870 results where found for «Intendencia de Rancagua»


A finger-picked Cueca from a solidary companion (Cueca punteada de un solidario)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« It is true that the hard experience of torture and prison unified us and at times even generated strong ties of friendship among the prisoners. But, if we are being honest, we have to say that it was not all friendship and solidarity among the political prisoners. The left-wing political parties continued their ideological struggles inside the prisons, and, at worst, helped to deteriorate the already foul atmosphere of captivity. If the political constellation of the inmates was explosive, life inside a cell could become a psychological torment as bad or worse than the physical torture. Sectarianism and mistrust were common, and there were only few people with whom one could talk about personal issues, without fearing that the whole party would know about it the next day. Weaknesses were not tolerated. »
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« A finger-picked Cueca from a solidary companion (Cueca punteada de un solidario) »
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They Say the Homeland Is - Soldier's Song

Author:
Chicho Sánchez Ferlosio
Testimony by:
Sergio Reyes Soto
Place & date:
« This song, like so many others, was not at all “captive”. The revolutionary songs we sang behind bars imbued us with a sense of freedom. Rolando Alarcón, and later Quilapayún, introduced “Dicen que la patria es” (or “Canción de soldados”) to Chile. »
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« if I attack my comrades. »
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The Little Fence (La rejita)

Author:
lyrics: collective creation; music: “Jálame la pitita” by Luis Abanto Morales (Peruvian polka)
Testimony by:
Lucía Chirinos
Place & date:
« Let’s get going, would say “the lizards”, as we called the policemen because they dress all in green. I looked and looked so I wouldn’t forget anything, because I didn’t know how many years I would be locked up for. I was emotional too: one gets frightened. Against the traffic, they turn the wheel. »
[...]
« a lovely little song that sounded »
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The Little Fence (La rejita)

Author:
lyrics: collective creation; music: “Jálame la pitita” by Luis Abanto Morales (Peruvian polka)
Testimony by:
María Cecilia Marchant Rubilar
Place & date:
Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
« We always sang this song when we were taken to Regimiento Arica. That was a torture centre. On our departure and return, the female prisoners who remained behind also sang the song. The lyrics were a collective effort, it was like our anthem. It was fun and we really liked it. »
[...]
« a lovely little song that sounded »
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Coplas of El Yopo (Coplas de El Yopo)

Author:
Unknown. Traditional Venezuelan song. Popularised in Chile by Isabel and Ángel Parra
Testimony by:
Carlos Muñoz
Place & date:
« A comrade whose last name was Saavedra (if I recall correctly) sung this song passionately. This song earned him the nickname of ‘El Yopo’ (also ‘chopo’), as is usual in popular culture. The tune was well-known in Chile, as sung by Ángel and Isabel Parra, who called it "cimas del folklore venezolano" or "Coplas Venezolanas". It was one of the most popular songs in prison and was performed at many of our musical events. It was also sung at Ritoque and Puchuncaví. »
[...]
« You, you, you ordered it »
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Poet of Destiny (Poeta del destino)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
Place & date:
« This song is a tribute to Miguel Enríquez, Secretary General of the Movement of the Revolutionary Left (MIR), who was gunned down by a commando of the dictatorship’s secret police on 5 October 1974. My own five-year militancy in that organisation resulted in my enormous respect for this individual. »
[...]
« Comrade Miguel, »
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That General (Ese General)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
Place & date:
« The night of 24 March 1976, the residents of cell 198 hardly slept. We hadn’t slept on account of a long, heated discussion about the prospects of revolution in Latin America’s Southern Cone. What had ignited our discussion was clear: that day we heard the news about the military coup in neighbouring Argentina. »
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« Rise up, rise up. The Americas are determined. »
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Dreams of my Imprisonment (Sueños de mi encierro)

Author:
Mario Patricio Cordero Cedraschi
Testimony by:
Mario Patricio Cordero Cedraschi
Place & date:
Cárcel de Valparaíso, Winter of 1975
« I’d spent two years in prison and there was no end in sight for my time in jail. I observed during visiting hours that many prisoners had children, a wife, family; in my case, however, having been arrested so young and just turned 19, I felt a growing concern that I’d die without bearing children, and never experience this wonderful human feeling. »
[...]
« Mario Patricio Cordero Cedraschi »
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Love Song (Canción de amor)

Author:
Ángel Parra
Testimony by:
Luis Cifuentes Seves
Place & date:
Campamento de Prisioneros Chacabuco, November – December 1973
« Ángel Parra organised and directed the band Los de Chacabuco until his release from prison. Angel only conducted the group, and never sang or played an instrument. The exception was his farewell concert, which was the only time he sang at Chacabuco. One of the songs he performed on that occasion was this one, dedicated to his wife. When Angel was released, Ernesto Parra became the group’s conductor. »
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« You can deprive me of the air »
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Reflections (Reflexiones)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« Prison forced me to think quite a lot about my political past and my total commitment to an ideological cause, and its consequences. In this song (composed in the Puchuncaví Detention Camp and only sung for my friends and cellmates) I reflect on my role as a prisoner songwriter. »
[...]
« Who understands what I say »
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