140 results where found for «Musicalized Dialogue between Two Old Prisoners»

Sinner, come to sweet Jesus (Pecador, ven al dulce Jesús)

Music piece by:
Unknown
Testimony by:
anonymous
Experience in:
Cárcel de Valdivia / Cárcel de Isla Teja, September 1973
Tags:
« One time, a group of male and female evangelicals came to Teja Island to preach. They were taken to the visitors’ yard. »
[...]
« Because we prisoners had nothing else to do, we went to see them. »
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Let’s Break the Morning (Rompamos la mañana)

Music piece by:
René “Popeye” Cárdenas Eugenin
Testimony by:
María Soledad Ruiz Ovando
Experience in:
Campamento de Prisioneros Isla Dawson, 1973 - 1974
Tags:
« Music was very important for us (my mother Sylvia, my sister Alejandra and myself) while my dad, Daniel Ruiz Oyarzo, 'el Negro Ruiz', was imprisoned during the dictatorship, when Alejandra was seven and I was four. »
[...]
« We would sing right up until reaching the entrance of the place where the prisoners were held. The place I most remember is the Cochrane Navy barracks located by the Los Ciervos river. »
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They Say the Homeland Is (Dicen que la patria es)

Music piece by:
Chicho Sánchez Ferlosio
Testimony by:
Sergio Reyes Soto
Experience in:
Campamento de Prisioneros Isla Dawson, 1973 - 1974
Tags:
« This song, like so many others, was not at all “captive”. The revolutionary songs we sang behind bars imbued us with a sense of freedom. Rolando Alarcón, and later Quilapayún, introduced “Dicen que la patria es” (or “Canción de soldados”) to Chile. »
[...]
« I sang this song often because it accurately described our situation. The words plead to soldiers not to fire against their own people. Rarely did this occur in Chile, but we shared our prisoners’ barracks, called Remo, with three members of the Air Force. »
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Balderrama

Music piece by:
Manuel José Castilla (lyrics) and Gustavo Leguizamón (music). Popularised by Mercedes Sosa
Testimony by:
Eduardo Ojeda
Experience in:
Campamento de Prisioneros Isla Dawson, 1973
Tags:
« We arrived at Camp Compingin on Dawson Island on the afternoon of 11 September. We knew that we had been arrested that morning, and we knew nothing else yet. »
[...]
« The next day, another group of prisoners arrived. They told us that Salvador Allende had died. We paid tribute to him around a bonfire. It was deeply meaningful. »
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Captain, our Destiny is a Wandering Island (Capitán, el rumbo es una isla errante)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« This song was dedicated to Óscar Castro, whom I was lucky enough to meet in 1975, in Puchuncaví. With his experience in theatre – Óscar was already a fairly well-known actor before his arrest – he threw himself into the cultural work we had organised, in what was then called “Camp Melinka” where the prisoners presented a show every Friday. »
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The Man Who Transformed into an Animal (El hombre que se convirtió en animal)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« I wrote this song shortly after reading Franz Kafka’s The Metamorphosis, one of the books that circulated in Camp Melinka from hand to hand and cabin to cabin. »
[...]
« Due to security considerations, these verses were only sung in a low voice and before a selected audience of political prisoners. »
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Three Indian Songs (Tres canciones indias)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« After our transfer from Tres Álamos to Puchuncaví in April 1975, a group of prisoners began toying with the idea of presenting a poetic-theatrical performance about the history of Latin America’s indigenous cultures and their extermination under Iberian domination. »
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A Finger-Picked Cueca from a Solidary Companion (Cueca punteada de un solidario)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« It is true that the hard experience of torture and prison unified us and at times even generated strong ties of friendship among the prisoners. »
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King Ñaca Ñaca (El rey Ñaca Ñaca)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« 'Ñaca-ñaca' was an interjection we used at Camp Melinka whenever we wanted to signal and poke fun at any dark thought that might cross our minds. That may be why it seemed the ideal name to give to the paper maché puppet that played the role of the mean king in the puppet stories we performed to entertain the children who came to visit their captive fathers. »
[...]
« But Ñaca-Ñaca’s important role was more than that. The paper model was borrowed to perform the 'star role' in one of the cultural events we customarily staged every Friday. Events which, it should be pointed out, were attended only by captives and armed guards. It was a “Prisoners’ Show”, full of fantasy. »
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National Anthem of Chile

Music piece by:
Eusebio Lillo and Ramón Carnicer
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« The Puchuncaví Prisoners Camp had a daily routine similar to that of military regiments. In a ridiculous ceremony, the flag was raised every morning at dawn and then it was taken down at nightfall. »
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