36 results where found for «Roberto Parra»


To Sing by Improvising (Pa’ cantar de un improviso)

Song by:
Violeta Parra
Testimony by:
Claudio Enrique Durán Pardo (aka Quique Cruz)
« We made a Venezuelan cuatro from a large plank of wood attached to one of the walls of the "ranch" where we ate. »
[...]
« Violeta Parra »
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The Soldier (El soldado)

Song by:
Rafael Alberti (lyrics), Ángel Parra (music)
Testimony by:
Alfonso Padilla Silva
Experience in:
« During Christmas 1973, approximately 660 men and 100 women were held as prisoners in the Concepción Regional Stadium. Concentration camp officials allowed us to celebrate Christmas on the pitch. We were in a corner of the pitch and we used the pole vault pit as a stage. »
[...]
« Rafael Alberti (lyrics), Ángel Parra (music) »
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Run Run Went up North (Run Run se fue pa'l norte)

Song by:
Violeta Parra
Testimony by:
Ernesto Parra Navarrete
Experience in:
« Run Run... On the big pitch, mild summer weather was in the air. »
[...]
« Violeta Parra »
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We Shall Overcome

Song by:
Attributed to Charles Albert Tindley
Testimony by:
Alfonso Padilla Silva
Experience in:
« When the concentration camp that operated for nearly five months at the Regional Stadium of Concepción was closed in early February 1974, hundreds of political prisoners were transferred to the Concepción Prison, a wing of which was turned into a concentration camp. »
[...]
« On that occasion, our newly formed band (without a name) performed the following programme: 'Soy del pueblo' ('I Am of the People') by Carlos Puebla; 'El aparecido' ('The Apparition') by Víctor Jara; 'Los pueblos americanos' ('The American Peoples') by Violeta Parra; 'Vamos a Serchil' ('Let's Go to Serchil') by the Guatemalan Leopoldo Ramírez; "'el norte vengo, Maruca' ('I Come from the North, Maruca') by Ángel Parra (although some people say it was written by his mother); 'Villancico nortino' ('Northern Christmas Carol'), a traditional song; and finally 'We Shall Overcome', written between 1950 and 1960 in the United States within the context of the Afro-American civil rights movement. »
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From the Poplars I have Come, Mother (De los álamos vengo, madre)

Song by:
Juan Vásquez
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros, Estadio Nacional, November 1973 - February 1974
« Los de Chacabuco, a band created and conducted by Ángel Parra, performed this traditional Spanish song at the Chacabuco concentration camp. »
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Creole Mass – Gloria (Misa criolla - Gloria)

Song by:
Ariel Ramírez
Testimony by:
Luis Cifuentes Seves
Experience in:
« As far as I remember (and there may be other versions), Los de Chacabuco band was founded by Ángel Parra in response to a request by the Army chaplain Varela, who asked for assistance for the Mass he celebrated for both prisoners and soldiers. »
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An Old Love Tune (Tonada del viejo amor)

Song by:
Eduardo Falú and Jaime Dávalos
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros, Estadio Nacional, November 1973 - February 1974
« The Los de Chacabuco band, created and conducted by Ángel Parra, performed this zamba(1) by Eduardo Falú and Jaime Davalos at the camp’s weekly shows. »
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Amalia Rosa

Song by:
Tino Carrasco
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros, Estadio Nacional, November 1973 - February 1974
« Los de Chacabuco, a band founded and conducted by Ángel Parra, performed this Venezuelan folk song, in the style of a joropo(1), singing it at the weekly prison camp show. I dare say it was one of the favourite songs of the audience, comprised of political prisoners. »
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Caliche

Song by:
Calatambo Albarracín
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros, Estadio Nacional, December 1973 - February 1974
« Los de Chacabuco, a band founded and conducted by Ángel Parra, arranged this song called "Caliche"(1). It was sung several times during the Saturday shows at the Chacabuco concentration camp. At the farewell concert for Angel, Alberto Corvalán recorded it on cassette, and a subsequent LP was produced from that cassette. »
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The Salamander (La salamanca)

Song by:
Arturo Dávalos
Testimony by:
Luis Cifuentes Seves
Experience in:
« A salamanca is a type of salamander that lives in caves in northern Argentina. By extension, it also represents the cave. In this song, the lyricist turns the salamanca into a place where a coven of witches gathers. »
[...]
« Under the direction of Ernesto Parra, all ten members of the group who appear in the photograph took part. Their aim was to preserve the songs of Ángel Parra, composed while he was a prisoner in the camp, along with songs by other artists. »
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