896 results where found for «El cautivo de Til Til»


May the Omelette Flip Over (Que la tortilla se vuelva)

Music piece by:
Chicho Sánchez Ferlosio. Popularized by Quilapayún
Testimony by:
Claudio Melgarejo
Experience in:
« I spent a week in captivity, in November 1973. I didn’t hear many songs, but the most popular ones sung by my comrades were 'Venceremos' (We Shall be Victorious) and 'Que la tortilla se vuelva' (May the Omelette Flip Over), also known as 'The Tomato Song', which portrays the bosses' exploitation of the workers. »
[...]
« May the Omelette Flip Over (Que la tortilla se vuelva) »
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Balderrama

Music piece by:
Manuel José Castilla (lyrics) and Gustavo Leguizamón (music). Popularised by Mercedes Sosa
Testimony by:
Eduardo Ojeda
« We arrived at Camp Compingin on Dawson Island on the afternoon of 11 September. We knew that we had been arrested that morning, and we knew nothing else yet. »
[...]
« Manuel José Castilla (lyrics) and Gustavo Leguizamón (music). Popularised by Mercedes Sosa »
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Oh Saving Victim (O salutaris Hostia)

Music piece by:
text by Saint Thomas Aquinas; music by Lorenzo Perosi
Testimony by:
Roberto Navarrete
Experience in:
Cárcel de Santiago, November 1973 - April 1974
« The political prisoners’ cell block in Santiago Prison was established when they transferred many people from the National Stadium in October or November 1973. »
[...]
« bella premunt hostilia »
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You Will Pay (The Cigarette Smoke) (Pagarás [El humo del cigarrillo])

Music piece by:
Manuel Mantilla
Testimony by:
Fernando Aravena
Experience in:
« The political prisoners were isolated but when they made us go down to the courtyard, we were with the common prisoners. »
[...]
« Manuel Mantilla »
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Run Run Went up North (Run Run se fue pa'l norte)

Music piece by:
Violeta Parra
Testimony by:
Ernesto Parra Navarrete
Experience in:
« Run Run... On the big pitch, mild summer weather was in the air. »
[...]
« But for us, aching from the torture, hungry, haggard, stinking, tattered, tired of our uncertain future, all we longed for was a breath of energy that would allow us to feel that we were still alive and that the feelings of our absent loving partners were present. »
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Candombe for José (Candombe para José)

Music piece by:
Roberto Ternán
Testimony by:
Sara De Witt
Experience in:
« We were in Tres Álamos barracks in September 1976. I don’t recall how many of us women were imprisoned there. I believe there were close to a hundred of us. »
[...]
« I entered one of the rooms to gather up the things on the floor and straighten up the place. I found a notebook with the owner’s name on the cover, Guacolda; she had been very meticulous about compiling the words of our songs. I still have the notebook in my house in London, and even though its pages have turned yellow with age, you can still read the lyrics of our songs. That night, dressed in our blue tracksuits, after having a bite to eat, we began to sing again. »
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Casida of the Dark Pigeons (Casida de las palomas oscuras)

Music piece by:
Federico García Lorca (words), Paco Ibáñez (music)
Testimony by:
Luis Alfredo Muñoz González
Experience in:
« According to scientists, memory and music processing are situated in a deep, ancestral part of the brain, where it is zealously guarded. »
[...]
« “Bravo!”, croaked a man’s voice. “Very beautiful. I am a priest (Belgian? Dutch? I don't remember). “Do you think they will kill me?” the foreign-sounding voice asked me. “No…”. I never saw or heard anything about the Argentine woman or the European priest again. But I did learn that she survived. I still feel satisfaction at having embraced them with my song and my voice. »
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Lili Marlene

Music piece by:
Hans Leip
Testimony by:
Rogelio Felipe Castillo Acevedo
« We were forced to belt out these marching songs. »
[...]
« Rogelio Felipe Castillo Acevedo »
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Creole Mass – Gloria (Misa criolla - Gloria)

Music piece by:
Ariel Ramírez
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November – December 1973
« As far as I remember (and there may be other versions), Los de Chacabuco band was founded by Ángel Parra in response to a request by the Army chaplain Varela, who asked for assistance for the Mass he celebrated for both prisoners and soldiers. »
[...]
« Our first musical presentation was the Creole Mass by Ariel Ramírez. We sang this version until it was replaced by one of Ángel’s compositions written in Chacabuco. »
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The Little Fence (La rejita)

Music piece by:
lyrics: collective creation; music: 'Jálame la pitita' by Luis Abanto Morales (Peruvian polka)
Testimony by:
Lucía Chirinos
Experience in:
« Let’s get going, would say “the lizards”, as we called the policemen, because they dress all in green. »
[...]
« The lieutenant turns around and says 'blindfold the lady'. He smelt of blood, of vomit, ugh! But still some vanity in me. I thought: 'What am I going to I say before I die?' I need to say something that will hurt them. I fancied myself a Paula Jaraquemada. »
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