Cantos Cautivos
184 results where found for «I Can Trust the Lord»
- Music piece by:Liborio Bórquez Guzmán, popularised by Héctor Pavez
- Testimony by:Rubén Torres Ávila
- Experience in:
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- « When I was in the last year of secondary school at the Liceo 8 in Santiago, I suggested to a teacher to do an interview with a prisoner of the youth detention centre Blas Cañas. After the interview, I offered the prison’s governor to take the school’s folk group to present a show to the inmates. »
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- Music piece by:Julio Iglesias
- Testimony by:Carmen Espinoza Alegría
- Experience in:Colonia Dignidad, April 1975
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- « I’m from Talca. I met César, my comrade, my love, in 1971 or 1972, approximately. We were young idealists, we were members of Juventudes Comunistas, and were student leaders in our secondary schools. »
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- « One day, one of the guards came to me and whispered the song
‘A flor de piel’ (Under my Skin) byJulio Iglesias . This song was very significant for me because it was the song César and I listened to when we were dating. »- [Read full testimony]
- Music piece by:Julio Iglesias
- Testimony by:César Montiel
- Experience in:Colonia Dignidad, April 1975
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- « At the beginning of the 1970s, I met Carmen, my comrade, my love, at the Juventudes Comunistas of Talca. We had the life of young idealists, sharing our everyday, living this revolutionary process so beautifully. »
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- « Famous Chilean groups of the Nueva Canción movement, with strong affiliation to the Popular Unity coalition. »
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- Music piece by:poem by Francisco Pezoa Astudillo set to music by Quilapayún
- Testimony by:Renato Alvarado
- Experience in:Campamento de Prisioneros Cuatro Álamos, February 1975
- Tags:
- « The first song that we managed to sing was Quilapayún's setting of the poem <i>Canto a la Pampa (Song to the Pampa), by the anarchist poet Francisco Pezoa Astudillo, which recounts one of the bloodiest episodes of the class struggle in Chile: the massacre of the Santa María school in Iquique in December 1907. The prisoners of the large Room 13 of Cuatro Álamos camp sang it complete and as a chorus around February 1975. »
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- Music piece by:unknown. Folk tune from the south of Chile
- Testimony by:Teresa Retamal Silva
- Experience in:Cárcel de Mujeres Buen Pastor, Chillán, May 1974
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- « The Cárcel Buen Pastor was a compound run by nuns. They called us political prisoners and were anxious to collect information about us to pass it on to our tormentors. »
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- « We put significant effort into the presentation, which was a great success. The event included various performances, including the folk dance ‘El costillar’ (The Rack). We wore peasant clothes and sang with guitar accompaniment while dancing around two bottles placed on the floor. »
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- Music piece by:Eusebio Lillo and Ramón Carnicer
- Testimony by:Joaquín Real Hermosilla
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- « Some 30 leaders and activists from the Popular Unity parties were arrested in Coyhaique and confined in Las Bandurrias, fifteen kilometres from the city, in a compound used as a veterinary clinic for horses. »
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- « We prisoners were ‘voluntarily’ assigned to unload hay, dig watering holes, sow potatoes, build a canal and look after the foals. These tasks were hard and quite risky, especially since the lieutenant had threatened that if one animal died, two prisoners would lose their lives. »
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A Finger-Picked Cueca from a Solidary Companion (Cueca punteada de un solidario)
- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
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- « It is true that the hard experience of torture and prison unified us and at times even generated strong ties of friendship among the prisoners. »
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- « If the political constellation of the inmates was explosive, life inside a cell could become a psychological torment as bad or worse than the physical torture. Sectarianism and mistrust were common, and there were only a few people with whom one could talk about personal issues, without fearing that the whole party would know about it the next day. Weaknesses were not tolerated. »
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- Music piece by:Julio Numhauser
- Testimony by:Carolina Videla
- Experience in:Cárcel Pública de Arica, 1989-1990
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- « My guitar accompanied me for the entire time that I was deprived of freedom. It was like a magnet. In the afternoon we would sing and play in the courtyard. »
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- « I often remember an older woman who came in because of drug trafficking. Her life had fallen apart but she wanted to get ahead. We came to have enough trust to have conversations. »
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- Music piece by:Violeta Parra
- Testimony by:Paicavi Painemal
- Experience in:Cárcel de Temuco, 1985
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- « We set up a band with a group of fellow prisoners. They were young, university students. One of them had a guitar. »
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- « The band had 22 members, all trustworthy people, left-wing. Apart from local prisoners, there were also people from Santiago, Puerto Varas, Talcahuano and Valdivia. »
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- Music piece by:Artidorio Cresseri
- Testimony by:Germán Larrabe
- Experience in:Campamento de Prisioneros Melinka, Puchuncaví, 1974 - 1976