Cantos Cautivos
55 results where found for «Free»
- Music piece by:Antônio Marcos. Popularised in Chile by Claudio Reyes
- Testimony by:Carolina Videla
- Experience in:Cárcel Pública de Arica, January 1989
- Tags:
- « My prison term happened during the last year of the dictatorship after the No vote won. I was set free because of 'lack of evidence', after a year and a half in prison. »
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- Music piece by:Julio Numhauser
- Testimony by:Carolina Videla
- Experience in:Cárcel Pública de Arica, 1989-1990
- Tags:
- « My guitar accompanied me for the entire time that I was deprived of freedom. It was like a magnet. In the afternoon we would sing and play in the courtyard. »
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- Music piece by:Teófilo Vargas Candia, popularised in Chile by the group Quilapayún
- Testimony by:David Quintana García
- Experience in:Cárcel de Rancagua, 1974 - 1975
- Tags:
- « On 10 September 1974, a folk band of Communist Youth activists arrived at the prison of Rancagua. They were arrested to prevent them from participating in the demonstrations and other acts against the dictatorship on
11 September through their role as musicians and activists. They were freed on the 12th. They were arrested again in September 1975. »- [Read full testimony]
- Music piece by:Rosario Sansores and Carlos Brito Benavides. Popularised in Chile by Lucho Barrios
- Testimony by:Juan Carlos de Luján Peralta Aranguiz
- Experience in:
- Tags:
- « I arrived in this place as a war prisoner when I was 16 years old. »
- [...]
- « After three months, I regained freedom and went back for the last days of secondary school. I never knew what happened to my cellmates. »
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- Music piece by:Luis Advis
- Testimony by:Alfonso Padilla
- Experience in:
- Tags:
- « Between March 1974 and July 1975, I had the opportunity to arrange about 200 songs and direct the production of the Cantata de Santa María de Iquique. In truth, the prison was my conservatoire. That’s where I learnt the basics of the profession of musician. »
- [...]
- « Nevertheless, my knowledge was rudimentary so the notation was imprecise; the worst example is the prelude, which is in 3/4 and I wrote in 4/4. (On the Quilapayún recording there are rhythmic parts that are not 100% fixed, there is some improvisation, or rather, they used a freer agogic for brief periods. All this is normal in traditional and popular music.) »
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- « On 10 September 1974, a folk band of Communist Youth activists arrived at the prison of Rancagua. They were arrested to prevent them from participating in the demonstrations and other acts against the dictatorship on