
198 results where found for «Se escucha muy lejos»
- Music piece by:Tito Fernández
- Testimony by:Servando Becerra Poblete
- Experience in:Campamento de Prisioneros Chacabuco, 9 November 1973 - 10 November 1974
- Tags:
- « I recited this poem in the National Stadium. I continued to do so in the Chacabuco prison camp, earning the nickname of “Venancio” from my fellow prisoners. »
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- « your father, the overseer. »
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- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:Cárcel de Valparaíso, 1976
- Tags:
- « Visitors’ day was an exceptional day that broke the monotonous routine of all the other days of the week. »
- [...]
- « Sergio Vesely »
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- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:Cárcel de Valparaíso, 1976
- Tags:
- « In our political discussions, we always spoke disdainfully of the middle class. In the view of the Marxist ideologues in prison, that sector of society supported the dictatorship and it was necessary to reverse that trend. »
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- « Sergio Vesely »
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- Music piece by:Unknown. Popularised by Quilapayún
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros, Estadio Nacional, September - November 1973
- Tags:
- « During the 1960s, the group Quilapayún popularised this old Spanish song in Chile. Víctor Canto and I performed it as a duet in Santiago’s National Stadium, which had been converted into a concentration, torture and extermination camp. »
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- « Unknown. Popularised by Quilapayún »
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- Music piece by:Unknown. Popularised by Quilapayún
- Testimony by:Scarlett Mathieu
- Experience in:
- Tags:
- « In Cuatro Álamos, I was profoundly marked by the singing of a current detained-disappeared named Juan Chacón. He sang ‘En qué nos parecemos’, a love song from the Spanish Civil War. It remained engraved in me because that comrade disappeared from Cuatro Álamos. »
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- « Unknown. Popularised by Quilapayún »
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How Can I Describe This to You? (Cómo hacer para darte una idea)
- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:Cárcel de Valparaíso, 1976
- Tags:
- « This is one of two songs I wrote in prison for my beloved Graciela. In the song I tried to draw her closer to me, describing my everyday world and my experience of life as a captive. »
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- « Sergio Vesely »
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- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- Tags:
- « I don’t want to exaggerate but Camp Melinka became not only a factory that produced handicrafts and a performance hall but also a university. »
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- « Sergio Vesely »
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- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- Tags:
- « 'Ñaca-ñaca' was an interjection we used at Camp Melinka whenever we wanted to signal and poke fun at any dark thought that might cross our minds. That may be why it seemed the ideal name to give to the paper maché puppet that played the role of the mean king in the puppet stories we performed to entertain the children who came to visit their captive fathers. »
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- « Sergio Vesely »
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- Music piece by:Sergio Vesely
- Testimony by:Renato Alvarado Vidal
- Experience in:Campamento de Prisioneros Melinka, Puchuncaví, May - October 1975
- Tags:
- « During the last third of the 20th century, the concentration camps of the Chilean dictatorship were characterised by a high grade of organisation among prisoners, as well as the overflowing creativity they applied to all areas of human ingenuity. »
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- « Sergio Vesely »
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- Music piece by:Chicho Sánchez Ferlosio. Popularized by Quilapayún
- Testimony by:Claudio Melgarejo
- Experience in:Comisaría de Concepción, November 1973
- Tags:
- « I spent a week in captivity, in November 1973. I didn’t hear many songs, but the most popular ones sung by my comrades were 'Venceremos' (We Shall be Victorious) and 'Que la tortilla se vuelva' (May the Omelette Flip Over), also known as 'The Tomato Song', which portrays the bosses' exploitation of the workers. »
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- « those types who have money. »
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