399 results where found for «Que la tortilla se vuelva»

Priests and Soldiers (Curas y milicos)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« I don’t want to exaggerate but Camp Melinka became not only a factory that produced handicrafts and a performance hall but also a university. »
[...]
« While listening to one of those professors, I learned about Father Bartolomé de las Casas, a priest who lived in Central America and earned the title of Defender of the Indians during the harshest period of the Spanish Conquest. His life was marked by defeat. He was unable to stop the abuses committed with the consent of the Catholic Church, which was his spiritual home. »
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Future (Futuro)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Cárcel de Valparaíso, 1976
Tags:
« The dream of the political prisoner was to regain freedom. All of us would feel joy when one of us was about to be released from prison, although it far from easy to see a comrade depart. Even less so for those who suspected they would never enjoy that privilege. »
[...]
« My mind became filled with doubts and unanswerable questions. One day I borrowed a guitar - that loyal friend who was always there for me during imprisonment - and set my thoughts to music. Only my cellmates heard me sing these hopeful verses. »
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National Anthem of Chile

Music piece by:
Eusebio Lillo and Ramón Carnicer
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« The Puchuncaví Prisoners Camp had a daily routine similar to that of military regiments. In a ridiculous ceremony, the flag was raised every morning at dawn and then it was taken down at nightfall. »
[...]
« But, looking at it with different eyes, it also was amusing, because it gave us another chance to sing at the top of our voices the line that goes: “Que o la tumba serás de los libres, o el asilo contra la opresión” (May you be the grave of the free or the refuge from oppression). »
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Barlovento

Music piece by:
Eduardo Serrano
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, January – February 1974
Tags:
« This is one of the songs the band Los de Chacabuco arranged and performed at the weekly show authorised by the military. »
[...]
« The lyrics include the word conuquero, referring to a person who works on a conuco, a small plot of land used for subsistence agriculture. »
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The Scholar (El letrado)

Music piece by:
Quelentaro (Gastón and Eduardo Guzmán)
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 – February 1974
Tags:
« From the first time I heard it, I was impressed by the way the duo Quelentaro sang this song, which was also written by them. When I sang it, I always tried to sing it in their style. I never sang it on stage, only for myself or for small groups of friends strumming guitars together. »
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To Be Seventeen Again (Volver a los diecisiete)

Music piece by:
Violeta Parra
Testimony by:
David Quintana García
Experience in:
Intendencia de Rancagua, 1973
Tags:
« I spent 45 days in the torture centre of Intendencia de Rancagua. Previously, I was detained with my brothers in the headquarters of the Cuartel de Investigaciones de Rancagua. »
[...]
« I remember that another prisoner used to sing ‘En qué nos parecemos’ ('How We Resemble Each Other'), popularised by Quilapayún. Those songs were linked to our actions during the Unidad Popular. »
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How We Resemble Each Other (En qué nos parecemos)

Music piece by:
Unknown. Popularised by Quilapayún
Testimony by:
Scarlett Mathieu
Experience in:
Campamento de Prisioneros Cuatro Álamos, 1974
Tags:
« In Cuatro Álamos, I was profoundly marked by the singing of a current detained-disappeared named Juan Chacón. He sang ‘En qué nos parecemos’, a love song from the Spanish Civil War. It remained engraved in me because that comrade disappeared from Cuatro Álamos. »
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Cantata Santa María de Iquique

Music piece by:
Luis Advis
Testimony by:
Alfonso Padilla
Experience in:
Campamento Prisioneros Estadio Regional, 1975
Tags:
« Between March 1974 and July 1975, I had the opportunity to arrange about 200 songs and direct the production of the Cantata de Santa María de Iquique. In truth, the prison was my conservatoire. That’s where I learnt the basics of the profession of musician. »
[...]
«  Work about the 1907 massacre of miners in the city of Iquique (Northern Chile). Composed by Luis Advis in 1969 and recorded by Quilapayún in 1970. »
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They Say the Homeland Is (Dicen que la patria es)

Music piece by:
Chicho Sánchez Ferlosio
Testimony by:
Sergio Reyes Soto
Experience in:
Campamento de Prisioneros Isla Dawson, 1973 - 1974
Tags:
« This song, like so many others, was not at all “captive”. The revolutionary songs we sang behind bars imbued us with a sense of freedom. Rolando Alarcón, and later Quilapayún, introduced “Dicen que la patria es” (or “Canción de soldados”) to Chile. »
[...]
« They Say the Homeland Is (Dicen que la patria es) »
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Ode to Joy (Himno a la alegría)

Music piece by:
original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos.
Testimony by:
Luis Madariaga
Experience in:
Cárcel de Valparaíso, 1974 - 1976
Tags:
« In prison, we would sing the 'Ode to Joy' when a comrade was released or sent to exile. »
[...]
« original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos. »
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