12 results where found for «René “Popeye” Cárdenas Eugenin»


Let’s Break the Morning (Rompamos la mañana)

Song by:
René “Popeye” Cárdenas Eugenin
Testimony by:
María Soledad Ruiz Ovando
Experience in:
« Music was very important for us (my mother Sylvia Ovando, my sister Alejandra Ruiz and myself) while my dad, Daniel Ruiz Oyarzo, 'el Negro Ruiz', was imprisoned during the dictatorship, when Alejandra was seven and I was four. »
[...]
« René “Popeye” Cárdenas Eugenin »
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Today I Sing for the Sake of Singing (Hoy canto por cantar)

Song by:
Nydia Caro and Riccardo Cerratto
Testimony by:
Ángeles Álvarez Cárdenas
Experience in:
Villa Grimaldi, 6 - 15 January 1975
« At that time many prisoners were subjected to extreme torture in the interrogations. Some managed to get through those processes alright, while others broke down. Breaking down meant "speaking” and for the members of the DINA (secret police) it meant "this jerk is singing". I often heard them saying: "eventually all of them are going to sing". »
[...]
« Ángeles Álvarez Cárdenas »
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National Anthem of Chile

Song by:
Eusebio Lillo and Ramón Carnicer
Testimony by:
Boris Chornik Aberbuch
« The Puchuncaví detention camp’s daily routine included mandatory participation in the ceremonies of raising and taking down the Chilean flag on the flagpole at the entrance to the camp. »
[...]
« and that sea that serenely bathes you »
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National Anthem of Chile

Song by:
Eusebio Lillo and Ramón Carnicer
Testimony by:
anónimo
Experience in:
« I was detained in Panguipulli on 24 September 1973, along with 17 other young people. I was a high school student. I was also working at the forestry and logging company of Huilo Huilo, which had been taken over by the working class. We were tortured for two or three days at the police station of Panguipulli. They left me unconscious. »
[...]
« and that sea that serenely bathes you »
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National Anthem of Chile

Song by:
Eusebio Lillo and Ramón Carnicer
Testimony by:
Sergio Vesely
« The Puchuncaví Prisoners Camp had a daily routine similar to that of military regiments. In a ridiculous ceremony, the flag was raised every morning at dawn and then it was taken down at nightfall. »
[...]
« and that sea that serenely bathes you »
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National Anthem of Chile

Song by:
Eusebio Lillo and Ramón Carnicer
Testimony by:
Eduardo Ojeda
« We arrived at Dawson Island on the afternoon of 11 September. All we knew was that we had been arrested in the morning - nothing else. We arrived at the first detention camp, called Compingin. Music was with us all of the time on the island. First of all were the military songs we were forced to sing. If prisoners arrived from Pudeto, we had to sing that regiment’s anthem. We also had to learn the anthems of the Cochrane and Telecommunications regiments. The infantrymen would say, “here's the anthem, you have until the afternoon to learn it by heart.” »
[...]
« and that sea that serenely bathes you »
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Zamba so as Not to Die (Zamba para no morir)

Song by:
Hamlet Lima Quintana
Testimony by:
Ana María Jiménez
Experience in:
Villa Grimaldi, April 1975
« I want to recall a night at Villa Grimaldi. »
[...]
« but the tree will bud, renewed. »
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Melody by Jorge Peña Hen

Song by:
Jorge Peña Hen
Testimony by:
María Fedora Peña
Experience in:
Cárcel de la Serena, October 1973
« “Look here, Maria Fedora. I’ve brought you a treasure...” - it was the voice of my brother Juan Cristián as he crossed the doorway of our mother’s house one morning in January 1983. Peering over the staircase banister, I saw him raise his right hand with something clenched inside. He was just back from a quick trip to La Serena, and I was spending my holidays in Chile. I had travelled home to show the family my beautiful baby girl, María Paz, my first child born in Caracas. »
[...]
« Juan Cristián took the scrap of paper, unfolding it with his skill as graphic designer; not just anyone would have been able to unwrap that perfect wrapping. Only someone with his professional knowledge could open it, one fold at a time. He brought it near his nose again, and then handed it to me. Before my eyes were three minuscule staves, poised, serene, rock-solid; the treble clef perfectly rounded, and my father’s unmistakable musical calligraphy. Refined, neat. »
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South-Eastern Storm (La Sudestada)

Song by:
unknown
Testimony by:
Luis Alfredo Muñoz González
Experience in:
« While I was in solitary confinement in Cuatro Álamos, one day I noticed there was a large room at the end of the corridor, which, overnight, the "dinos" (members of the DINA secret police) had filled with prisoners. At the end of the day, these comrades organised quite a "jamboree": talking, sharing information, asking questions and singing. It was a frenetic activity of solidarity, support, courage and warmth. »
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Gigi the Ladies’ Man (Gigi l’amoroso)

Song by:
Jacqueline Misrahi, Lana Sebastian and Paul Sebastian. Popularised by Dalida.
Testimony by:
Eduardo René Cuevas
« This song was used while the Military Intelligence Service (SIM) subjected me to cruel torture at a clandestine torture centre in the southern Chilean city of Los Ángeles. »
[...]
« Eduardo René Cuevas »
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