453 results where found for «Couplets from El Yopo»
- Music piece by:Hans Leip
- Testimony by:Renato Alvarado Vidal
- Experience in:Campamento de Prisioneros Melinka, Puchuncaví, May - Octobre 1975
- Tags:
- « During the daily flag-lowering ritual in the camp Melinka, the prisoners first had to get into formation in the courtyard and then walk in line to the location of the mast. »
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- « From the silent space »
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- Music piece by:Liborio Bórquez Guzmán, popularised by Héctor Pavez
- Testimony by:Rubén Torres Ávila
- Experience in:
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- « When I was in the last year of secondary school at the Liceo 8 in Santiago, I suggested to a teacher to do an interview with a prisoner of the youth detention centre Blas Cañas. After the interview, I offered the prison’s governor to take the school’s folk group to present a show to the inmates. »
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- « the women from Huillinco »
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- Music piece by:Luis Mella Toro
- Testimony by:César Montiel
- Experience in:
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- « The Navy sailors made us sing every day, when we got up very early to raise the flag. We, as the squaddies, had to sing military songs, their songs. »
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- « make good use of the breeze from the South »
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- Music piece by:poem by Francisco Pezoa Astudillo set to music by Quilapayún
- Testimony by:Renato Alvarado
- Experience in:Campamento de Prisioneros Cuatro Álamos, February 1975
- Tags:
- « The first song that we managed to sing was Quilapayún's setting of the poem Canto a la Pampa (Song to the Pampa), by the anarchist poet Francisco Pezoa Astudillo, which recounts one of the bloodiest episodes of the class struggle in Chile: the massacre of the Santa María school in Iquique in December 1907. The prisoners of the large Room 13 of Cuatro Álamos camp sang it complete and as a chorus around February 1975. »
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- « from the depths of the heart »
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- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
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- « One cold winter night of 1975, the small clinic of Melinka, in the Puchuncaví Detention Camp, became the setting for a touching story. »
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- « A woman from the neighbouring village of Rungue, who was not a prisoner, gave birth to a daughter in that unusual place. Two political prisoners, both of them medical students, assisted the mother in labour while the other 208 prisoners slept in their respective cells, oblivious to what was happening. »
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- Music piece by:Attributed to Charles Albert Tindley
- Testimony by:Alfonso Padilla Silva
- Experience in:Cárcel de Concepción / Cárcel El Manzano, December 1974
- Tags:
- « When the concentration camp that operated for nearly five months at the Regional Stadium of Concepción was closed in early February 1974, hundreds of political prisoners were transferred to the Concepción Prison, a wing of which was turned into a concentration camp. »
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- « With a smaller group, which we called 'The hard-boiled eggs' (I still have no idea where that name came from or how we chose it), we presented a show every other Sunday at noon. There we’d accompany anyone who wanted to sing a song of their choice. But that, too, is another story. »
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- Music piece by:Eusebio Lillo and Ramón Carnicer
- Testimony by:Boris Chornik Aberbuch
- Experience in:Campamento de Prisioneros Melinka, Puchuncaví, March 1975
- Tags:
- « The Puchuncaví detention camp’s daily routine included mandatory participation in the ceremonies of raising and taking down the Chilean flag on the flagpole at the entrance to the camp. »
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- « They steadfastly joined us as we marched from the square to the flagpole, as well as during the flag-raising ceremony. But they did not always keep the composure that would have been appropriate to the ceremony’s solemnity. »
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- Music piece by:Víctor Canto Fuenzalida (lyrics), Efraín Navarro (music)
- Testimony by:Víctor Canto Fuenzalida
- Experience in:Campamento de Prisioneros Chacabuco, June 1974
- Tags:
- « Filistoque is a real-life person in all his mighty height (1.90 metres tall). I always remember him laughing. In Chacabuco, we shared a house for nearly ten months. Around him, you were never allowed to become depressed or get into a stew over our situation. »
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- « No one could be oblivious to his presence. Just a greeting from Filistoque enlivened the streets of Chacabuco. A figure like him deserved a cueca of his own. Cheers to you, dear comrade, wherever you are. »
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- Music piece by:anonymous Russian melody. During the Russian Revolution, several lyrics with different ideological content circulated. This version is based on 'Makhnovtchina', attributed to Nestor Makhno, Ukrainian anarchist revolutionary.
- Testimony by:Julio Laks Feller
- Experience in:Recinto DINA, José Domingo Cañas Nº 1367, September 1974
- Tags:
- « In late September 1974, the Soviet partisan’s song was intoned softly but with an awe-inspiring force in the José Domingo Cañas torture centre. »
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- « Few of us from that group survived. But the voices of Lumi Videla, María Cristina López-Stewart, Aldo and Carlos Pérez Vargas, the brothers Jorge Andrónicos Antequera and Juan Carlos Andrónicos Antequera, Antonio Llidó, Ariel Salinas, Cecilia Bojanic and her husband Flavio Oyarzún, Francisco Aedo, Mario Calderón, Alfredo Rojas Castañeda, José Jara, Manuel Villalobos, and David Silberman continue to echo in our memory. »
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- Music piece by:Jorge Peña Hen
- Testimony by:María Fedora Peña
- Experience in:Cárcel de la Serena, October 1973
- Tags:
- « 'Look here, Maria Fedora. I’ve brought you a treasure', it was the voice of my brother Juan Cristián as he crossed the doorway of our mother’s house one morning in January 1983. »
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- « Peering over the staircase banister, I saw him raise his right hand with something clenched inside. He was just back from a quick trip to La Serena, and I was spending my holidays in Chile. I had travelled home to show the family my beautiful baby girl, María Paz, my first child born in Caracas. »
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