391 results where found for «Que la tortilla se vuelva»


Song of the Disappeared (Canción del desaparecido)

Song by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« Several of my friends and comrades disappeared after being arrested. The dictatorship denied knowledge of their whereabouts but I knew they were lying. »
[...]
« It will be plain for the world to see »
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Balderrama

Song by:
Manuel José Castilla (lyrics) and Gustavo Leguizamón (music). Popularised by Mercedes Sosa
Testimony by:
Eduardo Ojeda
« We arrived at Camp Compingin on Dawson Island on the afternoon of 11 September 1973. We knew that we had been arrested that morning, and we knew nothing else yet. The next day, another group of prisoners arrived. They told us that Salvador Allende had died. We paid tribute to him around a bonfire. It was deeply meaningful. »
[...]
« Manuel Jo Castilla (lyrics) and Gustavo Leguizamón (music). Popularised by Mercedes Sosa »
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Futuristic Anthem (Himno futurista)

Song by:
unknown
Testimony by:
Patricio Polanco
Experience in:
« In 1973 and 1974, Pisagua was characterised by the harsh and cruel treatment of political prisoners. Singing was mandatory for prisoners, who were guarded by Army platoons, and it was also a means to avoid beatings and collective mistreatment. »
[...]
« and classes will be held as a joke. »
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Why does the afternoon cry (Por qué llora la tarde)

Song by:
Antônio Marcos. Popularised in Chile by Claudio Reyes
Testimony by:
Carolina Videla
Experience in:
« My prison term happened during the last year of the dictatorship after the No vote won. I was set free because of 'lack of evidence', after a year and a half in prison. »
[...]
« Antônio Marcos. Popularised in Chile by Claudio Reyes »
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To my Little Dove (A mi palomita)

Song by:
Teófilo Vargas Candia, popularised in Chile by the group Quilapayún
Testimony by:
David Quintana García
Experience in:
Cárcel de Rancagua, 1974 - 1975
« On 10 September 1974, a folk band of Communist Youth activists arrived at the prison of Rancagua. They were arrested to prevent them from participating in the demonstrations and other acts against the dictatorship on 11 September through their role as musicians and activists. They were freed on the 12th. They were arrested again in September 1975. »
[...]
« Teófilo Vargas Candia, popularised in Chile by the group Quilapayún »
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I Come Back (Vuelvo)

Song by:
Patricio Manns (lyrics) and Horacio Salinas (music)
Testimony by:
Fernando Aravena
Experience in:
« During our mate-drinking gatherings in the Prison of Santiago, we always talked about the song ‘Vuelvo’. It gave you the hope of returning to the fight. The prison was only something temporary. »
[...]
« I come back at last without humiliating myself »
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Shadows (Sombras)

Song by:
Rosario Sansores and Carlos Brito Benavides. Popularised in Chile by Lucho Barrios.
Testimony by:
Juan Carlos de Luján Peralta Aranguiz
« I arrived in this place as a war prisoner when I was sixteen years old. »
[...]
« Rosario Sansores and Carlos Brito Benavides. Popularised in Chile by Lucho Barrios. »
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The Black King (El rey negro)

Song by:
Sergio Vesely
Testimony by:
Sergio Vesely
« One cold winter night of 1975, the small clinic of Melinka, in the Puchuncaví Detention Camp, became the setting for a touching story. »
[...]
« A week later we held a cultural event in the dining room to celebrate the happy event occurrence. On that day I finished writing my song 'The Black King' and I sang it for the first time for an audience comprised of political prisoners and soldiers. »
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Run Run Went up North (Run Run se fue pa'l norte)

Song by:
Violeta Parra
Testimony by:
Ernesto Parra Navarrete
Experience in:
« Run Run ... On the big pitch, mild summer weather was in the air. But for us, aching from the torture, hungry, haggard, stinking, tattered, tired of our uncertain future, all we longed for was a breath of energy that would allow us to feel that we were still alive and that the feelings of our absent loving partners were present. »
[...]
« The stadium had to be emptied because of the approaching World Cup qualifying match in which Chile would play the Soviet Union. We were told that we’d all be transferred to northern Chile, to the desert. »
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National Anthem of Chile

Song by:
Eusebio Lillo and Ramón Carnicer
Testimony by:
Boris Chornik Aberbuch
« The Puchuncaví detention camp’s daily routine included mandatory participation in the ceremonies of raising and taking down the Chilean flag on the flagpole at the entrance to the camp. »
[...]
« The flag was raised in the morning and taken down in the afternoon. In other words, the ceremony was repeated twice a day. »
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