336 results where found for «Scende la pioggia»


Run Run Went up North (Run Run se fue pa'l norte)

Music piece by:
Violeta Parra
Testimony by:
Ernesto Parra Navarrete
Experience in:
« Run Run... On the big pitch, mild summer weather was in the air. »
[...]
« during a layover due to »
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Futuristic Anthem (Himno futurista)

Music piece by:
unknown
Testimony by:
Patricio Polanco
Experience in:
« In 1973 and 1974, Pisagua was characterised by the harsh and cruel treatment of political prisoners. Singing was mandatory for prisoners, who were guarded by Army platoons, and it was also a means to avoid beatings and collective mistreatment. »
[...]
« there will be no more brawls nor complaints »
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The Valley Swallow (La golondrina del valle)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« One of the most amazing experiences I had during my six months in the Puchuncaví Prison Camp was to see the metamorphosis of the barbed wire fence into a huge musical score. »
[...]
« The Valley Swallow (La golondrina del valle) »
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Words for Julia (Palabras para Julia)

Music piece by:
José Agustín Goytisolo (lyrics) and Paco Ibáñez (music)
Testimony by:
Amelia Negrón
Experience in:
Campamento de Prisioneros, Tres Álamos, 1975 and 1976, until the closure of Tres Álamos
« There were so many of us women prisoners. Despite the circumstances, we had managed to invent our own world, one with our rules, according to what we thought and wanted for ourselves, our families and all the Chilean people. »
[...]
« Introduction by Ana María Jiménez: 'We are going to sing a song that for us, former prisoners, has great significance. This is 'Palabras para Julia,' a song with lyrics by José Agustín Goytisolo and music by Paco Ibáñez. It speaks of strength, love, resistance, and it became the anthem of the women of Tres Álamos. With it, we greeted those who arrived and said goodbye to those who were freed. With it, we remember and want to share it with you today.' »
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Oh Saving Victim (O salutaris Hostia)

Music piece by:
text by Saint Thomas Aquinas; music by Lorenzo Perosi
Testimony by:
Roberto Navarrete
Experience in:
Cárcel de Santiago, November 1973 - April 1974
« The political prisoners’ cell block in Santiago Prison was established when they transferred many people from the National Stadium in October or November 1973. »
[...]
« bella premunt hostilia »
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Everything Changes (Todo cambia)

Music piece by:
Julio Numhauser
Testimony by:
Carolina Videla
Experience in:
« My guitar accompanied me for the entire time that I was deprived of freedom. It was like a magnet. In the afternoon we would sing and play in the courtyard. »
[...]
« the plant changes and wears »
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Friend (Amiga)

Music piece by:
Miguel Bosé
Testimony by:
Carolina Videla
Experience in:
« I was 19 years old when they arrested me. I was one of the youngest political prisoners at the time in Arica. »
[...]
« the last shred of your dress »
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Why does the afternoon cry (Por qué llora la tarde)

Music piece by:
Antônio Marcos. Popularised in Chile by Claudio Reyes
Testimony by:
Carolina Videla
Experience in:
« My prison term happened during the last year of the dictatorship after the No vote won. I was set free because of 'lack of evidence', after a year and a half in prison. »
[...]
« Antônio Marcos. Popularised in Chile by Claudio Reyes »
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To my Little Dove (A mi palomita)

Music piece by:
Teófilo Vargas Candia, popularised in Chile by the group Quilapayún
Testimony by:
David Quintana García
Experience in:
Cárcel de Rancagua, 1974 - 1975
« On 10 September 1974, a folk band of Communist Youth activists arrived at the prison of Rancagua. They were arrested to prevent them from participating in the demonstrations and other acts against the dictatorship on 11 September through their role as musicians and activists. They were freed on the 12th. They were arrested again in September 1975. »
[...]
« Teófilo Vargas Candia, popularised in Chile by the group Quilapayún »
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You Will Pay (The Cigarette Smoke) (Pagarás [El humo del cigarrillo])

Music piece by:
Manuel Mantilla
Testimony by:
Fernando Aravena
Experience in:
« The political prisoners were isolated but when they made us go down to the courtyard, we were with the common prisoners. »
[...]
« Manuel Mantilla »
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