Cantos Cautivos
189 results where found for «National Anthem of Chile»
- Music piece by:Patricio Manns
- Testimony by:Fernando Aravena
- Experience in:Cárcel de Santiago, 1989
- Tags:
- « The political prisoners organised mateadas once or twice a week, during which we did poetry and sang songs, amongst them ‘El cautivo de Til Til’ by Patricio Manns, ‘Samba Landó’ and ‘Vuelvo’ by Inti-Illimani, ‘Valparaíso’ by Osvaldo ‘Gitano’ Rodríguez, and songs by Eduardo ‘Gato’ Alquinta and Silvio Rodríguez. »
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- « Let’s remember that Manuel Rodríguez was the first detained-disappeared of Chile. That left a profound impression, so you sang the song with passion, with that helplessness that you feel in the face of a tragedy that you cannot resolve. »
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- Music piece by:Roberto Cantoral
- Testimony by:Ana María Arenas
- Experience in:Calle Irán Nº 3037 / Venda Sexy / La Discotheque, December 1974
- Tags:
- « The day I was captured, after the first torture session, I asked for permission to sing a Christmas carol, the name of which I cannot remember. I did it to let one of my captive friends know that I was also at the Venda Sexy. »
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- « Before being imprisoned, my friend and I rehearsed this Christmas carol in the Coro Mozart, where we sang. This choir was an amalgamation of members of the Coro de Cámara of the Universities of Chile, the Católica and the Técnica del Estado. »
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- Music piece by:unknown
- Testimony by:Patricio Polanco
- Experience in:Campamento de Prisioneros de Pisagua, November 1973
- Tags:
- « In 1973 and 1974, Pisagua was characterised by the harsh and cruel treatment of political prisoners. Singing was mandatory for prisoners, who were guarded by Army platoons, and it was also a means to avoid beatings and collective mistreatment. »
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- « Futuristic Anthem (Himno futurista) »
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- Music piece by:Unknown
- Testimony by:Sigifredo Ramos Vásquez
- Experience in:Cárcel de Temuco, September - December 1973
- Tags:
- « My experience during our captivity can be summed up in this personal observation. Protest songs were forbidden, so we had no other option than to sing religious songs. »
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- « One religious song, 'Puedo confiar en el Señor' (I Can Trust the Lord), really struck a chord among my fellow prisoners, to such an extent that it took on the character of a true battle anthem. »
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- Music piece by:lyrics: collective creation; music: 'Jálame la pitita' by Luis Abanto Morales (Peruvian polka)
- Testimony by:María Cecilia Marchant Rubilar
- Experience in:Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
- Tags:
- « We always sang this song when we were taken to Regimiento Arica. That was a torture centre. »
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- « On our departure and return, the female prisoners who remained behind also sang the song. The lyrics were a collective effort, it was like our anthem. It was fun and we really liked it. »
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- Music piece by:Eduardo Gatti
- Testimony by:Scarlett Mathieu
- Experience in:
- Tags:
- « ‘Moments’ was a song sung by the female comrades whose partners were imprisoned on the other side of Tres Álamos, or were fugitives or disappeared. We all sang it, but it was like their anthem. »
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- Music piece by:Luis Mella Toro
- Testimony by:César Montiel
- Experience in:
- Tags:
- « The Navy sailors made us sing every day, when we got up very early to raise the flag. We, as the squaddies, had to sing military songs, their songs. »
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- « One of the songs was ‘Brazas a ceñir’ (Trim the Sails), the hymn of the Army. We had to sing loud and spirited, as they said. We also had to sing the anthem ‘Lili Marlene’. Those who didn’t would receive a kick in the butt or a kick of the rifle. »
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- Music piece by:attributed to Gilberto Rojas Enríquez (Bolivia), Manuel Casazola Huancco (Perú), and the Andean oral tradition. Popularised in Chile by Violeta Parra and her children Isabel and Ángel Parra.
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros Chacabuco, January – February 1974
- Tags:
- « This is the last track on the cassette recorded by the band Los de Chacabuco in the concentration camp; it was digitised in 2015. »
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- « attributed to Gilberto Rojas Enríquez (Bolivia), Manuel Casazola Huancco (Perú), and the Andean oral tradition. Popularised in Chile by Violeta Parra and her children Isabel and Ángel Parra. »
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- Music piece by:original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos.
- Testimony by:Luis Madariaga
- Experience in:Cárcel de Valparaíso, 1974 - 1976
- Tags:
- « In prison, we would sing the 'Ode to Joy' when a comrade was released or sent to exile. »
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- « original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos. »
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- Music piece by:original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos.
- Testimony by:Irma Alvarado
- Experience in:Cárcel de Río Negro, December 1974
- Tags:
- « Together with two comrades, I arrived at Río Negro Prison from Chin Chin Prison in Puerto Montt. As punishment, we were sent to a storehouse where the grass was kept for the animals. We shared a small space with mice and giant spiders crawling over our beds. The dungeon had only one small window. »
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- « original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos. »
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