382 results where found for «Que la tortilla se vuelva»


The Black King (El rey negro)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« One cold winter night of 1975, the small clinic of Melinka, in the Puchuncaví Detention Camp, became the setting for a touching story. »
[...]
« A week later we held a cultural event in the dining room to celebrate the happy event occurrence. On that day I finished writing my song “The black king” and I sang it for the first time for an audience comprised of political prisoners and soldiers. »
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Run Run Went up North (Run Run se fue pa'l norte)

Author:
Violeta Parra
Testimony by:
Ernesto Parra Navarrete
Place & date:
« Run Run ... On the big pitch, mild summer weather was in the air. But for us, aching from the torture, hungry, haggard, stinking, tattered, tired of our uncertain future, all we longed for was a breath of energy that would allow us to feel that we were still alive and that the feelings of our absent loving partners were present. »
[...]
« The stadium had to be emptied because of the approaching World Cup qualifying match in which Chile would play the Soviet Union. We were told that we’d all be transferred to northern Chile, to the desert. »
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National Anthem of Chile

Author:
Eusebio Lillo and Ramón Carnicer
Testimony by:
Boris Chornik Aberbuch
« The Puchuncaví detention camp’s daily routine included mandatory participation in the ceremonies of raising and taking down the Chilean flag on the flagpole at the entrance to the camp. »
[...]
« The flag was raised in the morning and taken down in the afternoon. In other words, the ceremony was repeated twice a day. »
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The Soldier (El soldado)

Author:
Rafael Alberti (lyrics), Ángel Parra (music)
Testimony by:
Alfonso Padilla Silva
« During Christmas 1973, approximately 660 men and 100 women were held as prisoners in the Concepción Regional Stadium. Concentration camp officials allowed us to celebrate Christmas on the pitch. We were in a corner of the pitch and we used the pole vault pit as a stage. Two professional radio broadcasters were excellent masters of ceremony, combining veiled messages with other more candid ones, all with a hefty dose of humour and good taste. They also recited poems. »
[...]
« Father Camilo Vial, who was later appointed bishop, was an important champion of the political prisoners’ rights given the horrible conditions we were in, and he gave us an excellent Spanish guitar. Many men and women political prisoners sung alone, in pairs or in groups, accompanied by that guitar. One prisoner sang "El soldado", a poem by Rafael Alberti set to music by Ángel Parra. »
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The Little Cigarette (El cigarrito)

Author:
Víctor Jara
Testimony by:
Alfonso Padilla Silva
« During Christmas 1973, I was one of some 600 men and 100 women prisoners in Concepción Regional Stadium. The concentration camp officials allowed us to celebrate Christmas in the sports arena. To be precise, we were in one corner of the playing field and we used the pole vault pit as a stage. »
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Zamba so as Not to Die (Zamba para no morir)

Author:
Hamlet Lima Quintana
Testimony by:
Ana María Jiménez
Place & date:
Villa Grimaldi, April 1975
« I want to recall a night at Villa Grimaldi. »
[...]
« “Sing, girl. The Yugoslav is in the tower dying. We don’t think he’ll see the day out. Your song will help him.” »
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A Cocky Fellow (El puntúo)

Author:
Víctor Canto and Luis Cifuentes (lyrics), Roberto Parra (music)
Testimony by:
Luis Cifuentes Seves
Place & date:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« This cueca* was composed in Chacabuco between November 1973 and February 1974, and was sung by the band Los de Chacabuco, to which Víctor Canto and I belonged. »
[...]
« This cueca was secretly recorded in Chacabuco by Alberto Corvalán Castillo, son of the Communist Party's secretary general Luis Corvalán, with help from Guillermo Orrego and Domingo Chávez. Alberto died in Bulgaria from permanent heart damage caused by torture suffered at the National Stadium velodrome. »
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Melody by Jorge Peña Hen

Author:
Jorge Peña Hen
Testimony by:
María Fedora Peña
Place & date:
Cárcel de la Serena, October 1973
« “Look here, Maria Fedora. I’ve brought you a treasure...” - it was the voice of my brother Juan Cristián as he crossed the doorway of our mother’s house one morning in January 1983. Peering over the staircase banister, I saw him raise his right hand with something clenched inside. He was just back from a quick trip to La Serena, and I was spending my holidays in Chile. I had travelled home to show the family my beautiful baby girl, María Paz, my first child born in Caracas. »
[...]
« Cárcel de la Serena »
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Answer Me

Author:
Gerhard Winkler and Fred Rauch. English lyrics by Carl Sigman. Recorded by Frankie Laine.
Testimony by:
Luis Cifuentes Seves
Place & date:
« I sang this song alone in the National Stadium dressing rooms where I was held from September to November of 1973. This happened when the soldiers allowed artistic performances to take place in the converted dressing rooms while we waited our turn to be interrogated or after returning from interrogations. These were often torture sessions. »
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Saint Gregory’s Tonada (Tonada San Gregorio)

Author:
Pedro Humire Loredo
Testimony by:
Pedro Humire Loredo
« This tonada song* recalls the horrible situation I was subjected to in the cells of the police station in the San Gregorio district in southern Santiago. That afternoon of 11 September 1973, I was at school marking some music tests. After a while I heard a very loud bang on the door and went to open it at once. It was the police. »
[...]
« They immediately hit me when I pointed out that they were in a school. They showered me with insults and they demanded that I tell them who my workmates were who were not there at the time; I flatly refused to do so. Mrs María de Osan, who was the president of the parents' association, and the authority to give me instructions, said, "If he doesn’t want to speak, Captain, make him". »
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