192 results where found for «Song of a Middling Man»


Mid-Afternoon Love (Amor de media tarde)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« This song is dedicated to Graciela Navarro, who managed to make my prisoner's life more beautiful on the days we were allowed to receive visitors. »
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National Anthem of Chile

Music piece by:
Eusebio Lillo and Ramón Carnicer
Testimony by:
Sergio Vesely
« The Puchuncaví Prisoners Camp had a daily routine similar to that of military regiments. In a ridiculous ceremony, the flag was raised every morning at dawn and then it was taken down at nightfall. »
[...]
« We greatly enjoyed placing great emphasis on that part of the song. It must have been the only act of open subversion that the military could never punish us for, even though surely many must have wanted to. »
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Prayer So You Don't Forget Me (Oración para que no me olvides)

Music piece by:
Óscar Castro (words) and Ariel Arancibia González (music)
Testimony by:
Rosalía Martínez
Experience in:
« When Katia Chornik contacted me a few years ago asking me to provide my testimony about my musical experience in prison, I thought I didn’t have much to say. »
[...]
« Some of those songs have remained in my memory as an indelible mark of those times, and on the whole, I cannot or do not want to sing them. I would like to tell you about one of those songs, which I never knew what it was called nor its author, nor did I ever try to find out. It was taught to us by Cecilia Bojanic, a young 23-year-old woman who was a member of MIR and who had been arrested together with her husband Flavio Oyarzún. »
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St John Passion (Pasión según San Juan)

Music piece by:
Ángel Parra
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, January - February 1974
« This song is the third track on the cassette recorded in the Chacabuco concentration camp by the band Los de Chacabuco, formed by Ángel Parra and conducted by him until his release. »
[...]
« One lasting memory about this song is the emotion with which it was received by our fellow prisoner, congressman Vicente Sota. He was a deeply religious man. He would come and hug us repeatedly, saying 'how beautiful, brother', a phrase that I’ve never forgotten. »
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Chacabuco Mass (Misa chacabucana)

Music piece by:
Ángel Parra and Ariel Ramírez
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, January - February 1974
« This song is the second track on the cassette recorded in the Chacabuco prison camp by the band Los de Chacabuco, formed by Ángel Parra and led by him until his release. At the time that the cassette was recorded, Ángel had already been freed and Ernesto Parra had become the group's conductor. »
[...]
« The Chacabuco Mass consists of eight songs: four by Ángel Parra, composed in the camp, and four by Ariel Ramírez from his Misa Criolla (Creole Mass) recorded by Los Fronterizos in the 1960s: 'After Plowing the Earth' (Ángel Parra), 'Kyrie' (Ariel Ramírez), 'Gloria' (Ariel Ramírez), 'Sanctus' (Ariel Ramírez), 'Exclamation' (Ángel Parra), 'Agnus Dei' (Ariel Ramírez), 'Man of Clay' (Ángel Parra) and 'Ave Maria' (Ángel Parra). »
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Blue Eyes (Ojos azules)

Music piece by:
Manuel Casazola Huancco
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, January – February 1974
« This is the last track on the cassette recorded by the band Los de Chacabuco in the concentration camp; it was digitised in 2015. »
[...]
« They played at the prisoners' weekly show. The song was very popular in Chile in the 1960s and many bands included it in their repertoire. »
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The Prisoner of Til Til (El cautivo de Til Til)

Music piece by:
Patricio Manns
Testimony by:
Renato Alvarado Vidal
« I arrived at Tres Álamos on the eve of the departure for Mexico with a large group of prisoners. The group included Dr. Ipinza, who before leaving entrusted me with the job of physician, the medicine donated by the Red Cross, and his position in the Council of Elders. »
[...]
« One day she sung 'El Cautivo de Til Til', which refers to the death of Manuel Rodríguez, the most charismatic figure associated with Chile’s struggle for independence from the Spanish empire. This song was deeply significant for us, because Manuel Rodríguez is the mythical embodiment of the people's fighter, to the extent that his name was taken by the main organisation for armed struggle against the dictatorship. But for us he was also significant as the first of the arrested and disappeared at the hands of the Chilean government. »
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Friend (Amiga)

Music piece by:
Miguel Bosé
Testimony by:
Carolina Videla
Experience in:
« I was 19 years old when they arrested me. I was one of the youngest political prisoners at the time in Arica. »
[...]
« After many years, we met and spoke about the song. He was laughing. It was nice to thank him after so many years. »
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The Prisoner of Til Til (El cautivo de Til Til)

Music piece by:
Patricio Manns
Testimony by:
Fernando Aravena
Experience in:
« The political prisoners organised mateadas once or twice a week, during which we did poetry and sang songs, amongst them ‘El cautivo de Til Til’ by Patricio Manns, ‘Samba Landó’ and ‘Vuelvo’ by Inti-Illimani, ‘Valparaíso’ by Osvaldo ‘Gitano’ Rodríguez, and songs by Eduardo ‘Gato’ Alquinta and Silvio Rodríguez. »
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The Brief Space Where You Are Absent (El breve espacio en que no estás)

Music piece by:
Pablo Milanés
Testimony by:
Pedro Mella Contreras
« In the Penitentiary, we listened to the song 'The Brief Space Where You Are Absent' on the radio stations Aurora and Nuevo Mundo. »
[...]
« It was very emotional when I handed her the cassette. The song is gorgeous and says many things. It is our song. »
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