53 results where found for «Free»
- Music piece by:Roberto Ternán
- Testimony by:Sara De Witt
- Experience in:Campamento de Prisioneros, Tres Álamos, September 1976
- Tags:
- « We were in Tres Álamos barracks in September 1976. I don’t recall how many of us women were imprisoned there. I believe there were close to a hundred of us. »
- [...]
- « We stood in the barracks yard and began to sing in unison. We sang the “Ode to Joy” and another song of which I remember just one verse: “se va, se va, se va hacia la libertad”
(going away, going away, going away towards freedom) . »- [Read full testimony]
- Music piece by:Claudio Durán Pardo
- Testimony by:Claudio Enrique Durán Pardo
- Experience in:Campamento de Prisioneros, Tres Álamos, September - December 1975
- Tags:
- « I first laid my hands on a quena when I was nine years old. It was resplendently fragile and lyrical. My passion for this instrument was immediate, or rather, the quena chose me. »
- [...]
- « Perhaps some of those who were with me will remember that, in the evening, almost at sunset, I made the quena sing in the Tres Álamos concentration camp. The laconic guards who watched me from the towers were unable to decipher the contraband of symbols which, driven by the wind, flew freely to the captive ears of the Women’s Pavilion. »
- [Read full testimony]
- Music piece by:Fernando Z. Maldonado. Popularised by Vicente Fernández
- Testimony by:Jorge Montealegre Iturra
- Experience in:
- Tags:
- « At the Chacabucan artistic shows, Hugo sang tangos, including 'Volver' (Return) by Gardel and Le Pera. »
- [...]
- « He also sang this tango during a farewell party for a group of comrades who were going to be released. To think of returning was tragicomic. And yet, four decades later, we returned. Of our own free will. »
- [Read full testimony]
- Music piece by:Patricio Hermosilla Vives
- Testimony by:Patricio Hermosilla Vives
- Experience in:Campamento de Prisioneros Chacabuco, January 1974
- Tags:
- « Finally, in the Chacabuco Concentration Camp, after three days aboard the Policarpo Toro (a war ship which had an uncertain destination since sailing from Valparaíso in December 1973; the question was not when and where we would dock, but how we would fall overboard), I felt that death had decided to take a step back and watch from me from a little further away. »
- [...]
- « 'Viento Errante ('Errant wind') (composed towards the end of that year during the improvised 'literary workshop' in which Salas, Montealegre, another prisoner and myself, tried to divert the raw pain of those hours, exploring some possible forms of 'existential meaning'), a song more unconscious than conscious, which attempted from its inception to idealise freedom in the shape of a woman without a defined face or name although, on the other hand, she embodied all the roles of a woman: mother, daughter, sister, girlfriend. »
- [Read full testimony]
- Music piece by:Sandro
- Testimony by:Nelly Andrade Alcaino
- Experience in:
- Tags:
- « The military officials in charge of the Tejas Verdes camp made us sing. They gave us just one day to select the songs and rehearse. »
- [...]
- « Then we thought of the song "Libre" ("Free", popularised by Nino Bravo), which the group also vetoed: we were locked in the room day and night, allowed out only a couple of times a day to go to the bathroom. »
- [Read full testimony]
- Music piece by:All the women present at that moment in Chacabuco
- Testimony by:Mónica García Cuadra
- Experience in:Campamento de Prisioneros Chacabuco, Summer of 1974
- Tags:
- « I am the daughter of a former political prisoner who spent a long time imprisoned at Chacabuco, among other places. I am Monica, a little 9-year-old girl who travelled with a heavy heart full of sadness to visit her father, Gerardo García Salas, held at the Chacabuco concentration camp. I am an only child and in my young life, he is my sole reference point and, in essence, my image of masculinity. »
- [...]
- « That song had been written and was in every mind, subtly flooding that arid time and space we were experiencing with loving melodies of struggle. It is the most suffering, most painful, true, symbolic and freedom-loving song I have ever heard in the vast and implacable silence. »
- [Read full testimony]
- Music piece by:Víctor Jara
- Testimony by:Joaquín Vallejos
- Experience in:Academia de Guerra Naval, January 1974
- Tags:
- « I was arrested at home together with a childhood friend who they’d gone to pick up first. My family thought he’d stitched me up, which was not true. »
- [...]
- « My friend had nothing to do with politics, he just wanted peace and freedom. He was a hippie and very committed to helping those in need. »
- [Read full testimony]
Lament for the Death of Augusto the Dog (Lamento a la muerte del perro Augusto)
- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- Tags:
- « Augusto the dog (not to be confused with the journalist Augusto Olivares, affectionately nicknamed 'Augusto the Dog', who was murdered in the Presidential Palace on
11 September 1973 ), was the mascot of the political prisoners held at the Ritoque concentration camp, and accompanied his master when the military junta decided to close that prison and transfer the inmates to the neighbouring Puchuncaví concentration camp. »- [...]
- « In vain we tried to tie him up and keep him in one of the cells. Augusto was accustomed to his freedom and wouldn’t succumb to such indignation. But his wild spirit sensed the danger and the four-legged beast infuriated the soldiers, who from then on only wanted to find and kill him. »
- [Read full testimony]
- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- Tags:
- « This song, written in my cell at the Puchuncaví Prison Camp, speaks to a friend and fellow prisoner; it could be any one of the thousands behind bars. »
- [...]
- « Paper boat (barco de papel): We had a habit of wishing farewell to our comrades who were released or about to be transferred to other prisons. People who were not fortunate enough to be included in the group would gather around those who were about to leave, a ritual that sometimes included singing Julio Numhausser’s beautiful song 'El barco de papel'. The first verse goes like this: 'Se va el barco de papel por el mar de la esperanza, llevando un montón de sueños y los niños no lo alcanzan. Se va, se va y no volverá. Se va, se va a la libertad.' (The paper boat sails to a sea of hope, carrying dreams and children can’t reach it. There it goes, there it goes, and it will never return. There it goes, there it goes to freedom.). »
- [Read full testimony]
The Brief Space Where You Are Absent (El breve espacio en que no estás)
- Music piece by:Pablo Milanés
- Testimony by:Vilma Rojas Toledo
- Experience in:Cárcel de Coronel, 1986 - 1988
- Tags:
- « I recall that during my time as a political prisoner,
Pablo Milanés was one of our greatest companions. His songs filled us with life, helped us to keep breathing and living behind the bars imposed by Pinochet’s military dictatorship. »- [...]
- « It made you feel that the songs we listened to on a cassette player contained the wisdom and spirit of rebellion, which I personally needed in order to feel that they had not completely deprived me of my freedom. »
- [Read full testimony]
- « I recall that during my time as a political prisoner,
- « Augusto the dog (not to be confused with the journalist Augusto Olivares, affectionately nicknamed 'Augusto the Dog', who was murdered in the Presidential Palace on