guards. It was a “Prisoners’ Show”, full of fantasy. »
[...]
« Sergio Vesely »
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May the Omelette Flip Over (Que la tortilla se vuelva)

Song by:
Chicho Sánchez Ferlosio. Ppopularized by Quilapayún
Testimony by:
Claudio Melgarejo
Experience in:
« I spent a week in captivity, in November 1973. I didn’t hear many songs, but the most popular ones sung by my comrades were "Venceremos" (We shall be victorious) and “Que la tortilla se vuelva” (May the omelette flip over), also known as "The tomato song", which portrays the bosses' exploitation of the workers. At that time, the young in Latin American were steeped in revolutionary change and we empathised with the situation around Che Guevara and Cuba. »
[...]
« bought a steelyard balance »
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Captain, our Destiny is a Wandering Island (Capitán, el rumbo es una isla errante)

Song by:
Sergio Vesely
Testimony by:
Sergio Vesely
« This song was dedicated to Óscar Castro, who I was lucky enough to meet in 1975, in Puchuncaví. With his experience in theatre – Óscar was already a fairly well-known actor before his arrest – he threw himself into the cultural work we had organised, in what was then called “Camp Melinka” where the prisoners presented a show every Friday. »
[...]
« Sergio Vesely »
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What Will the Holy Father Say (Qué dirá el Santo Padre)

Song by:
Violeta Parra
Testimony by:
María Cecilia Marchant Rubilar
Experience in:
Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
« We sang songs that were popular at the time. We’d sing "What will the Holy Father say," especially the part that says "What will the Holy Father who lives in Rome say ... they are slitting the throat of his dove..." quite often, for example when someone was taken off to Regimiento Arica, which was a torture centre. We would also sing "La golondrina" (The swallow), which was very symbolic, because even though we were imprisoned, we could "fly", our thoughts soaring beyond the prison walls... »
[...]
« how lovely the wheat will grow in the field »
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Anthem of Puchuncaví (Himno de Puchuncaví)

Song by:
Sergio Vesely
Testimony by:
Sergio Vesely
« A few weeks before being transferred to Valparaíso Jail - where I would face a war council on account of alleged violations of the State Interior Security Law and other military regulations that existed during the state of siege - I wrote a song that I called anthem, because I wanted it to be sung as a group at the end of our cultural events on Fridays. The song was written so that every prisoner, regardless of political affiliation, could sing it. The only way to strengthen prisoners’ unity was to realise that all of us lived in the same conditions. »
[...]
« Sergio Vesely »
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Musicalized Dialogue between Two Old Prisoners (Diálogo musicalizado entre dos ancianos presos)

Song by:
Sergio Vesely
Testimony by:
Sergio Vesely
« At Puchuncaví Detention Camp (Melinka) I shared a cell with an elderly man from Lota, where he had spent his entire life working in the coal mines. I was struck by the way he spoke. It was very different from the “Chilean” way of a twenty-something year-old from the capital like me. When he talked to our fellow prisoners, I could barely understand a word he said. I composed this song in the cell by transcribing some of our conversations. »
[...]
« Sergio Vesely »
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La López Pereyra

Song by:
Artidorio Cresseri
Testimony by:
Germán Larrabe
« This Argentine zamba* was the first song we tried to perform in Puchuncaví, with a group made up of prisoners transferred from Chacabuco Detention Camp together with us, newly arrived 'Puchuncas'. »
[...]
« I think obsessively of the falsehood with which you have repaid my love. »
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