367 results where found for «Por qué llora la tarde»


To Be Seventeen Again (Volver a los diecisiete)

Author:
Violeta Parra
Testimony by:
David Quintana García
Place & date:
« I spent 45 days in the torture centre of Intendencia de Rancagua. Previously, I was detained with my brothers in the headquarters of the Cuartel de Investigaciones de Rancagua. »
[...]
« I remember that another prisoner used to sing ‘En qué nos parecemos’, popularised by Quilapayún. »
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I Come Back (Vuelvo)

Author:
Patricio Manns (lyrics) and Horacio Salinas (music)
Testimony by:
Fernando Aravena
Place & date:
« During our mate-drinking gatherings in the Prison of Santiago, we always talked about the song ‘Vuelvo’. It gave you the hope of returning to the fight. The prison was only something temporary. »
[...]
« Amongst the visitors we had in the prison was Silvio Rodríguez. He sang ‘El breve espacio en que no estás’, a very well-known song by Pablo Milanés. The guards asked him for autographs and they took photos. It was an unprecedented incident. »
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How We Resemble Each Other (En qué nos parecemos)

Author:
Unknown. Popularised by Quilapayún
Testimony by:
Scarlett Mathieu
« In Cuatro Álamos, I was profoundly marked by the singing of a current detained-disappeared named Juan Chacón. He sang ‘En qué nos parecemos’, a love song from the Spanish Civil War. It remained engraved in me because that comrade disappeared from Cuatro Álamos. »
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Moments (Los momentos)

Author:
Eduardo Gatti
Testimony by:
Scarlett Mathieu
« ‘Moments’ was a song sung by the female comrades whose partners were imprisoned on the other side of Tres Álamos, or were fugitives or disappeared. We all sang it, but it was like their anthem. »
[...]
« We sang a lot ‘Palabras para Julia’ by Goytisolo and Ibáñez, ‘De cartón piedra’, ‘Lucía’ and ‘Vagabundear’ by Serrat, and ‘A los bosques’ by Lavandenz. »
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Recinto: Buque Escuela Esmeralda
There are no testimonies in this detention centre.
If you had a musical experience in this detention centre, please share it here!

Recinto: Comisaría de Carabineros Nº 24, Las Tranqueras (actual Comisaría de Carabineros Nº 17, Las Condes)
There are no testimonies in this detention centre.
If you had a musical experience in this detention centre, please share it here!

Recinto: Base Aérea El Bosque / Escuela de Aviación Capitán Ávalos
There are no testimonies in this detention centre.
If you had a musical experience in this detention centre, please share it here!

The Little Cigarette (El cigarrito)

Author:
Víctor Jara
Testimony by:
Alfonso Padilla Silva
Place & date:
« During Christmas 1973, I was one of some 600 men and 100 women prisoners in Concepción Regional Stadium. The concentration camp officials allowed us to celebrate Christmas in the sports arena. To be precise, we were in one corner of the playing field and we used the pole vault pit as a stage. »
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Ode to Joy (Himno a la alegría)

Author:
original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos.
Testimony by:
Amelia Negrón
Place & date:
« Preparations for that Wednesday night became more intense. It would be a different night. We women prisoners had secretly organised ourselves, but more importantly, we had also coordinated with the male prisoners. I’m not sure whether it was our idea or whether the men had proposed it. That detail is irrelevant now. »
[...]
« Another important thing is that we had been able to get the word to Lola, as we shall call her here. She was barely more than a child. She was short, had black hair, a tinkling-bell laugh, and sparkling eyes. She lived in the neighbourhood nearby, on the other side of that long wall, now painted white. She had been with us a few months and when the day of her release came, she cried and cried and cried. At last she was getting out, but she was taking the sadness of leaving us behind with her. »
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Story of the Chair (Historia de la silla)

Author:
Silvio Rodríguez
Testimony by:
Eduardo Andrés Arancibia Ortiz
Place & date:
Cárcel de Santiago, 1980 - 1991
« This was one of the songs Silvio Rodríguez sang to us the day he visited the political prisoners in Santiago’s Public Jail in 1990. I had the chance to thank him on behalf of Víctor Zúñiga Arellano, a political prisoner who died in an escape attempt in 1987 in the Santiago Penitentiary, as this songwriter had been a treasured companion during Víctor’s life in hiding. »
[...]
« No less important are the memories of visits by Joan Manuel Serrat and the concert given to us by Illapu, deploying a full technical array. During my long stretch in prison I also became acquainted with a cantata by the political prisoners, containing stories of resistance in the face of the oft-repeated ban of our subversive songs. »
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