309 results where found for «Oración para que no me olvides»


The dance of those left behind

Song by:
Los Prisioneros
Testimony by:
Eduardo Andrés Arancibia Ortiz
Experience in:
« I learnt about Los Prisioneros through the 'Hecho en Chile' programme on Radio Galaxia, presented by Sergio 'Pirincho' Cárcamo. Their music became our trench and musical poetry, like all other forms of struggles against dictatorship. »
[...]
« The barking of the dog in 'El baile de los que sobran' sank deep into me. They were from before the coup, from 'Luchín' by Victor Jara, and reappeared as rock in popular music. »
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Recinto: Buque Escuela Esmeralda
There are no testimonies in this detention centre.
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How We Resemble Each Other (En qué nos parecemos)

Song by:
Unknown. Popularised by Quilapayún
Testimony by:
Luis Cifuentes Seves
Experience in:
« During the 1960s the band Quilapayún popularised this old Spanish song in Chile. Víctor Canto and I performed it as a duet in Santiago’s National Stadium, which had been converted into a concentration, torture and extermination camp. Whenever the military allowed us to do so, we would sing it in the locker rooms where we slept, and in the grandstands where we spent much of the day. »
[...]
« How We Resemble Each Other (En qué nos parecemos) »
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The Brief Space Where You Are Absent (El breve espacio en que no estás)

Song by:
Pablo Milanés
Testimony by:
Pedro Mella Contreras
« In the Penitentiary, we listened to the song 'The Brief Space Where You Are Absent' on the radio stations Aurora and Nuevo Mundo. »
[...]
« The Brief Space Where You Are Absent (El breve espacio en que no estás) »
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To Be Seventeen Again (Volver a los diecisiete)

Song by:
Violeta Parra
Testimony by:
David Quintana García
Experience in:
« I spent 45 days in the torture centre of Intendencia de Rancagua. Previously, I was detained with my brothers in the headquarters of the Cuartel de Investigaciones de Rancagua. »
[...]
« I remember that another prisoner used to sing ‘En qué nos parecemos’ ('How We Resemble Each Other'), popularised by Quilapayún(4). Those songs were linked to our actions during the Unidad Popular(5). »
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I Come Back (Vuelvo)

Song by:
Patricio Manns (lyrics) and Horacio Salinas (music)
Testimony by:
Fernando Aravena
Experience in:
« During our mate(1)-drinking gatherings in the Prison of Santiago, we always talked about the song ‘Vuelvo’. It gave you the hope of returning to the fight. The prison was only something temporary. »
[...]
« Amongst the visitors we had in the prison was Silvio Rodríguez. He sang ‘El breve espacio en que no estás’, a very well-known song by Pablo Milanés. »
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Region: Valparaíso
There are 40 testimonies in this region.
There are 6 detention centres with testimonies from a total of 96 detention centres
If you had a musical experience in this detention centre, please share it here!

How Can I Describe This to You? (Cómo hacer para darte una idea)

Song by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« This is one of two songs I wrote in prison for my beloved Graciela. In the song I tried to draw her closer to me, describing my everyday world and my experience of life as a captive. »
[...]
« How Can I Describe This to You? (Cómo hacer para darte una idea) »
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What Will the Holy Father Say (Qué dirá el Santo Padre)

Song by:
Violeta Parra
Testimony by:
María Cecilia Marchant Rubilar
Experience in:
Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
« We sang songs that were popular at the time. We’d sing 'What will the Holy Father say', especially the part that says 'What will the Holy Father who lives in Rome say ... they are slitting the throat of his dove...' quite often, for example when someone was taken off to Regimiento Arica, which was a torture centre. »
[...]
« Look how they speak to us of paradise »
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Love (Amor)

Song by:
Guillermo Núñez (lyrics) and Sergio Vesely (music)
Testimony by:
Sergio Vesely
« This song is based on a poem Guillermo wrote in the Puchuncaví Prison Camp dedicated to his partner Soledad. Of all the songs I composed as a prisoner, this is the only one where the lyrics are not mine. »
[...]
« and separated »
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