154 results where found for «That General»
- Music piece by:Quelentaro (Gastón and Eduardo Guzmán)
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros Chacabuco, November 1973 – February 1974
- Tags:
- « From the first time I heard it, I was impressed by the way the duo Quelentaro sang this song, which was also written by them. When I sang it, I always tried to sing it in their style. I never sang it on stage, only for myself or for small groups of friends strumming guitars together. »
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- « that my granddad didn’t finish »
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- Music piece by:Roberto Ternán
- Testimony by:Sara De Witt
- Experience in:Campamento de Prisioneros, Tres Álamos, September 1976
- Tags:
- « We were in Tres Álamos barracks in September 1976. I don’t recall how many of us women were imprisoned there. I believe there were close to a hundred of us. »
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- « That you leave them behind when you dance, I surely know »
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- Music piece by:Roberto Ternán
- Testimony by:Alejandro Olate
- Experience in:
- Tags:
- « The youngest among us, aged 17 or even 16 years, did the heaviest work on Dawson Island. We had to fell trees, cut them, split them in two, cut them into wedges, and walk the several hundred meters back to the barracks carrying the logs on our shoulders. »
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- « That you leave them behind when you dance, I surely know »
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- Music piece by:Roberto Ternán
- Testimony by:Amelia Negrón
- Experience in:Campamento de Prisioneros, Tres Álamos, June 1976
- Tags:
- « We were in Pavilion 1. One of us came up with the idea, I can’t remember who. There were so many of us and we spent the day inventing and creating things! »
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- « That you leave them behind when you dance, I surely know »
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- Music piece by:Andrés Rivanera (lyrics) and Eugenio Moglia (music). Popularised by Los Moros and Jorge Yáñez.
- Testimony by:Guillermo Orrego Valdebenito
- Experience in:
- Tags:
- « In Chacabuco there were two theatres: one that was very beautiful and was linked to the old saltpetre works, where it is claimed (wrongly as it happens) that Caruso once performed, and another theatre that was inside the concentration camp. »
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- « to think that a wild gathering »
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- Music piece by:Fred Rauch (lyrics) and Gerhard Winkler (music). English lyrics by Carl Sigman. Recorded by Frankie Laine.
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros, Estadio Nacional, September - November 1973
- Tags:
- « I sang this song, as a soloist, in the dressing rooms of the National Stadium. »
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- « I believed that love was here to stay »
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- Music piece by:Sandro
- Testimony by:Nelly Andrade Alcaino
- Experience in:
- Tags:
- « The military officials in charge of the Tejas Verdes camp made us sing. They gave us just one day to select the songs and rehearse. »
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- « that are only vestiges of suffering. »
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- Music piece by:Violeta Parra
- Testimony by:Ernesto Parra Navarrete
- Experience in:Campamento de Prisioneros, Estadio Nacional, 9 November 1973
- Tags:
- « Run Run... On the big pitch, mild summer weather was in the air. »
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- « tells me that his trip »
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- Music piece by:José Agustín Goytisolo (lyrics) and Paco Ibáñez (music)
- Testimony by:Amelia Negrón
- Experience in:Campamento de Prisioneros, Tres Álamos, 1975 and 1976, until the closure of Tres Álamos
- Tags:
- « There were so many of us women prisoners. Despite the circumstances, we had managed to invent our own world, one with our rules, according to what we thought and wanted for ourselves, our families and all the Chilean people. »
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- « Introduction by Ana María Jiménez: 'We are going to sing a song that for us, former prisoners, has great significance. This is 'Palabras para Julia,' a song with lyrics by José Agustín Goytisolo and music by Paco Ibáñez. It speaks of strength, love, resistance, and it became the anthem of the women of Tres Álamos. With it, we greeted those who arrived and said goodbye to those who were freed. With it, we remember and want to share it with you today.' »
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- Music piece by:Luis H. Profili
- Testimony by:Edgardo Carabantes Olivares
- Experience in: