891 results where found for «Himno Nacional de Chile»


Far Away (Tamo daleko)

Music piece by:
Djordje Marinkovic. Chilean adaptation of traditional Serbian song, originally composed in 1916.
Testimony by:
Eduardo Ojeda
« At Compingin Camp on the island, Mario started telling us about the Spanish lyrics of the Yugoslav song 'Tamo daleko'. The song was not Croatian: it was Serbian. »
[...]
« Djordje Marinkovic. Chilean adaptation of traditional Serbian song, originally composed in 1916. »
[Read full testimony]

The Internationale

Music piece by:
Eugène Pottier (lyrics) and Pierre Degeyter (music). Popularised by Quilapayún in Chile in the 1970s.
Testimony by:
Ana María Jiménez
Experience in:
Villa Grimaldi, April 1975
« In April 1975, the triumph of Vietnam was celebrated. We heard about it through a comrade who went to the bathroom and found a piece of the week’s newspaper. It was so beautiful for us to be there, having shouted so often for Vietnam at demonstrations. »
[...]
« Eugène Pottier (lyrics) and Pierre Degeyter (music). Popularised by Quilapayún in Chile in the 1970s. »
[Read full testimony]

Caliche

Music piece by:
Calatambo Albarracín
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, December 1973 - February 1974
« Los de Chacabuco, a band founded and conducted by Ángel Parra, arranged this song called "Caliche". It was sung several times during the Saturday shows at the Chacabuco concentration camp. At the farewell concert for Angel, Alberto Corvalán recorded it on cassette, and a subsequent LP was produced from that cassette. »
[...]
« I’m from northern Chile »
[Read full testimony]

The Letter (La carta)

Music piece by:
Violeta Parra
Testimony by:
Paicavi Painemal
Experience in:
« We set up a band with a group of fellow prisoners. They were young, university students. One of them had a guitar. »
[...]
«  (The Lion of Tarapacá) Arturo Alessandri Palma (1868-1950), President of Chile in 1920-1925 and 1932-1938. »
[Read full testimony]

The Letter (La carta)

Music piece by:
Violeta Parra
Testimony by:
Pedro Mella Contreras
« In January 1987, when solitary confinement was lifted and we were able to receive visitors, a brother who lived in Santiago travelled to see me. »
[...]
«  (The Lion of Tarapacá) Arturo Alessandri Palma (1868-1950), President of Chile in 1920-1925 and 1932-1938. »
[Read full testimony]

Why does the afternoon cry (Por qué llora la tarde)

Music piece by:
Antônio Marcos. Popularised in Chile by Claudio Reyes
Testimony by:
Carolina Videla
Experience in:
« My prison term happened during the last year of the dictatorship after the No vote won. I was set free because of 'lack of evidence', after a year and a half in prison. »
[...]
« Antônio Marcos. Popularised in Chile by Claudio Reyes »
[Read full testimony]

To my Little Dove (A mi palomita)

Music piece by:
Teófilo Vargas Candia, popularised in Chile by the group Quilapayún
Testimony by:
David Quintana García
Experience in:
Cárcel de Rancagua, 1974 - 1975
« On 10 September 1974, a folk band of Communist Youth activists arrived at the prison of Rancagua. They were arrested to prevent them from participating in the demonstrations and other acts against the dictatorship on 11 September through their role as musicians and activists. They were freed on the 12th. They were arrested again in September 1975. »
[...]
« Teófilo Vargas Candia, popularised in Chile by the group Quilapayún »
[Read full testimony]

Shadows (Sombras)

Music piece by:
Rosario Sansores and Carlos Brito Benavides. Popularised in Chile by Lucho Barrios
Testimony by:
Juan Carlos de Luján Peralta Aranguiz
« I arrived in this place as a war prisoner when I was 16 years old. »
[...]
« Rosario Sansores and Carlos Brito Benavides. Popularised in Chile by Lucho Barrios »
[Read full testimony]

The Rack (El costillar)

Music piece by:
unknown. Folk tune from the south of Chile
Testimony by:
Teresa Retamal Silva
« The Cárcel Buen Pastor was a compound run by nuns. They called us political prisoners and were anxious to collect information about us to pass it on to our tormentors. »
[...]
« unknown. Folk tune from the south of Chile »
[Read full testimony]

The Dead Man Won't Be Pinned on Me (Ese muerto no lo cargo yo)

Music piece by:
Graciela Arango de Tobón, popularised in Chile by Giolito y su Combo, and by Los Vikings 5
Testimony by:
Joaquín Real Hermosilla
« From that troubled time, I would like to remember an activity that kept us active during the harsh confinement in Las Bandurrias. It is about music, an artistic expression that revealed the talent of several political prisoners and allowed us to endure the confinement for almost six months. »
[...]
« Graciela Arango de Tobón, popularised in Chile by Giolito y su Combo, and by Los Vikings 5 »
[Read full testimony]