136 results where found for «Jorge Peña Hen»

We Shall Prevail (Venceremos)

Music piece by:
Claudio Iturra (lyrics) and Sergio Ortega (music)
Testimony by:
Lucía Chirinos
Experience in:
Cárcel de Mujeres Buen Pastor, La Serena, October 1973 - April 1974
Tags:
« The parish priest at Buen Pastor played the accordion. He played so beautifully. Because I played the piano, I asked him if I could borrow it. 'I'll lend it to you' he said. »
[...]
« Learning all these songs on the accordion turned out to be a rather tiring task, all the more so since I could only do it in the afternoons when the girlies went to watch their beloved soap operas. »
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Free (Libre)

Music piece by:
José Luis Armenteros and Pablo Herrero, popularised by Nino Bravo.
Testimony by:
Guillermo Orrego Valdebenito
Experience in:
Campamento de Prisioneros, Estadio Nacional, 1973
Tags:
« This song was performed in the Stadium grandstands by a worker from the Madeco factory: Peineta Vasquez, winner of a Song Festival that was organised at grassroots level, during the times when we were allowed to leave the spaces under the grandstands, inside the stadium,  to sunbathe, together with women from various countries, before they got sent off to the pool area. »
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The Internationale

Music piece by:
Eugène Pottier (lyrics) and Pierre Degeyter (music). Popularised by Quilapayún in Chile in the 1970s.
Testimony by:
Ana María Jiménez
Experience in:
Villa Grimaldi, April 1975
Tags:
« In April 1975, the triumph of Vietnam was celebrated. We heard about it through a comrade who went to the bathroom and found a piece of the week’s newspaper. It was so beautiful for us to be there, having shouted so often for Vietnam at demonstrations. »
[...]
« We coordinated through secret mail: for example, messages would be exchanged when someone went to the bathroom. »
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You Hear It Far Away (Se escucha muy lejos)

Music piece by:
Collective creation
Testimony by:
Ignacio Puelma
Experience in:
Campamento de Prisoneros Ritoque, February 1975
Tags:
« The sound of the sea was carried over the cabins of the Ritoque Prison Camp by the wind. It was the daily music given to us as a gift by the ocean. »
[...]
« When the day arrived, before the audience, this music sounded innovative. When we finished our turn on stage, there was a massive applause and the jury decided that 'Se escucha muy lejos' should be the winner of the prize in the International Category. »
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Little Doctors (Doctorcitos)

Music piece by:
unknown. Folk tune from the Andes highlands
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, January - February 1974
Tags:
« Agreeing to a suggestion from Ricardo, Los de Chacabuco learned and arranged this tune. In the Andean high plateau, the tune is a satirical reference to lawyers and, by implication, to civil servants. It is performed at carnival time. »
[...]
« The most important thing for us when we were rehearsing and recording was the memory of our great and admired friend Marcelo Concha: we did it as a homage to him. It was a labour of friendship and respect. »
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Morning Has Broken

Music piece by:
Cat Stevens, based on a traditional Gaelic hymn; lyrics by Eleanor Farjeon
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros, Estadio Nacional, September - November 1973
Tags:
« At the time of the coup in 1973, this song was world-famous and frequently played on the radio. »
[...]
« As transistor radios were quite small, many people were arrested with one of these in their pockets, and a significant number were not searched and confiscated by the military. This explains why, when we were in the National Stadium, we were able to listen to them, keep track of the news and listen to music. »
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Anthem of Puchuncaví (Himno de Puchuncaví)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« A few weeks before being transferred to Valparaíso Jail - where I would face a war council on account of alleged violations of the State Interior Security Law and other military regulations that existed during the state of siege - I wrote a song that I called anthem, because I wanted it to be sung as a group at the end of our cultural events on Fridays. »
[...]
« The song was written so that every prisoner, regardless of political affiliation, could sing it. The only way to strengthen prisoners’ unity was to realise that all of us lived in the same conditions. »
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Musicalized Dialogue between Two Old Prisoners (Diálogo musicalizado entre dos ancianos presos)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« At Puchuncaví Detention Camp (Melinka) I shared a cell with an elderly man from Lota, where he had spent his entire life working in the coal mines. »
[...]
« I was struck by the way he spoke. It was very different from the 'Chilean' way of a twenty-something-year-old from the capital like me. When he talked to our fellow prisoners, I could barely understand a word he said. I composed this song in the cell by transcribing some of our conversations. »
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Lament for the Death of Augusto the Dog (Lamento a la muerte del perro Augusto)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« Augusto the dog (not to be confused with the journalist Augusto Olivares, affectionately nicknamed 'Augusto the Dog', who was murdered in the Presidential Palace on 11 September 1973), was the mascot of the political prisoners held at the Ritoque concentration camp, and accompanied his master when the military junta decided to close that prison and transfer the inmates to the neighbouring Puchuncaví concentration camp. »
[...]
«  Day when the Chilean armed forces led by Augusto Pinochet overthrew President Salvador Allende. »
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The Valley Swallow (La golondrina del valle)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« One of the most amazing experiences I had during my six months in the Puchuncaví Prison Camp was to see the metamorphosis of the barbed wire fence into a huge musical score. »
[...]
« This happened when a flock of swallows made a surprise visit and hundreds of them perched at different heights on the stiff barbed wire. It was the image that inspired this song. »
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