30 results where found for «María Cecilia Marchant Rubilar»


Cantata Santa María de Iquique

Music piece by:
Luis Advis
Testimony by:
Alfonso Padilla Silva
« Between March 1974 and July 1975, I had the opportunity to arrange about 200 songs and direct the production of the Cantata de Santa María de Iquique. In truth, the prison was my conservatoire. That’s where I learnt the basics of the profession of musician. »
[...]
« Cantata Santa María de Iquique »
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We Shall Overcome

Music piece by:
Attributed to Charles Albert Tindley
Testimony by:
Alfonso Padilla Silva
Experience in:
« When the concentration camp that operated for nearly five months at the Regional Stadium of Concepción was closed in early February 1974, hundreds of political prisoners were transferred to the Concepción Prison, a wing of which was turned into a concentration camp. »
[...]
« These performances were divided in two parts, each lasting around 40 minutes. In one we presented the Cantata of Santa María de Iquique, but that's another story. »
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Zamba so as Not to Die (Zamba para no morir)

Music piece by:
Hamlet Lima Quintana
Testimony by:
Ana María Jiménez
Experience in:
Villa Grimaldi, April 1975
« I want to recall a night at Villa Grimaldi. »
[...]
« Ana María Jiménez »
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Melody by Jorge Peña Hen

Music piece by:
Jorge Peña Hen
Testimony by:
María Fedora Peña
Experience in:
Cárcel de la Serena, October 1973
« 'Look here, Maria Fedora. I’ve brought you a treasure', it was the voice of my brother Juan Cristián as he crossed the doorway of our mother’s house one morning in January 1983. »
[...]
« María Fedora Peña »
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Saint Gregory’s Tonada (Tonada San Gregorio)

Music piece by:
Pedro Humire Loredo
Testimony by:
Pedro Humire Loredo
« This tonada recalls the horrible situation I was subjected to in the cells of the police station in the San Gregorio district in southern Santiago. »
[...]
« Mrs María, who was the president of the parents' association, and the authority to give me instructions, said, 'If he doesn’t want to speak, Captain, make him'. »
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The Little Fence (La rejita)

Music piece by:
lyrics: collective creation; music: 'Jálame la pitita' by Luis Abanto Morales (Peruvian polka)
Testimony by:
Lucía Chirinos
Experience in:
« Let’s get going, would say “the lizards”, as we called the policemen, because they dress all in green. »
[...]
« Someone thought of singing 'Jálame la pitita' (‘Pull the little cord’). It then got changed to ('Ábreme la rejita' (‘Open the little fence). Lina and María did the first verse which said: 'I remember when I was a young girl / I was arrested for acting foolish / As part of a group of good-looking women / who knew how to sing'. »
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The Internationale

Music piece by:
Eugène Pottier (lyrics) and Pierre Degeyter (music). Popularised by Quilapayún in Chile in the 1970s.
Testimony by:
Ana María Jiménez
Experience in:
Villa Grimaldi, April 1975
« In April 1975, the triumph of Vietnam was celebrated. We heard about it through a comrade who went to the bathroom and found a piece of the week’s newspaper. It was so beautiful for us to be there, having shouted so often for Vietnam at demonstrations. »
[...]
« Ana María Jiménez »
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Free (Libre)

Music piece by:
José Luis Armenteros and Pablo Herrero, popularised by Nino Bravo.
Testimony by:
Marianella Ubilla
Experience in:
« I was taken prisoner on 23 November 1973, at the University of Concepción. In the Regional Stadium of Concepción, we had to sing the National Anthem every day. »
[...]
« Marianella Ubilla »
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Three White Lilies (Tres blancos lirios)

Music piece by:
Unknown composer. This song probably relates to European early-years pedagogy.
Testimony by:
Domingo Lizama
Experience in:
« They arrested me at my workplace in October 1973 . I was 31 years old and worked as a porter at a logging business in Chumpullo, near Valdivia. »
[...]
« I participated in that choir. For Christmas in 1973 we sang for the relatives that came to visit us. We sang 'Arrorró mi niño', 'Noche de Paz', and 'Señora doña María'. »
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The Wall (La muralla)

Music piece by:
Nicolás Guillén (lyrics) and Quilapayún (music)
Testimony by:
Domingo Lizama
« In prison, there was a guy who played the guitar. He cheered up the afternoons in the cell. We all sang with him. »
[...]
« For Christmas, we got permission for our wives and children to come to visit us. We sang 'Noche de Paz', 'Señora Doña María' and 'Arrorró mi niño'. »
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