171 results where found for «I Can Trust the Lord»

Friend (Amiga)

Song by:
Miguel Bosé
Testimony by:
Carolina Videla
Experience in:
Cárcel Pública de Arica, January 1989
Tags:
« I was 19 years old when they arrested me. I was one of the youngest political prisoners at the time in Arica. »
[...]
« Even in the worst moments, a song can calm you down, it can hug you. He was on the other side but I felt him close by. »
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To Be Seventeen Again (Volver a los diecisiete)

Song by:
Violeta Parra
Testimony by:
David Quintana García
Experience in:
Intendencia de Rancagua, 1973
Tags:
« I spent 45 days in the torture centre of Intendencia de Rancagua. Previously, I was detained with my brothers in the headquarters of the Cuartel de Investigaciones de Rancagua. »
[...]
« (3) (1917-1967) Arguably the ‘mother’ of the Chilean Nueva Canción and one of the most important Chilean musicians of the 20th century. »
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You Will Pay (The Cigarette Smoke) (Pagarás [El humo del cigarrillo])

Song by:
Manuel Mantilla
Testimony by:
Fernando Aravena
Experience in:
Cárcel de Santiago, 1989
Tags:
« The political prisoners were isolated but when they made us go down to the courtyard, we were with the common prisoners. »
[...]
« A political prisoner can be isolated for days on end. A common prisoner gets bored, strangles themselves. But not us: we have singing, strength, struggle. That carries us forward and distinguishes us from common prisoners. »
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The Prisoner of Til Til (El cautivo de Til Til)

Song by:
Patricio Manns
Testimony by:
Fernando Aravena
Experience in:
Cárcel de Santiago, 1989
Tags:
« The political prisoners organised mateadas(1) once or twice a week, during which we did poetry and sang songs, amongst them ‘El cautivo de Til Til’ by Patricio Manns, ‘Samba Landó’ and ‘Vuelvo’ by Inti-Illimani, ‘Valparaíso’ by Osvaldo ‘Gitano’ Rodríguez, and songs by Eduardo ‘Gato’ Alquinta and Silvio Rodríguez. »
[...]
« ‘El cautivo de Til Til’ had a special significance. As many of the prisoners were from El Frente(2), ‘El cautivo de Til Til’ turned into our hymn. When they transferred another fellow and me to La Serena Prison, we also sang the song there. It was appropriate at that moment due to the number of people who were falling down. It would awake a feeling of injustice and abuse. »
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How We Resemble Each Other (En qué nos parecemos)

Song by:
Unknown. Popularised by Quilapayún
Testimony by:
Scarlett Mathieu
Experience in:
Campamento de Prisioneros Cuatro Álamos, 1974
Tags:
« In Cuatro Álamos, I was profoundly marked by the singing of a current detained-disappeared named Juan Chacón. He sang ‘En qué nos parecemos’, a love song from the Spanish Civil War. It remained engraved in me because that comrade disappeared from Cuatro Álamos. »
[...]
« These songs were very important and significant for all. I tried to remember the names of the people who sang them. »
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Moments (Los momentos)

Song by:
Eduardo Gatti
Testimony by:
Scarlett Mathieu
Experience in:
Campamento de Prisioneros, Tres Álamos, 1974
Tags:
« ‘Moments’ was a song sung by the female comrades whose partners were imprisoned on the other side of Tres Álamos, or were fugitives or disappeared. We all sang it, but it was like their anthem. »
[...]
« There was a very dear comrade who loved ‘Candombe para José’. She even requested that the song was sung for her funeral. »
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Shadows (Sombras)

Song by:
Rosario Sansores and Carlos Brito Benavides. Popularised in Chile by Lucho Barrios.
Testimony by:
Juan Carlos de Luján Peralta Aranguiz
Experience in:
Cárcel de Menores Blas Cañas / Centro de Reinserción Abierto Manuel Rodríguez, September 1974
Tags:
« I arrived in this place as a war prisoner when I was 16 years old. »
[...]
« In Blas Cañas, many of my mornings began listening to the song 'Shadows'. I didn’t know the song at the time. It wasn’t to my taste. »
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Cantata Santa María de Iquique - Prelude

Song by:
Luis Advis
Testimony by:
Alfonso Padilla
Experience in:
Campamento Prisioneros Estadio Regional, 1975
Tags:
« Between March 1974 and July 1975, I had the opportunity to arrange about 200 songs and direct the production of the <i>Cantata de Santa María de Iquique. In truth, the prison was my conservatoire. That’s where I learnt the basics of the profession of musician. »
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The dance of those left behind

Song by:
Los Prisioneros
Testimony by:
Eduardo Andrés Arancibia Ortiz
Experience in:
Cárcel de Santiago, 1986
Tags:
« I learnt about Los Prisioneros through the 'Hecho en Chile' programme on Radio Galaxia, presented by Sergio 'Pirincho' Cárcamo. Their music became our trench and musical poetry, like all other forms of struggles against dictatorship. »
[...]
« I was already listening to the 'Nuestro Canto' programme presented by Miguel Davagnino on Radio Chilena in 1976. From 1986 I listened to the music dissident to the dictatorship on Radio Umbral, played by the late Pedro Henríquez. This was the radio panorama that allowed us to hear the voices and sounds of resistance. »
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A finger-picked Cueca from a solidary companion (Cueca punteada de un solidario)

Song by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« It is true that the hard experience of torture and prison unified us and at times even generated strong ties of friendship among the prisoners. »
[...]
« If the political constellation of the inmates was explosive, life inside a cell could become a psychological torment as bad or worse than the physical torture. Sectarianism and mistrust were common, and there were only a few people with whom one could talk about personal issues, without fearing that the whole party would know about it the next day. Weaknesses were not tolerated. »
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