Cantos Cautivos
192 results where found for «Los Prisioneros»
- Music piece by:Víctor Jara
- Testimony by:anonymous
- Experience in:Cárcel de Valdivia / Cárcel de Isla Teja, September 1973
- Tags:
- « They said that once you got to the prison of Teja Island, you were safe. »
- [...]
- « Los Ríos Region »
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- Music piece by:Unknown
- Testimony by:anonymous
- Experience in:Cárcel de Valdivia / Cárcel de Isla Teja, September 1973
- Tags:
- « One time, a group of male and female evangelicals came to Teja Island to preach. They were taken to the visitors’ yard. »
- [...]
- « Los Ríos Region »
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- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:Cárcel de Valparaíso, 1976
- Tags:
- « The dream of the political prisoner was to regain freedom. All of us would feel joy when one of us was about to be released from prison, although it far from easy to see a comrade depart. Even less so for those who suspected they would never enjoy that privilege. »
- [...]
- « It is hard to express what we felt upon reading the official notice informing us of the good news. From that moment on, our only thoughts were about our future beyond the prison walls: the imprisonment chapter of our lives was drawing to a close. We were about to be born again. »
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- Music piece by:The Turtles ('Elenore'), with new lyrics by Gianni Morandi
- Testimony by:Eduardo René Cuevas
- Experience in:Cárcel de Los Ángeles, September 1973
- Tags:
- « This song was a workhorse for the prisoners. Iván Moscoso sang it, accompanied by a guitar, in a powerful and defiant voice, and the most altruistic among us sung along in the presence of the gendarme guards, in a courtyard that was only for political prisoners. »
- [...]
- « Cárcel de Los Ángeles »
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- Music piece by:text by Saint Thomas Aquinas; music by Lorenzo Perosi
- Testimony by:Roberto Navarrete
- Experience in:Cárcel de Santiago, November 1973 - April 1974
- Tags:
- « The political prisoners’ cell block in Santiago Prison was established when they transferred many people from the National Stadium in October or November 1973. »
- [...]
- « Our block was close to the block where the constitutionalist officers of the Air Force were being held, including
Michelle Bachelet 's father. »- [Read full testimony]
- Music piece by:Violeta Parra
- Testimony by:María Cecilia Marchant Rubilar
- Experience in:Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
- Tags:
- « We sang songs that were popular at the time. We’d sing 'What will the Holy Father say', especially the part that says 'What will the Holy Father who lives in Rome say ... they are slitting the throat of his dove...' quite often, for example when someone was taken off to Regimiento Arica, which was a torture centre. »
- [...]
- « Traditional cuecas make no sense. I've no idea why the heck this should be, but whenever I hear a cueca it always makes me think of
Los Huasos Quincheros , and I think they are dreadful. »- [Read full testimony]
- Music piece by:Unknown. Traditional Spanish children's song
- Testimony by:María Cecilia Marchant Rubilar
- Experience in:Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
- Tags:
- « We adapted this song and produced a play based on it. Each of us played one of the characters. We spent a lot of time on this. »
- [...]
- « You never lose hope when you are in prison. We knew that we would get out at some point. I think none of the women had been charged with any crime that may justify their arrest. »
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- Music piece by:Miguel Bosé
- Testimony by:Carolina Videla
- Experience in:Cárcel Pública de Arica, January 1989
- Tags:
- « I was 19 years old when they arrested me. I was one of the youngest political prisoners at the time in Arica. »
- [...]
- « Even in the worst moments, a song can calm you down, it can hug you. He was on the other side but I felt him close by. »
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- Music piece by:Julio Numhauser
- Testimony by:Carolina Videla
- Experience in:Cárcel Pública de Arica, 1989-1990
- Tags:
- « My guitar accompanied me for the entire time that I was deprived of freedom. It was like a magnet. In the afternoon we would sing and play in the courtyard. »
- [...]
- « (Cuban) Poetic song form typically featuring voice and guitar, originated in 19th-century Cuba with roots in medieval Europe. The Nueva Trova emerged after the Cuban Revolution and became closely connected with Nueva Canción. »
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- Music piece by:Roberto Cantoral
- Testimony by:Ana María Arenas
- Experience in:Calle Irán Nº 3037 / Venda Sexy / La Discotheque, December 1974