887 results where found for «Regimiento de Ingenieros de Tejas Verdes»


We Shall Overcome

Music piece by:
Attributed to Charles Albert Tindley
Testimony by:
Alfonso Padilla Silva
Experience in:
« When the concentration camp that operated for nearly five months at the Regional Stadium of Concepción was closed in early February 1974, hundreds of political prisoners were transferred to the Concepción Prison, a wing of which was turned into a concentration camp. »
[...]
« These performances were divided in two parts, each lasting around 40 minutes. In one we presented the Cantata of Santa María de Iquique, but that's another story. »
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National Anthem of Chile

Music piece by:
Eusebio Lillo and Ramón Carnicer
Testimony by:
Boris Chornik Aberbuch
« The Puchuncaví detention camp’s daily routine included mandatory participation in the ceremonies of raising and taking down the Chilean flag on the flagpole at the entrance to the camp. »
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Filistoque's Cueca (Cueca del Filistoque)

Music piece by:
Víctor Canto Fuenzalida (lyrics), Efraín Navarro (music)
Testimony by:
Víctor Canto Fuenzalida
Experience in:
« Filistoque is a real-life person in all his mighty height (1.90 metres tall). I always remember him laughing. In Chacabuco, we shared a house for nearly ten months. Around him, you were never allowed to become depressed or get into a stew over our situation. »
[...]
« Some of the guards were more receptive and it was not rare to see Filistoque in lively conversation with them; they were swayed by his happy demeanour to such an extent that he persuaded them that he could teach the soldiers how to march. »
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The Little Cigarette (El cigarrito)

Music piece by:
Víctor Jara
Testimony by:
Alfonso Padilla Silva
Experience in:
« During Christmas 1973, I was one of some 600 men and 100 women prisoners in Concepción Regional Stadium. »
[...]
« For this event, Father Camilo Vial, later appointed bishop, provided us with a very good Spanish guitar. The priest played a very important role in defending the rights of political prisoners in the horrible conditions we were held. »
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Zamba so as Not to Die (Zamba para no morir)

Music piece by:
Hamlet Lima Quintana
Testimony by:
Ana María Jiménez
Experience in:
Villa Grimaldi, April 1975
« I want to recall a night at Villa Grimaldi. »
[...]
« In spite of the terror I felt, I decided that my little act of rebellion would be not to sing, not to release my voice. Besides, I thought I really wasn’t able to. »
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A Cocky Fellow (El puntúo)

Music piece by:
Víctor Canto and Luis Cifuentes (lyrics), Roberto Parra (music)
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« This cueca was composed in Chacabuco between November 1973 and February 1974, and was sung by the band Los de Chacabuco, to which Víctor Canto and I belonged. »
[...]
« "Los de Chacabuco" was founded and directed by Ángel Parra. Its members were: Víctor Canto, Ángel Cereceda Parra (Ángel Parra), Luis Cifuentes, Marcelo Concha, Luis Corvalán Márquez, Antonio González, Manuel Ipinza, Ernesto Parra, Julio Vega and Ricardo Yocelewski. »
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Partisan Anthem (Himno guerrillero)

Music piece by:
anonymous Russian melody. During the Russian Revolution, several lyrics with different ideological content circulated. This version is based on 'Makhnovtchina', attributed to Nestor Makhno, Ukrainian anarchist revolutionary.
Testimony by:
Julio Laks Feller
Experience in:
« In late September 1974, the Soviet partisan’s song was intoned softly but with an awe-inspiring force in the José Domingo Cañas torture centre. »
[...]
« Our comrade and beloved friend Sergio Pérez Molina, leader of the MIR who had fallen into the hands of the DINA a few days earlier, was being tortured again. »
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Melody by Jorge Peña Hen

Music piece by:
Jorge Peña Hen
Testimony by:
María Fedora Peña
Experience in:
Cárcel de la Serena, October 1973
« 'Look here, Maria Fedora. I’ve brought you a treasure', it was the voice of my brother Juan Cristián as he crossed the doorway of our mother’s house one morning in January 1983. »
[...]
« 'What is that?' I asked as I descended the stairs. »
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Ode to Joy (Himno a la alegría)

Music piece by:
original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos.
Testimony by:
Luis Madariaga
Experience in:
« In prison, we would sing the 'Ode to Joy' when a comrade was released or sent to exile. »
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To Sing by Improvising (Pa’ cantar de un improviso)

Music piece by:
Violeta Parra
Testimony by:
Claudio Enrique Durán Pardo (Kila Chico)
« We made a Venezuelan cuatro from a large plank of wood attached to one of the walls of the "ranch" where we ate. »
[...]
« I had wanted a Venezuelan cuatro ever since Violeta Parra had taught us that Latin American music has no boundaries; she played the cuatro in her songs in a masterly way, which I wanted to imitate. Her children, Ángel Parra and Isabel Parra, had recorded a song in 1970, very charming and catchy, and we wanted to do it: "Pa’ cantar de un improviso" (To sing by improvising). To do so without a cuatro would not be the same. »
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