Cantos Cautivos
891 results where found for «Himno Nacional de Chile»
- Music piece by:Julio Numhauser, popularised by the band Amerindios
- Testimony by:Carlos Muñoz
- Experience in:Campamento de Prisioneros, Tres Álamos, 1975 - 1976
- Tags:
- « One of the most important songs in the detention centres. Impossible to count how many times we sang it. Every time someone was released from a detention camp or there was credible information that a person would be sent into exile, a gigantic chorus would sing this song, in a powerful unison. No one could possibly forget it. Especially significant at Tres Álamos, as this was the “exit” camp. »
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- « The musical group Caliche, based in Birmingham (England) frequently sang this song at Chile solidarity events during the 1980s. »
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- Music piece by:Nydia Caro and Ricardo Ceratto
- Testimony by:Beatriz Bataszew Contreras
- Experience in:Calle Irán Nº 3037 / Venda Sexy / La Discotheque, 12 - 18 December 1974
- Tags:
- « I have never been a great music listener. Nevertheless, before the coup I used to listen to
Nueva Canción , especially Quilapayún and Rolando Alarcón. I also liked cumbias, to fool around. We would dance and have fun. »- [...]
- « ‘New Song’, both a social and musical movement that began in 1960s Chile and spread to other Spanish-speaking countries. »
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- Music piece by:lyrics: collective creation; music: 'Jálame la pitita' by Luis Abanto Morales (Peruvian polka)
- Testimony by:Lucía Chirinos
- Experience in:Cárcel de Mujeres Buen Pastor, La Serena, October 1973 - April 1974
- Tags:
- « Let’s get going, would say “the lizards”, as we called the policemen, because they dress all in green. »
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- « (1768-1851) Important figure in the Chilean struggle for independence from Spain. »
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- Music piece by:Eduardo Falú and Jaime Dávalos
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros Chacabuco, November 1973 - February 1974
- Tags:
- « The Los de Chacabuco band, created and conducted by Ángel Parra, performed this zamba by Eduardo Falú and Jaime Davalos at the camp’s weekly shows. »
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- « This song can be found on the secret recording made of the farewell show organised for Ángel by Alberto Corvalan. It is called 'Zamba argentina' on the vinyl record released in Italy and on the CD released in Chile. »
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- Music piece by:José Agustín Goytisolo (lyrics) and Paco Ibáñez (music)
- Testimony by:Amelia Negrón
- Experience in:Campamento de Prisioneros, Tres Álamos, 1975 and 1976, until the closure of Tres Álamos
- Tags:
- « There were so many of us women prisoners. Despite the circumstances, we had managed to invent our own world, one with our rules, according to what we thought and wanted for ourselves, our families and all the Chilean people. »
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- Music piece by:Collective creation
- Testimony by:Ignacio Puelma
- Experience in:Campamento de Prisoneros Ritoque, February 1975
- Tags:
- « The sound of the sea was carried over the cabins of the Ritoque Prison Camp by the wind. It was the daily music given to us as a gift by the ocean. »
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- « Two of the most important Chilean rock bands in the 1960s and 70s. »
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- Music piece by:Jacqueline Misrahi, Lana Sebastian and Paul Sebastian. Popularised by Dalida in various languages: Italian ('Gigi L’amoroso'), Spanish ('Gigi el amoroso'), French ('Gigi l'amour'), English ('The Great Gigi l’amoroso'), German ('Gigi der Geliebte') and Japanese ('Ai suru Jiji').
- Testimony by:Eduardo René Cuevas
- Experience in:Regimiento de Infantería Reforzada Nº 3, Los Ángeles (nowadays Regimiento de Infantería Nº 17), October - November 1973
- Tags:
- « This song was used while the Military Intelligence Service (SIM) subjected me to cruel torture at a clandestine torture centre in the southern Chilean city of Los Ángeles. »
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- Music piece by:Víctor Jara
- Testimony by:Joaquín Vallejos
- Experience in:Academia de Guerra Naval, January 1974
- Tags:
- « I was arrested at home together with a childhood friend who they’d gone to pick up first. My family thought he’d stitched me up, which was not true. »
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- « To me, that song sung by many female comrades from university, by housewives and female workers, epitomises Chilean women: strong, feisty, committed, rebellious, but also coquettish, feminine and affectionate. »
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Musicalized Dialogue between Two Old Prisoners (Diálogo musicalizado entre dos ancianos presos)
- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- Tags:
- « At Puchuncaví Detention Camp (Melinka) I shared a cell with an elderly man from Lota, where he had spent his entire life working in the coal mines. »
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- « I was struck by the way he spoke. It was very different from the 'Chilean' way of a twenty-something-year-old from the capital like me. When he talked to our fellow prisoners, I could barely understand a word he said. I composed this song in the cell by transcribing some of our conversations. »
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Lament for the Death of Augusto the Dog (Lamento a la muerte del perro Augusto)
- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- Tags:
- « Augusto the dog (not to be confused with the journalist Augusto Olivares, affectionately nicknamed 'Augusto the Dog', who was murdered in the Presidential Palace on
11 September 1973 ), was the mascot of the political prisoners held at the Ritoque concentration camp, and accompanied his master when the military junta decided to close that prison and transfer the inmates to the neighbouring Puchuncaví concentration camp. »- [...]
- « Day when the Chilean armed forces led by Augusto Pinochet overthrew President Salvador Allende. »
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- « Augusto the dog (not to be confused with the journalist Augusto Olivares, affectionately nicknamed 'Augusto the Dog', who was murdered in the Presidential Palace on
- « I have never been a great music listener. Nevertheless, before the coup I used to listen to