882 results where found for «Love Song (Canción de amor)»

St John Passion (Pasión según San Juan)

Music piece by:
Ángel Parra
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, January - February 1974
Tags:
« This song is the third track on the cassette recorded in the Chacabuco concentration camp by the band Los de Chacabuco, formed by Ángel Parra and conducted by him until his release. »
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Chacabuco Mass (Misa chacabucana)

Music piece by:
Ángel Parra and Ariel Ramírez
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, January - February 1974
Tags:
« This song is the second track on the cassette recorded in the Chacabuco prison camp by the band Los de Chacabuco, formed by Ángel Parra and led by him until his release. At the time that the cassette was recorded, Ángel had already been freed and Ernesto Parra had become the group's conductor. »
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Christmas Oratorio According to St. Luke (Oratorio de Navidad según San Lucas)

Music piece by:
Gospel According to St. Luke (lyrics), Ángel Parra (music)
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, January - February 1974
Tags:
« This is the first song on the cassette recorded at the Chacabuco camp by the band Los de Chacabuco, created by Ángel Parra and conducted by him until his release. »
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Blue Eyes (Ojos azules)

Music piece by:
Manuel Casazola Huancco
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, January – February 1974
Tags:
« This is the last track on the cassette recorded by the band Los de Chacabuco in the concentration camp; it was digitised in 2015. »
[...]
« They played at the prisoners' weekly show. The song was very popular in Chile in the 1960s and many bands included it in their repertoire. »
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The Prisoner of Til Til (El cautivo de Til Til)

Music piece by:
Patricio Manns
Testimony by:
Renato Alvarado Vidal
Experience in:
Campamento de Prisioneros, Tres Álamos, 1975
Tags:
« I arrived at Tres Álamos on the eve of the departure for Mexico with a large group of prisoners. The group included Dr. Ipinza, who before leaving entrusted me with the job of physician, the medicine donated by the Red Cross, and his position in the Council of Elders. »
[...]
« One day she sung 'El Cautivo de Til Til', which refers to the death of Manuel Rodríguez, the most charismatic figure associated with Chile’s struggle for independence from the Spanish empire. This song was deeply significant for us, because Manuel Rodríguez is the mythical embodiment of the people's fighter, to the extent that his name was taken by the main organisation for armed struggle against the dictatorship. But for us he was also significant as the first of the arrested and disappeared at the hands of the Chilean government. »
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Melody by Jorge Peña Hen

Music piece by:
Jorge Peña Hen
Testimony by:
Eliseo González
Experience in:
Cárcel de la Serena, October 1973
Tags:
« Jorge Peña Hen was in solitary confinement that day. I don’t know how, but someone brought him matches. With his saliva, he made ink from the phosphorus tips, which he then used to write a score of music on a scrap of paper. »
[...]
« They performed songs from their own repertoire and also covers. They made up a song called '210' in honour of a common prisoner whose two surnames were Diez Diez (Ten Ten). »
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Candombe for José (Candombe para José)

Music piece by:
Roberto Ternán
Testimony by:
Amelia Negrón
Experience in:
Campamento de Prisioneros, Tres Álamos, June 1976
Tags:
« We were in Pavilion 1. One of us came up with the idea, I can’t remember who. There were so many of us and we spent the day inventing and creating things! »
[...]
«  Song inspired by the candombe, a dance developed by African slaves in Uruguay. »
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Friend (Amiga)

Music piece by:
Miguel Bosé
Testimony by:
Carolina Videla
Experience in:
Cárcel Pública de Arica, January 1989
Tags:
« I was 19 years old when they arrested me. I was one of the youngest political prisoners at the time in Arica. »
[...]
« Even in the worst moments, a song can calm you down, it can hug you. He was on the other side but I felt him close by. »
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Why does the afternoon cry (Por qué llora la tarde)

Music piece by:
Antônio Marcos. Popularised in Chile by Claudio Reyes
Testimony by:
Carolina Videla
Experience in:
Cárcel Pública de Arica, January 1989
Tags:
« My prison term happened during the last year of the dictatorship after the No vote won. I was set free because of 'lack of evidence', after a year and a half in prison. »
[...]
« In the afternoon they watched the soap opera 'A la sombra del ángel' ('In the shadow of the angel'), which played a song called 'La tarde está llorando' ('The afternoon is crying'). I listened to that song for 11 days. »
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Little Doctors (Doctorcitos)

Music piece by:
unknown. Folk tune from the Andes highlands
Testimony by:
Guillermo Orrego Valdebenito
Experience in:
Campamento de Prisioneros Chacabuco, 1974
Tags:
« In 1974 - I don’t quite remember the month - the Chacabuco Olympics were held. The opening ceremony consisted of symbolically carrying the Olympic torch through the concentration camp. »
[...]
« The march was accompanied by the sounds of the quena played by Ricardo Yocelevsky, a former member of the group Los Curacas. I remember the song as a taquirari from Los Chaskas, a Bolivian group that performed at the Viña del Mar Festival on one occasion. »
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