140 results where found for «Musicalized Dialogue between Two Old Prisoners»
- Music piece by:Unknown. Popularised by Quilapayún
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros, Estadio Nacional, September - November 1973
- Tags:
- « During the 1960s, the group Quilapayún popularised this old Spanish song in Chile. Víctor Canto and I performed it as a duet in Santiago’s National Stadium, which had been converted into a concentration, torture and extermination camp. »
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- Music piece by:Fred Rauch (lyrics) and Gerhard Winkler (music). English lyrics by Carl Sigman. Recorded by Frankie Laine.
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros, Estadio Nacional, September - November 1973
- Tags:
- « I sang this song, as a soloist, in the dressing rooms of the National Stadium. »
- [...]
- « This happened when the soldiers allowed artistic performances to take place in the converted dressing rooms while we waited our turn to be interrogated or after returning from interrogations. These were often torture sessions. »
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- Music piece by:Claudio Durán Pardo
- Testimony by:Claudio Enrique Durán Pardo
- Experience in:Campamento de Prisioneros, Tres Álamos, September - December 1975
- Tags:
- « I first laid my hands on a quena when I was nine years old. It was resplendently fragile and lyrical. My passion for this instrument was immediate, or rather, the quena chose me. »
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- Music piece by:Fernando Z. Maldonado. Popularised by Vicente Fernández
- Testimony by:Jorge Montealegre Iturra
- Experience in:
- Tags:
- « At the Chacabucan artistic shows, Hugo sang tangos, including 'Volver' (Return) by Gardel and Le Pera. »
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- « At that point in the song, the entire captive audience would laugh at a verse that was not just funny but also bold: the word 'torture' was accusatory and symbolised our story prior to being taken to Chacabuco. »
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- Music piece by:Celestino Carrasco
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros Chacabuco, November 1973 - February 1974
- Tags:
- « This old Venezuelan song, written by an unknown songwriter, and that has had many variations, was performed by Los de Chacabuco in during the camp’s weekly show. »
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- Music piece by:Félix Luna (lyrics) and Ariel Ramírez (music). Popularised by Mercedes Sosa.
- Testimony by:Sergio Vesely
- Experience in:Villa Grimaldi, January 1975
- Tags:
- « It was not easy to endure being locked up in one of Villa Grimaldi’s miserable cells, which resembled vertical coffins. It was even harder in the high temperatures of the summer months of the Andes foothills in Peñalolén. I was inside one of those cells, blindfolded, my feet and hands in chains. »
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- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:Cárcel de Valparaíso, 1976
- Tags:
- « This song was written and sung in cell number 198 of Valparaíso’s former prison, that is to say, on the top floor of the main building, which was higher than the walls that surrounded it. »
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- « My privilege was twofold because as only an adopted son of the port city, I was fortunate to share that sad human space with Antonio, a great expert of the local geography, who taught me to love Valparaiso with a love that still beats in my heart after nearly forty years of exile. »
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- Music piece by:Roberto Ternán
- Testimony by:Alejandro Olate
- Experience in:
- Tags:
- « The youngest among us, aged 17 or even 16 years, did the heaviest work on Dawson Island. We had to fell trees, cut them, split them in two, cut them into wedges, and walk the several hundred meters back to the barracks carrying the logs on our shoulders. »
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- « Our older comrades sawed them and cut them into small logs to fill the woodsheds that fed three large heaters in the barracks. »
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- Music piece by:Clan 91
- Testimony by:Eduardo Ojeda
- Experience in:
- Tags:
- « We had a comrade who sang beautifully. He was called Peye and was a student at the State Technical University. »
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- « Oldest and largest song festival in South America since 1960. »
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- Music piece by:Violeta Parra
- Testimony by:María Cecilia Marchant Rubilar
- Experience in:Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
- Tags:
- « We sang songs that were popular at the time. We’d sing 'What will the Holy Father say', especially the part that says 'What will the Holy Father who lives in Rome say ... they are slitting the throat of his dove...' quite often, for example when someone was taken off to Regimiento Arica, which was a torture centre. »
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- « I don’t play any instrument, nor do I sing because I have a horrible voice. When I was studying primary education pedagogy, a music teacher told me: 'Cecilia, please don’t sing to the children'. »
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