338 results where found for «La Sudestada»
- Music piece by:Ariel Ramírez
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros Chacabuco, November – December 1973
- Tags:
- « As far as I remember (and there may be other versions), Los de Chacabuco band was founded by Ángel Parra in response to a request by the Army chaplain Varela, who asked for assistance for the Mass he celebrated for both prisoners and soldiers. »
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- « Lord God, Lamb of God »
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- Music piece by:Tino Carrasco
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros Chacabuco, November 1973 - February 1974
- Tags:
- « Los de Chacabuco, a band founded and conducted by Ángel Parra, performed this Venezuelan folk song, in the style of a joropo, singing it at the weekly prison camp show. I dare say it was one of the favourite songs of the audience, comprised of political prisoners. »
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- « to La Guaira they’ll return »
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- Music piece by:Fernando Z. Maldonado. Popularised by Vicente Fernández
- Testimony by:Jorge Montealegre Iturra
- Experience in:
- Tags:
- « At the Chacabucan artistic shows, Hugo sang tangos, including 'Volver' (Return) by Gardel and Le Pera. »
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- « Fernando Z. Maldonado. Popularised by Vicente Fernández »
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- Music piece by:Nicolás Guillén (lyrics) and Quilapayún (music)
- Testimony by:Domingo Lizama
- Experience in:Cárcel de Valdivia / Cárcel de Isla Teja, 1973 - 1978
- Tags:
- « In prison, there was a guy who played the guitar. He cheered up the afternoons in the cell. We all sang with him. »
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- « Nicolás Guillén (lyrics) and Quilapayún (music) »
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- Music piece by:Chicho Sánchez Ferlosio
- Testimony by:Sergio Reyes Soto
- Experience in:Campamento de Prisioneros Isla Dawson, 1973 - 1974
- Tags:
- « This song, like so many others, was not at all “captive”. The revolutionary songs we sang behind bars imbued us with a sense of freedom.
Rolando Alarcón , and laterQuilapayún , introduced “Dicen que la patria es” (or “Canción de soldados”) to Chile. »- [...]
- « They say the homeland is »
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- Music piece by:lyrics: collective creation; music: 'Jálame la pitita' by Luis Abanto Morales (Peruvian polka)
- Testimony by:Lucía Chirinos
- Experience in:Cárcel de Mujeres Buen Pastor, La Serena, October 1973 - April 1974
- Tags:
- « Let’s get going, would say “the lizards”, as we called the policemen, because they dress all in green. »
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- « lyrics: collective creation; music: 'Jálame la pitita' by Luis Abanto Morales (Peruvian polka) »
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- Music piece by:lyrics: collective creation; music: 'Jálame la pitita' by Luis Abanto Morales (Peruvian polka)
- Testimony by:María Cecilia Marchant Rubilar
- Experience in:Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
- Tags:
- « We always sang this song when we were taken to Regimiento Arica. That was a torture centre. »
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- « lyrics: collective creation; music: 'Jálame la pitita' by Luis Abanto Morales (Peruvian polka) »
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- Music piece by:Unknown. Traditional Venezuelan song. Popularised in Chile by Isabel and Ángel Parra
- Testimony by:Carlos Muñoz
- Experience in:Campamento de Prisioneros, Tres Álamos, 1975 - 1976
- Tags:
- « A comrade whose last name was Saavedra (if I recall correctly) sung this song passionately. This song earned him the nickname of
‘El Yopo’ (also ‘Chopo’) , as is usual in popular culture. »- [...]
- « Unknown. Traditional Venezuelan song. Popularised in Chile by Isabel and Ángel Parra »
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- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- Tags:
- « After our transfer from Tres Álamos to Puchuncaví in April 1975, a group of prisoners began toying with the idea of presenting a poetic-theatrical performance about the history of Latin America’s indigenous cultures and their extermination under Iberian domination. »
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- « I open a furrow in the land »
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- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:Anexo Cárcel Capuchinos, 1976
- « A comrade whose last name was Saavedra (if I recall correctly) sung this song passionately. This song earned him the nickname of
- « This song, like so many others, was not at all “captive”. The revolutionary songs we sang behind bars imbued us with a sense of freedom.