56 results where found for «Morning Has Broken»

The Little Snail (El caracolito)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Cárcel de Valparaíso, 1976
Tags:
« I composed this song for a small children’s party we organised in the visitors’ yard of the Valparaíso Jail. I remember how the children had fun that day and enjoyed the play. That was the first time I put down the guitar so that a prisoner who played the accordion could accompany me. »
[...]
« 'Good morning, little snail' »
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Balderrama

Music piece by:
Manuel José Castilla (lyrics) and Gustavo Leguizamón (music). Popularised by Mercedes Sosa
Testimony by:
Eduardo Ojeda
Experience in:
Campamento de Prisioneros Isla Dawson, 1973
Tags:
« We arrived at Camp Compingin on Dawson Island on the afternoon of 11 September. We knew that we had been arrested that morning, and we knew nothing else yet. »
[...]
« when morning breaks »
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The Woman from Huillinco (La Huillincana)

Music piece by:
Liborio Bórquez Guzmán, popularised by Héctor Pavez
Testimony by:
Rubén Torres Ávila
Experience in:
Cárcel de Menores Blas Cañas / Centro de Reinserción Abierto Manuel Rodríguez, 1976
Tags:
« When I was in the last year of secondary school at the Liceo 8 in Santiago, I suggested to a teacher to do an interview with a prisoner of the youth detention centre Blas Cañas. After the interview, I offered the prison’s governor to take the school’s folk group to present a show to the inmates. »
[...]
« and in the mornings »
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National Anthem of Chile

Music piece by:
Eusebio Lillo and Ramón Carnicer
Testimony by:
Boris Chornik Aberbuch
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, March 1975
Tags:
« The Puchuncaví detention camp’s daily routine included mandatory participation in the ceremonies of raising and taking down the Chilean flag on the flagpole at the entrance to the camp. »
[...]
« The flag was raised in the morning and taken down in the afternoon. In other words, the ceremony was repeated twice a day. »
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Melody by Jorge Peña Hen

Music piece by:
Jorge Peña Hen
Testimony by:
María Fedora Peña
Experience in:
Cárcel de la Serena, October 1973
Tags:
« 'Look here, Maria Fedora. I’ve brought you a treasure', it was the voice of my brother Juan Cristián as he crossed the doorway of our mother’s house one morning in January 1983. »
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Casida of the Dark Pigeons (Casida de las palomas oscuras)

Music piece by:
Federico García Lorca (words), Paco Ibáñez (music)
Testimony by:
Luis Alfredo Muñoz González
Experience in:
Campamento de Prisioneros Cuatro Álamos, February - March 1975
Tags:
« According to scientists, memory and music processing are situated in a deep, ancestral part of the brain, where it is zealously guarded. »
[...]
« Very early the next morning, I was awakened by the voice of a woman calling my name. Still half asleep, I thought it was Diana calling me from someplace in the 'afterlife'. The voice cautiously persisted. The voice came from the right side of my cell. Naked, I went to the window (I always showered clothed to wash the blood off my clothes, which I then hung to dry from the bars of the window.). »
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Words for Julia (Palabras para Julia)

Music piece by:
José Agustín Goytisolo (lyrics) and Paco Ibáñez (music)
Testimony by:
Amelia Negrón
Experience in:
Campamento de Prisioneros, Tres Álamos, 1975 and 1976, until the closure of Tres Álamos
Tags:
« There were so many of us women prisoners. Despite the circumstances, we had managed to invent our own world, one with our rules, according to what we thought and wanted for ourselves, our families and all the Chilean people. »
[...]
« And so, every morning we would wake up very early, take a cold shower and have a quick breakfast and by 9 we were all set to go, with sewing and knitting needles, scissors at the ready, sewing, knitting, or embroidering. »
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Song of a Middle-Class Man (Canción de un hombre medio)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Cárcel de Valparaíso, 1976
Tags:
« In our political discussions, we always spoke disdainfully of the middle class. In the view of the Marxist ideologues in prison, that sector of society supported the dictatorship and it was necessary to reverse that trend. »
[...]
« The daily regime at Valparaíso Jail obliged you to spend most of the day locked in your cell. If I was lucky to have a guitar to keep me company, I could transform that reclusion into fleeting freedom that lasted until the prison guard opened the latch the next morning. Something of the sort must have happened the night I wrote this song. »
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King Ñaca Ñaca (El rey Ñaca Ñaca)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« 'Ñaca-ñaca' was an interjection we used at Camp Melinka whenever we wanted to signal and poke fun at any dark thought that might cross our minds. That may be why it seemed the ideal name to give to the paper maché puppet that played the role of the mean king in the puppet stories we performed to entertain the children who came to visit their captive fathers. »
[...]
« The play’s language was so poetic that the Commander, seated as always in the front row, did not get it. If he had understood, we surely would have been punished. On the contrary, at dawn the next day – the flag was raised every morning and the commander or one of his subordinates addressed the “personnel” –  the Commander congratulated the cast of that 'children’s play'. »
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National Anthem of Chile

Music piece by:
Eusebio Lillo and Ramón Carnicer
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« The Puchuncaví Prisoners Camp had a daily routine similar to that of military regiments. In a ridiculous ceremony, the flag was raised every morning at dawn and then it was taken down at nightfall. »
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