Cantos Cautivos
146 results where found for «Musicalized Dialogue between Two Old Prisoners»
- Music piece by:Nicolás Guillén (lyrics) and Quilapayún (music)
- Testimony by:Domingo Lizama
- Experience in:Cárcel de Valdivia / Cárcel de Isla Teja, 1973 - 1978
- Tags:
- « In prison, there was a guy who played the guitar. He cheered up the afternoons in the cell. We all sang with him. »
- [...]
- « Among the prisoners, there was a craftsman who built guitars. We played his guitars. »
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- Music piece by:Eusebio Lillo and Ramón Carnicer
- Testimony by:anonymous
- Experience in:Cárcel de Valdivia / Cárcel de Isla Teja, September 1973
- Tags:
- « I was detained in Panguipulli on 24 September 1973, along with 17 other young people. I was a high school student. I was also working at the forestry and logging company of Huilo Huilo, which had been taken over by the working class. »
- [...]
- « In the prison, one of the prisoners spent night and day in a dungeon. Despite being in solitary confinement, he would open his window and sing the National Anthem at full blast. »
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- Music piece by:Unknown
- Testimony by:anonymous
- Experience in:Cárcel de Valdivia / Cárcel de Isla Teja, September 1973
- Tags:
- « One time, a group of male and female evangelicals came to Teja Island to preach. They were taken to the visitors’ yard. »
- [...]
- « Because we prisoners had nothing else to do, we went to see them. »
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- Music piece by:René “Popeye” Cárdenas Eugenin
- Testimony by:María Soledad Ruiz Ovando
- Experience in:Campamento de Prisioneros Isla Dawson, 1973 - 1974
- Tags:
- « Music was very important for us (my mother Sylvia, my sister Alejandra and myself) while my dad, Daniel Ruiz Oyarzo, 'el Negro Ruiz', was imprisoned during the dictatorship, when Alejandra was seven and I was four. »
- [...]
- « We would sing right up until reaching the entrance of the place where the prisoners were held. The place I most remember is the Cochrane Navy barracks located by the Los Ciervos river. »
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- Music piece by:Chicho Sánchez Ferlosio
- Testimony by:Sergio Reyes Soto
- Experience in:Campamento de Prisioneros Isla Dawson, 1973 - 1974
- Tags:
- « This song, like so many others, was not at all “captive”. The revolutionary songs we sang behind bars imbued us with a sense of freedom.
Rolando Alarcón , and laterQuilapayún , introduced “Dicen que la patria es” (or “Canción de soldados”) to Chile. »- [...]
- « I sang this song often because it accurately described our situation. The words plead to soldiers not to fire against their own people. Rarely did this occur in Chile, but we shared our prisoners’ barracks, called Remo, with three members of the Air Force. »
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- Music piece by:Manuel José Castilla (lyrics) and Gustavo Leguizamón (music). Popularised by Mercedes Sosa
- Testimony by:Eduardo Ojeda
- Experience in:
- Tags:
- « We arrived at Camp Compingin on Dawson Island on the afternoon of
11 September . We knew that we had been arrested that morning, and we knew nothing else yet. »- [...]
- « The next day, another group of prisoners arrived. They told us that
Salvador Allende had died. We paid tribute to him around a bonfire. It was deeply meaningful. »- [Read full testimony]
Captain, our Destiny is a Wandering Island (Capitán, el rumbo es una isla errante)
- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- Tags:
- « This song was dedicated to Óscar Castro, whom I was lucky enough to meet in 1975, in Puchuncaví. With his experience in theatre – Óscar was already a fairly well-known actor before his arrest – he threw himself into the cultural work we had organised, in what was then called “Camp Melinka” where the prisoners presented a show every Friday. »
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The Man Who Transformed into an Animal (El hombre que se convirtió en animal)
- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- Tags:
- « I wrote this song shortly after reading Franz Kafka’s The Metamorphosis, one of the books that circulated in Camp Melinka from hand to hand and cabin to cabin. »
- [...]
- « Due to security considerations, these verses were only sung in a low voice and before a selected audience of political prisoners. »
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- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- Tags:
- « After our transfer from Tres Álamos to Puchuncaví in April 1975, a group of prisoners began toying with the idea of presenting a poetic-theatrical performance about the history of Latin America’s indigenous cultures and their extermination under Iberian domination. »
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A Finger-Picked Cueca from a Solidary Companion (Cueca punteada de un solidario)
- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- « We arrived at Camp Compingin on Dawson Island on the afternoon of
- « This song, like so many others, was not at all “captive”. The revolutionary songs we sang behind bars imbued us with a sense of freedom.