142 results where found for «Musicalized Dialogue between Two Old Prisoners»

Casida of the Dark Pigeons (Casida de las palomas oscuras)

Music piece by:
Federico García Lorca (words), Paco Ibáñez (music)
Testimony by:
Luis Alfredo Muñoz González
Experience in:
Campamento de Prisioneros Cuatro Álamos, February - March 1975
Tags:
« According to scientists, memory and music processing are situated in a deep, ancestral part of the brain, where it is zealously guarded. »
[...]
« One night, amidst the guards’ shouting and bustling, all the prisoners were taken away from Cuatro Álamos. The rest of the night was very quiet. They had taken the birds away from the big hall. »
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Creole Mass – Gloria (Misa criolla - Gloria)

Music piece by:
Ariel Ramírez
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November – December 1973
Tags:
« As far as I remember (and there may be other versions), Los de Chacabuco band was founded by Ángel Parra in response to a request by the Army chaplain Varela, who asked for assistance for the Mass he celebrated for both prisoners and soldiers. »
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Today I Sing for the Sake of Singing (Hoy canto por cantar)

Music piece by:
Nydia Caro and Ricardo Ceratto
Testimony by:
Beatriz Bataszew Contreras
Experience in:
Calle Irán Nº 3037 / Venda Sexy / La Discotheque, 12 - 18 December 1974
Tags:
« I have never been a great music listener. Nevertheless, before the coup I used to listen to Nueva Canción, especially Quilapayún and Rolando Alarcón. I also liked cumbias, to fool around. We would dance and have fun. »
[...]
« The history of the female political prisoners was different from that of the men because it heavily emphasised sexual violence and sexual torture. Up until now, this has been denied and looked upon with indolence, from institutions to human rights organisations. We women never achieved justice and never will. »
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Tacit Song (Canción tácita)

Music piece by:
All the women present at that moment in Chacabuco
Testimony by:
Mónica García Cuadra
Experience in:
Campamento de Prisioneros Chacabuco, Summer of 1974
Tags:
« I am the daughter of a former political prisoner who spent a long time imprisoned at Chacabuco, among other places. I am Monica, a little 9-year-old girl who travelled with a heavy heart full of sadness to visit her father, Gerardo García Salas, held at the Chacabuco concentration camp. I am an only child and in my young life, he is my sole reference point and, in essence, my image of masculinity. »
[...]
« From the guard tower, the order was given for the comrades to come, and they appeared behind the bars that separated our lives, but never our purpose and meaning in life. With heartache and streaming tears, several prisoners began to appear, as well as the love and silent solidarity that vibrated and pulsated through those moments waiting for, anticipating the embrace, the looking directly into his eyes, making contact with the loved one’s heart, the touch of skin against skin among equals. »
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The Little Fence (La rejita)

Music piece by:
lyrics: collective creation; music: 'Jálame la pitita' by Luis Abanto Morales (Peruvian polka)
Testimony by:
Lucía Chirinos
Experience in:
Cárcel de Mujeres Buen Pastor, La Serena, October 1973 - April 1974
Tags:
« Let’s get going, would say “the lizards”, as we called the policemen, because they dress all in green. »
[...]
« The political prisoners would sing 'La Golondrina' in two voices. Valentina would sing the solo and we would produce a kind of murmur. We entertained ourselves with this. For Christmas, the nuns sent us an omelette and we sent a brick in return. You had to make a speech and sing. I sang 'Alfonsina y el mar'. »
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Amalia Rosa

Music piece by:
Tino Carrasco
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
Tags:
« Los de Chacabuco, a band founded and conducted by Ángel Parra, performed this Venezuelan folk song, in the style of a joropo, singing it at the weekly prison camp show. I dare say it was one of the favourite songs of the audience, comprised of political prisoners. »
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The Internationale

Music piece by:
Eugène Pottier (lyrics) and Pierre Degeyter (music). Popularised by Quilapayún in Chile in the 1970s.
Testimony by:
Ana María Jiménez
Experience in:
Villa Grimaldi, April 1975
Tags:
« In April 1975, the triumph of Vietnam was celebrated. We heard about it through a comrade who went to the bathroom and found a piece of the week’s newspaper. It was so beautiful for us to be there, having shouted so often for Vietnam at demonstrations. »
[...]
« So a group of prisoners from the Tower decided to sing a bit from 'The Internationale'. And we sang all together. »
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You Hear It Far Away (Se escucha muy lejos)

Music piece by:
Collective creation
Testimony by:
Ignacio Puelma
Experience in:
Campamento de Prisoneros Ritoque, February 1975
Tags:
« The sound of the sea was carried over the cabins of the Ritoque Prison Camp by the wind. It was the daily music given to us as a gift by the ocean. »
[...]
« That was how the prisoners organised the Ritoque Song Festival. My family had sent me a guitar. Improvising, I came across a few chords that sounded good to me, and I used them to create a melody. It was starting material. »
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Zamba of my Hope (Zamba de mi esperanza)

Music piece by:
Luis H. Profili
Testimony by:
Edgardo Carabantes Olivares
Experience in:
Regimiento de Infantería Nº 2 Maipo / Regimiento Playa Ancha/ Fiscalía Militar, January 1975
Tags:
« Horacio Carabantes Olivares, my brother, was locked up in January 1975 at the Maipo regiment of Valparaíso, with a large group of male and female prisoners, all arrested by the DINA. »
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Las mañanitas

Music piece by:
Manuel M. Ponce
Testimony by:
Beatriz Bataszew Contreras
Experience in:
Campamento de Prisioneros, Tres Álamos, December 1974 - May 1976
Tags:
« To every comrade who had a birthday, we would sing 'Las mañanitas' and we would give them presents. The majority of the female prisoners would come together and sing to you. I spent one birthday in prison. Birthdays were important for everyone because we were alive. Because you have a birthday when you’re alive. »
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