135 results where found for «Jorge Pe������a Hen»


You Hear It Far Away (Se escucha muy lejos)

Music piece by:
Collective creation
Testimony by:
Ignacio Puelma
Experience in:
« The sound of the sea was carried over the cabins of the Ritoque Prison Camp by the wind. It was the daily music given to us as a gift by the ocean. »
[...]
« When the day arrived, before the audience, this music sounded innovative. When we finished our turn on stage, there was a massive applause and the jury decided that 'Se escucha muy lejos' should be the winner of the prize in the International Category. »
[Read full testimony]

Little Doctors (Doctorcitos)

Music piece by:
Unknown. Folk tune from the Andes highlands
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, January - February 1974
« Agreeing to a suggestion from Ricardo, Los de Chacabuco learned and arranged this tune. In the Andean high plateau, the tune is a satirical reference to lawyers and, by implication, to civil servants. It is performed at carnival time. »
[...]
« The most important thing for us when we were rehearsing and recording was the memory of our great and admired friend Marcelo Concha: we did it as a homage to him. It was a labour of friendship and respect. »
[Read full testimony]

Morning Has Broken

Music piece by:
Cat Stevens, based on a traditional Gaelic hymn; lyrics by Eleanor Farjeon
Testimony by:
Luis Cifuentes Seves
Experience in:
« At the time of the coup in 1973, this song was world-famous and frequently played on the radio. »
[...]
« As transistor radios were quite small, many people were arrested with one of these in their pockets, and a significant number were not searched and confiscated by the military. This explains why, when we were in the National Stadium, we were able to listen to them, keep track of the news and listen to music. »
[Read full testimony]

Alfonsina and the Sea (Alfonsina y el mar)

Music piece by:
Félix Luna (lyrics) and Ariel Ramírez (music). Popularised by Mercedes Sosa.
Testimony by:
Sergio Vesely
Experience in:
Villa Grimaldi, January 1975
« It was not easy to endure being locked up in one of Villa Grimaldi’s miserable cells, which resembled vertical coffins. It was even harder in the high temperatures of the summer months of the Andes foothills in Peñalolén. I was inside one of those cells, blindfolded, my feet and hands in chains. »
[...]
« When I finished singing, the guard asked what the song title was and who had written it, and locked me up again. Then, he was gone. »
[Read full testimony]

Anthem of Puchuncaví (Himno de Puchuncaví)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« A few weeks before being transferred to Valparaíso Jail - where I would face a war council on account of alleged violations of the State Interior Security Law and other military regulations that existed during the state of siege - I wrote a song that I called anthem, because I wanted it to be sung as a group at the end of our cultural events on Fridays. »
[...]
« The song was written so that every prisoner, regardless of political affiliation, could sing it. The only way to strengthen prisoners’ unity was to realise that all of us lived in the same conditions. »
[Read full testimony]

Musicalized Dialogue between Two Old Prisoners (Diálogo musicalizado entre dos ancianos presos)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« At Puchuncaví Detention Camp (Melinka) I shared a cell with an elderly man from Lota, where he had spent his entire life working in the coal mines. »
[...]
« I was struck by the way he spoke. It was very different from the 'Chilean' way of a twenty-something-year-old from the capital like me. When he talked to our fellow prisoners, I could barely understand a word he said. I composed this song in the cell by transcribing some of our conversations. »
[Read full testimony]

Lament for the Death of Augusto the Dog (Lamento a la muerte del perro Augusto)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« Augusto the dog (not to be confused with the journalist Augusto Olivares, affectionately nicknamed 'Augusto the Dog', who was murdered in the Presidential Palace on 11 September 1973), was the mascot of the political prisoners held at the Ritoque concentration camp, and accompanied his master when the military junta decided to close that prison and transfer the inmates to the neighbouring Puchuncaví concentration camp. »
[...]
«  Day when the Chilean armed forces led by Augusto Pinochet overthrew President Salvador Allende. »
[Read full testimony]

The Valley Swallow (La golondrina del valle)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« One of the most amazing experiences I had during my six months in the Puchuncaví Prison Camp was to see the metamorphosis of the barbed wire fence into a huge musical score. »
[...]
« This happened when a flock of swallows made a surprise visit and hundreds of them perched at different heights on the stiff barbed wire. It was the image that inspired this song. »
[Read full testimony]

Beloved Friend (Amado amigo)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« This song, written in my cell at the Puchuncaví Prison Camp, speaks to a friend and fellow prisoner; it could be any one of the thousands behind bars. »
[...]
« Breadcrumbs (migas de pan): These were the raw material we used in the interrogation centres for sculpting little figurines. This activity was important to keep the prisoners' minds occupied. In situations of extreme solitary confinement, when all contact with the outside world had been cut off, prisoners used these figurines to build a tiny bridge of communication with their fellow prisoners. A person in solitary confinement would place the figurine where others could see it, leaving leave a sign life. »
[Read full testimony]

Poet of Destiny (Poeta del destino)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« This song is a tribute to Miguel Enríquez, Secretary-General of the MIR, who was gunned down by a commando of the dictatorship’s secret police on 5 October 1974. »
[...]
« The original text was created in the Capuchinos Prison (my last stop in Chile before leaving for exile in Germany), and underwent substantial changes in the early 1980s (which in my view enriched the composition) when I had the chance to read the moving speech given by Edgardo Enríquez, father of the political leader, at the opening ceremony of the Miguel Enríquez Clinical Hospital in Havana, Cuba. »
[Read full testimony]